Sentences with phrase «not brothers»

@Andrew Wong and I (we're NOT brothers) use this model a bunch.
Sibling relationships are not elective; children pick their friends but not their brothers and sisters.
Ben Rivers, «The Sky Trembles and the Earth is Afraid and the Two Eyes Are not Brothers» (2016).
At the Whitworth we continue our ongoing partnerships with Artangel, showing Ben Rivers» The Two Eyes Are Not Brothers (25 February — 22 May 2016), and with the Hayward Gallery, presenting a sculptural show curated by the wonderful Elizabeth Price in the summer.
Ben Rivers, The Two Eyes are Not Brothers, 2015, installation view, BBC Television Centre, London.
Most shooters you can run and strafe to kill enemies, but not Brothers in Arms.
This is totally different from the way we are «educating» these days, promoting the ego in each child, rewarding the bright ones and punishing the weak, teaching them that their classmates are not their brothers but rivals to be outdone.
Click on for our reviews of Florence Foster Jenkins, Bad Neighbours 2, Knight of Cups, I Saw the Light, Evolution, Truman, Johnny Guitar, Robinson Crusoe, These Final Hours, and The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers.
(Ernst Karel, Véréna Paravel & Lucien Castaing - Taylor, 2015) Vita Brevis (Thierry Knauff, 2014) El abrazo de la serpiente (Embrace of The Serpent, Ciro Guerra, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Intimations (Nathaniel Dorsky, 2015) 88:88 (Isiah Medina, 2015) Francofonia (Aleksandr Sokurov, 2015) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) El botón de nácar (The Pearl Button, Patricio Guzmán, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) Beixi moshuo (Behemoth, Zhao Liang, 2015) Torneranno i prati (Greenery Will Bloom Again, Ermanno Olmi, 2014) Peace to Us in Our Dreams (Sharunas Bartas, 2015) Paul Sharits (François Miron, 2015) João Bénard da Costa — Outros amarão as coisas que eu amei (João Bénard da Costa — Others Will Love the Things I Loved, Manuel Mozos, 2014) Branco sai, preto fica (White Out, Black In, Adirley Queirós, 2014) O Meu Outro País (Solveig Nordlund, 2014) Die Hohlmenschen (Peter Nestler, 2015) Engram of Returning (Daïchi Saïto, 2015) El Movimiento (The Movement, Benjamin Naishtat, 2015) El Club (The Club, Pablo Larraín, 2015) Ta luo (Tharlo, Pema Tseden, 2015) Dead Slow Ahead (Mauro Herce, 2015) Passion (Jean - Claude Rousseau, 2015) Mga Anak ng Unos, Unang Aklat (Storm Children, Book One, Lav Diaz, 2014) Look Love (Yun Ye, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Scrapbook (Mike Hoolboom, 2015) Brat Dejan (Brother Dejan, Bakur Bakuradze, 2015) 11 minut (11 Minutes, Jerzy Skolimowski, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Miliy Hans, Dorogoy Petr (My Good Hans, Alexander Mindadze, 2015) The Knick season 2 (Steven Soderbergh, 2015)
3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)
(Ernst Karel, Véréna Paravel & Lucien Castaing - Taylor, 2015) Another Country (Molly Reynolds, 2015) As Mil e Uma Noites (Arabian Nights, Miguel Gomes, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Bitter Lake (Adam Curtis, 2015) Chevalier (Athina Rachel Tsangari, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Fort Buchanan (Benjamin Crotty, 2014) In Jackson Heights (Frederick Wiseman, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Li Wen man you Dong Hu (Li Wen at East Lake, Luo Li, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellocchio, 2015) Stinking Heaven (Nathan Silver, 2015) Tangerine (Sean Baker, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) The Lobster (Yorgos Lanthimos, 2015) The Memory of Justice (Marcel Ophüls, 1976) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) Une jeunesse allemande, (A German Youth, Jean - Gabriel Periot, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Windjarrameru, The Stealing C*nt $ (Karrabing Film Collective, 2015) Watching Mulholland Drive (David Lynch, 2002) on TV at 4 am with gloriously arresting jetlag in a hotel room in Downtown LA.
Three or four regular readers of The A.V. Club's TIFF coverage may remember The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers, a film with an ungodly long title that I wrote about last year.
Although it is not the brothers» best work, it still features their trademark writing style and humor.
