Sentences with phrase «not classicism»

And she chose not classicism but the Mannerism that followed, much as art today uneasily follows Modernism.

Not exact matches

A great little online boutique for some inspo for just that visit Seersucker Sassy Boutique for some jewelry items that add that layer of classicism, but it isn't so over the top 1950s movie starlet.

for some jewelry items that add that layer of classicism, but it isn't so over the top 1950s movie starlet.

They do not push one back to contemplate their classicism and the place of abstract art in the museum.

She does not imitate appearances but constructs within the logic of classicism.

The Italian artist Claudio Parmiggiani worked as a studio assistant to Giorgio Morandi in the late 1950s, and seems to share his slightly twisted Classicism (though not his affection for paint).

The older photographer pushed the limits during his life but made a real scandal only after his death, when Jesse Helms noticed his homosexuality but not his perverse classicism.

Yet she insists that her early ambitions lay in architecture, not in gesture, and that she feels closer to the voluptuous classicism of Renaissance Italy.

Classicism and Romanticism have always been present in Chia's work, but now their presence brings to mind a hint of Matisse, Chagall or Modigliani, with simplified forms and a stillness we haven't seen from him before.

This suggestion of classicism, «a meditation on the human body,» reinforces the nudes» sculptural quality, something not typically considered in Close's oeuvre.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Painting with classicism, he does not forget his contemporaries.

In a statement she wrote on the occasion of a 1942 exhibition at the Museum of Modern Art she laid out precisely what she meant by this term: «By Classicism I mean, not traditionalism of any sort, but a highly conscious concern with esthetic structure which is the antithesis of intuitive, romantic, or realistic approaches to painting.

Or, as Lundeberg and Feitelson put it in their manifesto, «the mechanisms of New Classicism are based upon the normal functioning of the mind: its meandering, logical in sequence though not in ensemble, its perceptions of analogy and idea - content in forms and groups of forms unrelated in size, time, or space.»