Sentences with phrase «not direct another feature»

Shockingly, Jenkins did not direct another feature in the 14 years between Monster and Wonder Woman — a gap that speaks volumes about the barriers faced by female directors in Hollywood.

Roth, who hadn't directed a feature film since 2007's Hostel: Part II, seems to be attached to everything right now with -LSB-...]

Not exact matches

While the lawsuits don't take direct aim at the operating software — yet — many of the features under contention are connected to and enhanced by it.

The direct deposit feature is not available for SIMPLE - IRAs at this time.

Buyers don't buy features; they buy benefits and solutions, so the salesperson needs to be prepared to propose direct solutions to any issues raised.

But I do argue that even if we each had privileged and direct access to, and guaranteed inventory of, our own individual human experience, only a complex dialectical examination could, if anything could, reasonably and nonarbitrarily determine which features of our own experience — individual and human — are essential to experience as such, which are essential to human experience but not to experience as such, and perhaps which are essential to one's own experience but not to human experience as such.

To that assessment this essay will contribute modestly by arguing (1) that an account of experience must be compatible with the fact that there is no one thing which is what experience is or is the essence of experience, (2) that no philosophically adequate account of what experience is can be established merely by appeal to direct, personal, intuitive experience of one's own experience, (3) that generalization from features found in human experience is not sufficient to justify the claim that temporality is essential to experience, but (4) that dialectical argument rather than intuition or generalization is necessary to support the claim that experience is essentially temporal.

The key issues are not ones he addressed or on which central features of his teaching cast any direct light.

The direct relation to God belongs, therefore, to the inescapable features that define the structure of man's condition, which he may deny but can not cast off.

Gov. Andrew Cuomo earlier today insisted he hasn't been trying to distance himself from the amendment that would expand casino gambling in New York, and also confirmed that a campaign featuring direct mail and television ads would come soon.

Although anomalocaridids died out (and thus aren't the direct ancestors of any living arthropod lineage), they likely shared many anatomical features with close relatives living at the time that ended up on the surviving branches of life's family tree, he explains.

Commercial arrays are not available for all biomarkers, so customised arrays for the analysis of vaccine candidates will be developed, featuring antigens for direct detection or antibodies for sandwich immunoassays (e.g. for cytokine detection).

If you have matches who don't have photos posted, use the Photo Nudge feature to send them a polite but direct request to upload an image of themselves

In some cases direct comparison of features is not possible, while simple lists of how many features a dating service has may imply a superiority in the service that does not really exist.

The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made - for - television adaptation directed by and starring Allen himself.

Not only does the Disney outfit's 19th feature, co-directed by Lee Unkrich and Adrian Molina, emerge as Pixar's most original effort since Inside Out, it's also among its most emotionally resonant, touching on themes of belonging common to Finding Dory and the Unkrich - directed Toy Story 3.

He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).

But he's also improbably directed 25 features and documentaries, not counting TV episodes and shorts, and I think I'm the only dummy on Earth who's sat through most of them — Child of God, The Sound and the Fury, As I Lay Dying and almost two dozen others you've never heard of — before they've disappeared from the face of the Earth.

«Lucy» doesn't make a lick more sense than «Transcendence» did — even though both feature Morgan Freeman working overtime to talk us through the proceedings — but at least «Lucy» has the good fortune to be written and directed by Luc Besson, which means that while the results may be cuckoo - bananas, they're never boring.

Written and directed with care, acted spectacularly, and delivering a satisfying conclusion even for those who knew the outcome, I really don't have anything negative to say, aside from the fact that it can feel boring at times and a little dragged out to fit a feature film runtime.

This level of activity is not unusual for Soderbergh, who has directed about 21 feature films since 1989's Sex, Lies, and Videotape, but now he's trying to cram one more project into his schedule.

Swanberg has 17 feature film credits as a director on his IMDb page, and he hasn't even been directing for a decade.

Director Mimi Leder made the step up from television for her first big feature (she had directed numerous episodes of ER, starring Clooney and executive produced by Dreamworks's Steven Spielberg) and it received reasonable notices, though I can't really think why (it was nowhere near as good as the other big, dumb action movie of that year, Air Force One).

She should stick with photography, because it seemed obvious that she doesn't know how to direct a feature.

Jay Chandrasekhar has done a great job of not only starring but directing Broken Lizard's first feature, and it can be seen that he was the primary driving force in this project.

In his role as on - set visual effects supervisor for Game of Thrones, Raisani has helped craft much of the show's most iconic imagery; when not in Westeros, he also found time to direct his first feature, out this Friday from IFC.

When designer Tom Ford first stepped up to direct a feature length film, it's probably not far off to suggest that many may have sneered or looked mockingly.

Obviously, it's not as if Kaufman did a complete overhaul, so don't expect Po to be kung fu fighting villains within his memories, only to realize that those memories are just part of an elaborate play being directed by Philip Seymour Hoffman (or maybe in this case Dustin Hoffman, since he voices a character in these films) which features himself directing a sequel to Kung Fu Panda.

Sofia Coppola told a press conference in Cannes that she hadn't seen the 1971 big screen original feature The Beguiled, directed by Don Siegel and starring Clint Eastwood, ahead of pursuing her version.

Written by Freaks & Geeks / Undeclared / KNOCKED UP's Segel — so committed a comic actor that he goes the Full Monty not once, but twice — and directed by Undeclared writer Nicholas Stoller, this heartbreak - kid comedy is very much a Judd Apatow production: It even features Jonah Hill as an obsessed Infant Sorrow fan who works at Turtle Bay.

