Sentences with phrase «not direct his shot»

Very similar game to Chelski although at least there was some attacking threat from Chelski, Flappy is not that good and wouldn't have saved everything had we not directed every shot and cross straight at him.

Flappy is not that good, and if he hadn't directed every shot and cross straight at him, we would've scored

Even if it isn't a direct shot, it's quite clear that Jim Harbaugh has ruffled some serious feathers with his satellite...

Even if it isn't a direct shot, it's quite clear that Jim Harbaugh has ruffled some serious feathers with his satellite camps.

Just four minutes after the equaliser, Town was probing again with Tear provider this time picking out Olly Dyson, but the substitute could not direct his shot goal wards as he put it narrowly wide of the left post.

So while this isn't a direct shot at the Chromebook — it kinda, sorta is.

Not exact matches

BREAKING: Pres. Trump says he's directed AG Sessions to propose regulations to «ban all devices that turn legal weapons into machine guns» like the bump stocks used in the Las Vegas mass shooting (which were not used in last week's Florida school shooting) pic.twitter.com / q3sqcetfCV

«Edmonton needs a mayor with experience, one who doesn't reduce significant issues to one - liners,» she told reporters, taking an obvious direct shot at Councillor Kerry Diotte.

The first time I realized I didn't make it as directed (I just threw everything in a jar and whirled it together) so I gave it another shot.

Not so sure as a st.. He is very direct, pacey, technical and shoots a lot inside and outside the box.

I like to think of myself as a fairly rational individual, which is why what has and is going on at Arsenal confounds me... little wonder people have gone so far as to suggest that Wenger is actually sabotaging the club... one only needs to look at our starting 11 to stoke the flames of conspiracy... just think of the perceived importance of this game, considering the loss to Stoke, the historically significance of the two teams involved, the controversy that swirled around our two meetings last season, the proximity to the closing of the window and the general disdain being directed towards the manager once again... how is it even possible that you wouldn't come to Anfield with all guns blazing... not a single shot on target, with the back - up keeper in no less... where were the new signings?

Not necessarily players purposefully «shooting middle» as much as the fact that pitchers are in the direct line of danger.

Secondly Arsenal should not be afraid of making a direct shot or challenge a player to get in front of the goal.

1) Positionally, Ramsey, Xhaka and Bellerin were all over the place, 2) too much overplaying, 3) weak / useless (direct shots) at goalkeeper (why not shoot at the corner of the goal?)

Although mathematically still within a shot in grabbing direct qualification for upcoming 2014 World Cup, France national side are accepting the fact that they might not earned that ticket and prepare for play offs instead.

Among them, seven shots were directed to the target but could not find the net.

Door - to - door canvassing is out (unless you want to get shot at), phonebanking works in some places but not in others, internet access only reaches half of rural America and even direct mail won't find everyone regularly.

The McMillan announcement — which did not include a music video, like many of his past runs for office — took direct shots at Gov. Andrew Cuomo, who is seeking his second term in office.

He called the shooting death of the cops the «direct spinoff» of anti-police-brutality protests that the sympathetic mayor had allowed to take over city streets, blamed marijuana — which, thanks to the mayor, you can now carry a larger quantity of without getting locked up — for a spike in murders, has proudly declared stop - and - frisk isn't going away, and has repeatedly broken with the mayor on the subject of how many more cops the city needs (the mayor has said none, the police commissioner now says at least 1,000).

Some species of salamander can shoot their tongues out so fast that scientists suspect it can't be done by the direct application of muscle power alone.

They've ruined that but the University of Geneva, research is being done on sort of an amazing idea for being able to use lasers that would be directed, shot up into the sky into storm formations, that might have a lot electrical activity, basically creating a plasma channel to help guide the lightning down to a spot where you want it to hit so it's not just randomly hitting someplace else.

He feels comfortable directing the shot, and I don't feel stupid practicing my squinching.

Not without it's moments, this film is poorly directed, acted, written, edited, and effortlessly shot, «Annie» (in every regard), is one of the worst films of 2014.

1) You (and a spread of trolls on here and other sites) keep calling it «Hollywood propaganda» but it isn't even a Hollywood film - it's almost entirely financed by foreign companies (In France, Germany, Italy) was shot for 3.5 million in Italy, directed by an Italian.

And Pollack, now 70, directs with real verve, quite enough to make us forget his tepid recent movies («Random Hearts,» «Sabrina») and to remember the skill and craftsmanship of «Tootsie,» «They Shoot Horses, Don't They?»

Your defense of Bay's «auteurist» aesthetic sense - «a man who never outgrew directing Super Bowl commercials»; «Bay has a style - a weird one, certainly, a hybrid of a nose - picking jock and a slick ad man who shoots a can of Pepsi, a Chevy Camaro, and a leggy blonde with the same voyeur's eye, and his bizarre gallery of ethnic sounds, voices, and faces is not without precedent» - makes this movie sound about as appealing as... well, exactly the things you described.

I'm just going to not cover this zit,» Gillan recalled fondly of the freezing - cold night shoots she directed with a splinter crew of seven across Inverness, outside the local chips shop, on streets and bridges she knew from her childhood.

