Virtually any artist using the human figure as a vehicle for commentary and self - examination... Gillian Peterson - Krag, Michael Andrews, Robert Bauer, the Bay Area Figurative painters (especially Elmer Bischoff), Eric Fischl, Will Cotton, Cecily Brown —
not as a colorist or even as a painter but as a bawdy narrator of sexual experience.
Not exact matches
Scan the literature on veteran New York painter Paul Resika and you can't help but note the repeated plaudits for his skills
as a
colorist.
David Klein shows Al Held
as not just a one - trick pony, with geometric abstraction
as the illusion of three dimensions, but every now and then a respectable
colorist.
I myself once compared her paintings to those of Josef Albers, seeing them
as «fundamentally abstract, the house [being]
not so much a house
as the form of a house, a given shape, a certain geometry,» like those endless squares painted by the ex-Bauhaus
colorist.
Perhaps it's
not surprising that Hicks was a student of the great
colorist Josef Albers, who instructed her in the mid - to late 1950s while teaching at Yale University,
as well
as of art historian George Kubler
I am
not alone in thinking of Stella
as a consummate
colorist (and I feel
as though I'm too old to like the neon in the later works) but in this pivotal piece he is a supreme dialectician on the subject.
He expects the museum's inaugural exhibit to remain on view for nine months; then, he plans to focus on other aspects of Still,
as a
colorist, say, or a landscape painter, that will build up his reputation — although classics like «1944
N # 1» and the blue painting will always be up.
At least they do
not include water
colorists as evidence yet.