Sentences with phrase «not develop its exhibition»

Please note that the Museum does not develop its exhibition programming from unsolicited submissions.

The Bob Rauschenberg Gallery does not develop its exhibition program from unsolicited proposals from artists, and we regret that our resources do not allow for curatorial review of such submissions.

Not exact matches

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Don't miss this one - of - a-kind exhibition, developed by and debuting at Crystal Bridges.

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

Developed from research into flora, slime and fertility and her recent fieldwork on the Isle of Eigg, Ihrman's Cooper Gallery exhibition questions the ability to thrive that all life carries; an ability that is governed by and dependent upon not only environmental conditions, but more importantly how culture portrays and understands nature and thus itself.

«Redstone's practice,» explains Professor Jenni Sorkin in a text that accompanies the exhibition, «has developed largely abroad, and in semi-isolation, not unlike Maria Nordman (b. 1943), who is the same generation, and Jo Baer (b. 1929), the minimalist painter - turned - public artist.

Keltie Ferris — a 2006 Yale MFA who participated in the height - of - the - market, art - department - raiding exhibition «School Days» at Jack Tilton Gallery in 2006 — has a lot of good ideas, even if they're not all fully developed yet.

In 2003, the Wilsons developed their work with greater complexity, involving not only multiple projections but also a variety of differently positioned surfaces as screens in the art work and exhibition A Free and Anonymous Monument (2003).

According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.

I participated in some group exhibitions of Dutch art but I wasn't able to develop the «art and technology» ideas I dreamed up — with the exception of a complicated construction, based on controlled electromagnetic power, in which a large stone floats in space (Floating Stone, 1999).

It is a tremendous honor to join the team at SFAI — I can not imagine a greater role than developing exhibitions, public programs, and community engagement for an institution, and a city, known for restless experimentation, risk, and the implicit trust of artists.»

On Thursday, May 22, Location One, a not - for - profit multimedia arts organization, will open its second artists in residence group exhibition with multimedia work developed during their stay by Daniel Blaufuks (Portugal), Isabelle Jenniches (The Netherlands), Dominik Lejman (Poland), Jiun - Ting Lin (Taiwan), and Javier Viver (Spain).

May 22, 2003 - June 28, 2003 May 22, Location One, a not - for - profit multimedia arts organization, opened its second artist - in - residence group exhibition with multimedia work developed during their stay.

Alongside exhibitions at TPW, Simon continues to develop two extended programs, «You Had To Be There» — an event and performance series looking at the relation between liveness and images, and «This is Not a Blog» — an intimate series of discussions on culture.

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) is a public not - for - profit contemporary art museum which collects, preserves, researches, and exhibits twenty - first century art from Africa and its Diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes; encourages intercultural understanding; and guarantees access for all.

A 1958 exhibition of Jackson Pollock's work at Whitechapel Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley began to develop her signature Op Art style consisting of black and white illusionistic patterns.

do it is an exhibition where you can not only look at things but also take part yourself in forming and developing the exhibited works.

Our program focuses on the presentation of solo exhibitions and collaborative research projects with an emphasis on creating a cohesive, in - depth, new body of work and ever - changing methodology in order to develop projects which might not be exhibited otherwise.

By situating half the exhibition in one of Europe's presently crisis - plagued countries — in the midst of discussions about migration policy, continental cohesion, and moral obligations — an urgency that it could not have developed in Kassel alone is attained, and harnessed.

The group exhibition «Tomorrow in the Battle Think on Me» is built in a collage of ideas, artworks and emotions, echoing the novel of the same name by Spanish writer Javier Marías, is not developed around the novel's plot, but is concerned rather with its construction, most notably in the recurring appearance of the lines, taken from Shakespeare's «Richard III», deformed and reassembled to become a ritornello.

Intriguing though it was, her relatively small show at the Turner Prize exhibition in Derry - Londonderry didn't feel quite substantial or developed enough to justify the award.

The 2016 program will not only continue 2013's sessions, but also develop a series of local on - spot exhibitions, «Fab - Lab» （ Weaving Workshop ）, an international art training program and artists» talks, World Wide Weaving, an opening lecture and seminar «Textile Thinking,» a parallel exhibition, Liang Shaoji's solo exhibition, Liang Shaoji: Cloud above Cloud and many other multithreaded strategic activities, all featuring the theme of «Weaving & We.»

For his first exhibition in Portugal, Petrit Halilaj will present the inner structure of the nest that previously formed the project he developed for the Republic of Kosovo's first official representation in the Venice Biennale of 2013.

After completing A BA in Art History from the University of Vermont (2007) and an MA in Contemporary Art from the Sotheby's Institute of Art, London, (2012), Sanfilippo joined the not - for - profit alternative exhibition space Locust Projects in Miami to develop the organization's fundraising portfolio, public profile, infrastructure, and programs.

The exhibition will not adhere to thematic or media - specific categorization, and is developing in response to studio and gallery visits, and dialogue with local art practitioners.

One thing that was really interesting to me as this exhibition was developing is the way that artists are using materials that may be slightly historic, of a moment that is not now, to reflect and think about contemporary ideas.

I didn't visit John Bunker's recent exhibition with a view to writing a review, but first impressions from seeing evidence of his developing assuredness in assembling and composing collage material have lingered long after the encounter.