Tags: Mimosas, Oliver Laxe, Facets Multimedia, Ben Rivers, The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers, westerns, John Ford, Wagon Master, Anthony Mann, The Naked Spur, The Far Country, Grasshopper Film, Image
An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.
A.V. Club favorite Ben Rivers (Two Years At Sea) started coming into his own just as doom and black metal were becoming dominant influences on experimental film, and The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers (Grade: B --RRB- works in that now - familiar palette of natural landscapes, rituals, and enigmatic violence.
«It's not the brothers.
The reality is, however, that Western «partners» are not disinterested and often have ideological agendas: Western partners are not the brothers that Africans hope to find in them.
And are not his brothers James and Joseph and Simon and Judas?
We are not brothers and sisters either this is not any where scriptural in fact Jesus asked what business does light have with darkness, even down to separating the members of ones household.
I guess I found the idea that our love for those who are not our brothers or those who are not known to us should be the same as our love toward those we consider kindreds a convicting idea.
As a Christian Brexiteer I'm delighted, but not all my brothers and sisters in Christ share my elation.
Even Native People's of the earth understand and know that Monkies are not our brothers, Why don't you?
Isaac and Ishmael were not brothers and did not bury Abraham, together?
You are more than willing to assert there is no God but if there isn't a spiritual parent linking us, then we are not brothers and sisters.
= > two verses down «Cain was very angry and his face downcast» v8 Cain attacked his brother and killed him» «I am not my brothers keeper
It's a philosophy that we are all separate, and we're not brothers and sisters.
Then casually say: «Oh, hey, isn't your brother doing something for some NGO?
It's not your brother - in - law's startup business.
That is done collectively and it is the «I am not my brother's keeper approach» to dealing with sin.
There was the challenge of the broadside / pamphlet in the African - American communities of the 1970s and»80s, «Is you or ain't you a brother?»
Cain becomes angry when God accepts Abel's sacrifice rather than his own (Gen 4:5), and after he kills Abel, claims that it is not he who is supposed to take care of Abel, that he is not his brother's keeper (Gen 4:9).
First, according to Father Maillard (referred to above), the rich man is not our brother, he is our enemy; eliminating him is the only thing that matters.
i am not your brother in islam.
This still doesn't mean Harpur isn't important, should be ignored, and isn't a brother.
In this the children of God are manifest, and the children of the devil: whosoever doeth not righteousness is not of God, neither he that loveth not his brother» (1st John 3:8 - 10).
1Jn 4:20 If a man say, I love God, and hateth his brother, he is a liar: for he that loveth not his brother whom he hath seen, how can he love God whom he hath not seen?
Aren't we all brothers and sisters in Christ????
1 John 3:10 In this the children of God are manifest, and the children of the devil: whosoever doeth not righteousness is not of God, neither he that loveth not his brother.
The first Epistle of John sounds the same note: «If a man say, I love God and hateth his brother he is a liar; for he that loveth not his brother whom he hath seen, can not love God whom he hath not seen.»
Yea, O Lord and King, grant that I may perceive my own transgressions, and judge not my brother, for blessed art Thou unto ages of ages.
And when the sun came up on Jacob and he realized that the face most to be feared was not his brother's but God's, we too marveled that the worst that could ever happen was over; relieved, we crossed the river to Esau, dragging our leg like a prize.
10In this the children of God are manifest, and the children of the devil: whosoever doeth not righteousness is not of God, neither he that loveth not his brother.
He that loveth not his brother abideth in death.»
Wherefore, Paul declares personally, «If meat causeth my brother to stumble, I will eat no flesh for evermore, that I cause not my brother to stumble» (8:10 - 13 passim), thus stating what has been regarded as the classic principle of Christian liberty.
The Jesus of the bible is not the brother of Lucifer.
I'm giving them to you not your brother because you're a born leader.»
Why, she wondered, had her husband survived such a horrific crash but not her brother?
We then found out it would be a boy and my son cried saying he wanted a sister not a brother, surprisingly he was upset for a few days about this.
You don't have to like him because he is not your brother; ethnic bigots like you will never see anything good in his government, when your brother who speaks like someone who suffers from cerebral palsy was there, long queues of vehicles were a daily sight at petrol stations, epileptic power supply a norm, human rights violations unprecedented etc..
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