Sentences with phrase «not dramatic move»

As discussed on WisBlog on Friday, the Court rolled out a new Web site last week that, while not a dramatic move toward Web 2.0, finally brings a much - needed update.

Not exact matches

While app - streaming might not have the same sexiness as some of Google's other moonshots, like self - driving cars or internet - bearing balloons, Liu isn't too off base: The feature could have dramatic impact for users, developers, and Google itself moving forward.

While you can't be afraid to introduce new ideas and innovate in order to stay ahead of the curve, Zuckerberg cautioned against making dramatic changes, since if you're doing stuff well, big moves may not be necessary.

Not surprisingly, today's exhibits are moving through a dramatic rate of expansion.

So why not do the big, bold move and channel that expenditure toward the much more dramatic savings, by thinking holistically.

While we don't expect a dramatic increase in longer - term rates, rates are moving higher.

But that alone doesn't explain TD's dramatic move.

I think that the MAI agreement fell, partially and marginally (even if it was dramatic thus was important) due to popular opposition but more importantly because the governments, the dominant classes and the multinationals are not yet ready to move to such an advanced «meta - national» level.

We didn't have television in 1941, so this paragon existed visually for me only in blurry black - and - white newspaper photographs and in the wildly dramatic moving pictures that reeled through my mind on autumn Saturdays as I heard of his heroics via radio play - by - play.

Don Balon are stating that the Portuguese international, who scored a dramatic winner for Los Blancos against Juventus in the Champions League on Wednesday, does not want Zinedine Zidane's side to move for the Bundesliga star.

Bouncers are lighter, typically less expensive, and easier to move from room to room than baby swings, but they don't offer as much movement or the dramatic side - to - side or back - and - forth swinging that some tots love.

The dimming that takes place when a planet moves in front of a star is not quite so dramatic when it passes over a portion of the surface marred by a sunspot.

Even if glcosepane's low tissue burden in rats means that cleaving it will not have dramatic rejuvenating effects in these animals (which is a reasonable prediction, but might be happily disproven in the event), its high prevalence in aging and diabetic human collagen, and its implication in the complications of diabetes, will make the mere demonstration of a candidate's ability to cleave glucosepane crosslinks in vivo a sufficient proof - of - concept to spur further work to move it down the therapeutic pipeline into human testing.

Speaking about physiological changes of reducing gluten: The elite Division 1 athlete Litholink test slide shown above is N = 1 biological proof (thank you #Litholink) of dramatic improved kidney function moving onto fermented gluten foods during Division 1 elite performance demands, for mild chronic kidney disease impairment.

Whilst this year hasn't seen him face any dramatic life changes, next month he'll be moving to Washington DC for work.

It's a brave move to make such a sick joke for the films main dramatic piece, but then again Haigh doesn't shy away from much in 45 Years.

Dramatic Need is an incredibly special cause and will produce a night of charity and theatre which should be daring, moving and an experience not to forget.»

Veteran actor Lo Hoi Pang's role was not large but his every move was dramatic.

Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more dramatic than any car chase.

We don't get nearly enough movies about the love lives, let alone the sex lives, of people over the age of 60, and while «Our Souls at Night» never achieves the dramatic depths of, say, «Hope Springs,» it's lovely and moving in a decidedly understated way.

That doesn't begin to do justice to Maren Ade's brilliantly funny and moving comedy, in German with English subtitles, but this is a story whose dramatic wellsprings are as inexplicable as they are original.

He lets this world cushion the characters, and he doesn't feel the need for any big, overtly dramatic moves.

In her corner: Reese does her best dramatic work in a very fine moving film about a woman who has let her life slip away But... enthusiasm does nt seem to be there for the film

Rogen also continues to show maturity and range — although certainly not to the extent of his strong dramatic work in Sarah Polley's «Take This Waltz» or his supporting role in the deeply moving «50/50.»

The union blocked the expansion of pilot schools for two years — a move that Payzant complained about but did not take dramatic action to undo.

Indeed, the most common criticism of Boston's improvement — and Payzant's leadership style — is that there isn't more of it; the changes have been «incremental,» suggesting that he could have made more substantial, dramatic, or even radical changes, but instead made only small moves that produced marginal achievements (see Figure 2).

Concluding that the move toward more innovation must be dramatic, not incremental, to meet the needs of students and families in a growing, competitive global economy, the report notes:

When the wing flattens you can feel the car move a little bit, but it's not dramatic.»

«If we didn't see a dramatic technological change, we were not going to be able to move this country forward,» is how Joel I. Klein, the chief executive at Amplify and a former chancellor of New York schools, justifies the inclusion of tech based teaching methods.

It makes a lot of sense after dramatic moves in the market like the crash of 2008 — 09, but worrying about whether your bond allocation is 37 % or 40 % is really not worth sweating about.

But that alone doesn't explain TD's dramatic move.

Slower, intermediate - term moves tend to persist, and those moves don't get the same media attention, because they aren't dramatic.

We don't get dramatic moves in markets from information cascades, but from levered borrowers that are forced to sell for one reason or another.

No matter when you choose to holiday in this magical country, you can not fail to be moved by the beauty of ever - changing landscapes that are as breath - taking in summer as they are dramatic in winter.

Good moaning Beach Cottage friends, foes, anyone who would care to listen really... today I am here to show you a cottage in chaos... well not really, one does tend to be on the dramatic side, but, right now my lovely husband, aka Mr Beach Cottage and I are camping out in the study while I paint our bedroom floor white... this has not been met with the most favourable of comments but after lots of quotes from tradies, upwards of $ 15,000, talk of us moving out of the house for a week while our floors are painted, other speak of loading all of our furniture (of which I am not short) into one half of the house and other various scenarios, I decided to go the DIY route and start on our bedroom and see what happened.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Whatever the real reason for the dramatic missile shot, the good news, I guess, is that the Pentagon didn't destroy the satellite in high orbit, as China did with another such move last year, generating an expanding cloud of orbiting debris — the one kind of pollution that, in space, may someday greatly limit the ability to deploy more satellites, for good or ill.

Not all of them are quite as dramatic and fast - moving as that one, but many are.

Moving from high to medium wasn't as dramatic, averaging 11 percent higher frame rate on the lower of the two settings.

NRT has moved into two new markets in a dramatic way, not letting the dog days of summer slow them it down.

Most landlords will allow a renter to paint, provided the color isn't overly dramatic or difficult to paint over upon move - out.

After a dramatic bidding war, and some issues with the lack of deeds on the property, the couple took possession of the property almost a year later... and couldn't even move in for another year after that, because of the level of work that needed doing.

I knew when we moved into our house that I wanted to paint my dining room walls a dark and dramatic blue green color but I just wasn't quite sure which one.