Currently shooting Paramount's La Femme Nikita-esque The Rhythm Section with Blake Lively in the lead and Barbara Broccoli producing, Morano wasn't able to squeeze directing on the second season of Handmaid's Tale into her schedule, but her acclaimed work on the Hulu drama led to a meeting with Star Wars gatekeeper Kathleen Kennedy about, um, something.

Gia isn't hagiography, I'll give it that, but it is reductive to a fault; once known as a screenwriter with a literary bent, having risen to the challenge of distilling novels by no less than John Updike and Tom Wolfe, Cristofer turned into a sensationalist when he started directing, and virtually anything that's not an exploitation staple is relegated to the margins in Gia — not to mention in Cristofer's sophomore efforts Body Shots and Original Sin.

He's also been no stranger to studio meddling, having been hired to helm «Dominion,» a prequel to the «Exorcist,» after the death of John Frankenheimer, but the studio ended up shooting the film again, virtually from scratch, with a mostly different cast, with Renny Harlin directing (some elements of Schrader's version survive, but not many).

During the Nintendo Direct they also detailed more of the shots that go a bit beyond basic tennis — don't worry, there is a «simple rules» mode that give you only the basic tennis rules.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

It's impossible to communicate the scene and the effect in words, if only because Brickman — for a first time director — not only knows how to compose a shot and how to direct actors, he also knows how to pick music.

Variety also notes that, given how intense it will be — schedule wise — to shoot both Infinity War movies, the Russos probably won't be directing anything but Marvel movies for a while.

Even the writer of The Last Stand, one Simon Kinberg, has admitted that it didn't quite get the treatment right, and he'll have the chance for a do - over as the prolific producer and X-franchise stalwart is directing this time, making his shot - calling debut after writing the script and producing all the recent X-movies.

«Written and directed by «Seabiscuit» helmer Gary Ross, «Free State of Jones» is structured with the haphazard flow of a miniseries that's been cleaved down to feature length, and shot with the boxed - in functionality of basic cable television; it would be a misfire even if it weren't completely tone - deaf to the current climate.»

I threw in a couple suggestions here and there to feel like I was a big shot and so I could tell people, «I directed Dylan Baker,» but I didn't do a thing.

Liman and his successor, Paul Greengrass, reasoned that deliberately chaotic shooting and editing could transform an otherwise ordinary fistfight or rooftop sprint into something disorienting and, when done well, pretty exciting, and the Bourne films handle that sort of cut - and - paste mania better than just about any film not directed by Tony Scott.

The «Select Scenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginning).

While we don't get to hear a lot of their music (most likely because they couldn't get the rights - they don't even say the name «The Beatles» once), the film is so masterfully directed, beautifully shot, and well acted, that I easily became wrapped up in the story and the characters.

Wadjda, both the first film to be shot in Saudi Arabia as well as the first to be directed by a Saudi woman, may not be infallible, but it is a sharp commentary that pierces to the heart of things just as well as its eponymous protagonist pierces our own hearts with her quirky, rebellious ways.

Ori's jump feels a little like Super Meat Boy but without as much range in distance, while attacking is not a direct hit but a series of homing bulbs shot from Ori's overhead companion.

Perhaps because this is a film written and directed by men, cutting loose for these moms does not mean acting like they did when they were young and single, but rather a frat boy fantasy involving speeding in muscle cars, downing bottles of vodka and Jell - O shots, shrugging off any responsibilities, flipping their condescending boss the bird, throw wild and hedonistic parties, and trying to get laid with easy hookups at the local bar.

Last, but certainly not least, comes the addition of Hector for Blood Ties, a crime thriller directed by Guillaume Canet (Tell No One) currently shooting in New York.

This Is Not a Film (directed with Mojtaba Mirtahmasb, 11), shot while Panahi was under house arrest in his Tehran apartment, is a tantalizing hybrid of documentary self - portrait and contemplative fiction, at once an act of rebellion and a singular example of film as legal loophole: Panahi was effectively telling his persecutors, «You never specified that I couldn't make a film like this, because you never could have anticipated me making it.»

Though Chan writes and / or directs some of his pictures, he's known almost exclusively as a performer; the fact that the credited director of Drunken Master II, Lar Kar - leung, was fired by Chan halfway through the shooting seems not to have affected the results at all.

Phantom Thread is a work of tremendous focus, not only from Day - Lewis but also Paul Thomas Anderson, who writes, directs and shoots the film (albeit uncredited as the cinematographer).

Opening and closing outside downtown L.A.'s Disney Hall, it's directed by Lee Toland Krieger, who says at the Q & A that they also meant to create a love letter to the often - photographed Los Angeles, not by employing the standard shots but rather some of its neighborhoods, and in fact they do a sweet job showing the day - to - day lives of people who live and love here.

It's obvious Argento is not from our neck of the woods (Jenifer's setting is not an actual place so much as it is a dislocation), but whatever alienation he may feel shooting films and directing actors in the United States gives films like Trauma, The Black Cat, and now Jenifer an interestingly perverse flavor.

A consultant for the film, Hill also directed and appeared in a series of instructionals, and viewers will notice some stock «Robin Hood» shots not used in the finished film, and get a kick out of the narrator's homespun humour regarding «three little girls from archery school.»