The Lazarus Effect is directed by David Gelb, whose last feature film was — and I've rechecked this three times to make sure it's not an error — the fascinating 2011 documentary Jiro Dreams of Sushi, about an old Japanese man who runs a tiny but renowned restaurant in Tokyo.

SAN RAFAEL, CA (August 8, 2017)-- The Mill Valley Film Festival is proud to honor acclaimed director Todd Haynes (Carol, Far From Heaven, Safe, I'm Not There) with a Tribute, featuring an onstage conversation and presentation of the MVFF Award in recognition of a career that exemplifies the art of great directing.

Red Christmas is both written and directed by Australian actor - filmmaker Craig Anderson, making his feature directorial debut after numerous short films and TV work including «Double the Fist», «Black Comedy», and «How Not to Behave».

The guy hasn't written or directed a feature film since 2005's «Kiss Kiss Bang Bang,» and yet here he is, doing that Shane Black thing once again, only this time with superheroes, while trying his best to streamline his R - rated ways for a PG - 13 audience.

by Walter Chaw The only genre that boasts more direct - to - video fare than horror is porn, and since we haven't quite reached the point of quiet desperation needed to begin reviewing porn, find here a smelted cheddar of four dtv horror features (actually, The Boogeyman got a theatrical release in 1980, though I can't understand why): the eighth film in Clive Barker's venerable horror octology, Hellraiser: Hellworld; The Boogeyman and its second sequel, the legitimately straight - to - video Return of the Boogeyman; and Kevin VanHook's The Fallen Ones.

The most disappointing features of the film though were the distracting directing style of Stone, who normally isn't like this, and the horrible choice in music.

Note: Because I'm currently producing and directing The Purdy Project — a feature documentary executive - produced by Ron Mann and distributed FilmsWeLike — I will not be reviewing FWL releases such as Ida.

«Written and directed by «Seabiscuit» helmer Gary Ross, «Free State of Jones» is structured with the haphazard flow of a miniseries that's been cleaved down to feature length, and shot with the boxed - in functionality of basic cable television; it would be a misfire even if it weren't completely tone - deaf to the current climate.»

No, not, Inferno turned Ordeal, the flick that once starred Lindsay Lohan, but now will feature Akerman alongside Matt Dillon, but simply Lovelace, the version that the directing duo behind Howl is working on.

Colorlessly directed by Colm McCarthy in his feature debut, this overlong contribution to the genre is set in the not - too - distant future, when a fungus has turned most everyone into brain - dead «Hungries» feasting on flesh and blood.

READ MORE: Why Steve Carell Didn't Change His Approach For «Foxcatcher,» the Darkest Project Of His Career Three years after directing Brad Pitt to an Oscar nomination in the 2011 sports drama «Moneyball,» Bennett Miller (Oscar - nominated for «Capote») is finally back in theaters with his fourth feature «Foxcatcher,» which opened in select theaters last Friday after screening at every major festival this year, including Cannes, Toronto and New York.

Not only is this Irish drama sharply well written and directed, but it also features a jaw - dropping breakout performance by young Irish actor Jack Reynor.

Drag Me to Hell: Collector's Edition (Blu - ray) Details: 2009, Scream Factory Rated: Not rated & PG - 13, horror violence, terror, disturbing images, language The lowdown: Sam Raimi directed this horror feature about an ambitious, young bank loan officer, Christine Brown (Alison Lohman), who decides to evict an elderly Gypsy woman from her house, and incurs an evil curse for publicly humiliating the Gypsy.

The book was scarcely enough material for a feature film, which didn't stop Hollywood from trying one in 1974 — an ill - advised live - action version, directed by «Singin» in the Rain's» Stanley Donen, that padded things out with a suite of unmemorable Lerner and Lowe songs, and one genuinely dazzling Bob Fosse dance routine.

Although the director is Douglas Trumbull, a special effects expert who has only directed two features as of date (the other being Brainstorm) the film isn't a special effects film as such and is surprisingly good, albeit slightly melancholy.

Over ten years before Rob Reiner («All in the Family», This is Spinal Tap) would direct the great romantic comedy, When Harry Met Sally, he wrote this very similar piece for ABC television, which featured a very similar premise of two best friends of the opposite sex that develop feelings for one another, but are unsure whether or not they should stay friends or take it a step beyond.

The characters aren't flat, the film isn't dull, it's vibrant and flashy and entertaining and a rather remarkable feature directing debut for Gordon - Levitt, better than I was expecting.

In the feature, Donaldson effectively compares and contrasts the career trajectories for Mimi Leder, who made her name through her Emmy - winning work on «ER,» directed the one of the top - grossing films of 1998 with «Deep Impact» and then went to «movie jail» and didn't direct another film for nine years after the middling performance of her 2000 family drama «Pay It Forward,» to those of Trevorrow, who made his feature debut with the Sundance hit «Safety Not Guaranteed,» won the choice gig helming «Jurassic World» on director Brad Bird's recommendation and managed steer to the reboot of one of the most popular film franchises of all time to giant box - office success.

Wolfen (Warner Archive, Blu - ray)-- The werewolf movie was revived and reworked with a vengeance in 1981 andWolfen, adapted from the Whitley Strieber novel and directed by Michael Wadleigh (his first feature since the epic concert film Woodstock), was a far more radical take on the genre than either An American Werewolf in Londonor The Howling, though not as popular as either.

Beginners Year: 2011 Director: Mike Mills Beginners is directed by Mike Mills, who hasn't made a feature film since 2005's Thumbsucker.