Sentences with phrase «not painting in oil»

Not exact matches

Arts entrepreneurs won't save the day for every city, but in some spots, they're the new oil (paint) barons.

We then did a drive - by of Pizza Brain (a slice shop / pizza memorabilia museum that Tony helped open a few years ago; he's immortalized in a backyard mural)[Amiel: What, you're not going to mention the Last Supper — style oil painting of my friends and me that's hanging at 12 Steps Down?]

But as my family grew and my focus changed, I found that oil painting didn't fit in as easily as it used to, so I started turning to textiles as a creative outlet.

Obour must tell us how many people musigha has taken on foreign trips and how many of them have returned to Ghana over the years Obour must explain why even after renting part of our office building out to a chyrch, the union has not been able to put even dirty oil on the building as paint and has left the musigha building in such a dilapidated state Obour must tell us who are signatories to the musicians union of Ghana account and which bank / banks we save with These are just a few of the many questions I want answer for I'll only be part of your committee that is set up to investigate President Obour and possibly prosecute him.

Hi Hayley, I like the wipe on Poly too, but I believe that only comes in the oil based version which I don't use over paint, just stain, because it can amber.

do not use oil based for chalk paint and make sure the paint does not have primer in it.

It could be that the paint has not cured in areas or that there was dirt or oil or something on the surface that the paint resisted.

Itcould be that there was grease or oil in the area or the paint mix itself didn't have enough CCP or PoP in it.

Paul's divorced mother, Abigail Harris Getty (Michelle Williams), is frantic when she receives the call from her son's kidnappers but doesn't have that kind of money, so she hopes that her wealthy father - in - law, painting - collecting oil baron J. Paul Getty (Christopher Plummer), would without question pay the kidnappers to have his grandson set free.

Don't count on it, unless the oil - painting technique used in «Loving Vincent» is even more impressive than we realize.

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Don't miss the chateau in the heart of the village, perched magnificently on the edge of a fussy pond flanked by vast, manicured gardens that houses a massive collection of pre-modern oil paintings, all displayed in the crowded, colorful 19th century style.

The Brooklyn show includes Whitten's Birmingham 1964, in which a newspaper photograph of a confrontation in Birmingham is partially revealed under layers of stocking mesh and black oil paint, like a wound that can't be covered over.

While you're toiling away in your studio with oil paints and Photoshop, don't forget to emerge every once in awhile to participate in the wider art community.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquIn the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin paintings made quickly.»

The painting doesn't actually include an image of Kidman, but focuses on the beauty of the satin fabric in the photo, rendered now by me with oil paint in as faithful a reproduction of it as I can manage.

«Barkley's groundbreaking oeuvre represents everyday people, shining a light on subjects who weren't typically depicted in life - sized oil paintings.

This quality is not only apparent in the way vibrant swaths of oil paint harmonize with each other on the canvas; it also comes through in the way her career has quietly percolated along through the decades since, without drama or self - promotion, with no clearly delineated sty listic phases or periods.

Though the pastiches of Willem de Kooning and Franz Kline aren't unappreciative, Mr. Rauschenberg has never displayed an affinity for oil paint — he can't pick up a brush without swaddling it in irony.

Though working in oil paint, Leslie Wayne's method of pinching, folding, pulling, and slicing her material can not help but be seen as sculptural.

Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse paintings from the 1960s.

One sequence pairs Reinhardt's two favorite colors, red and black, although Kaufman paints in acrylic and not his oil.

Abstract - expressionist James Brooks did not make drawings in preparation for paintings but used them as another arena for experimentation, seen here in an untitled oil and gouache on paper.

Sometimes, when adding more fresh paint doesn't seem enough, I use pieces of dry oil paint from my palette (which in itself looks like a relief of hills and valleys in different colors) and treat them as mosaic stones which I stick on with wet paint or even glue.

I haven't seen the installation yet, but here's one of my paintings that might be in the show at Outlet: Sharon Butler, Goethe's Color Triangle, 2015, oil on canvas, 16 x 20 inches.

These works were difficult to categorize: though I thought of myself as a painter, as I had earlier when working with gouache on paper, in defiance of the rules left over from Greenbergian formalism in the New York School that made oil or acrylic on canvas the probative medium, these were not paintings.

Did oil painting signal a new medium in Marshall McLuhan's sense as well, while acrylics did not, and how can I know?

This quality is not only apparent in the way vibrant swaths of oil paint harmonize with each other on the canvas; it also comes through in the way her career has quietly percolated along through the decades since, without drama or self - promotion, with no clearly delineated stylistic phases or periods.

A few of the larger works such as Andreas Gursky's photograph «Kuwait Stock Exchange I» and Alexis Rockman's oil painting «Battle Royale» are examples of pieces that could not previously be installed in SITE's galleries due to lack of environmental control.

Brill's emphasis favors the trees — not in a detailed, botanical sense, but in the organic handling of oil paint and what is either included or excluded in her compositions.

They've catalogued and digitised all the UK's oil paintings in public ownership, but they won't stop there

The depicted figures are not defined beforehand and then simply executed in oil painting, but are gradually developed in several layers, which are repeatedly sanded and painted over directly on the canvas.

Don't Quit Your Day Job: Jeff Koons 2017, Old Holland Ivory Black oil paint on white gesso on wood panel 22 x 36 in / 56 x 91 cm

Our days were peppered with finicky heaters, tinkling gelato carts and hundreds of pounds of oil paint (literally)-- not to mention TMZ - worthy celebuzz and waning cell phone reception in the concrete bunker that is 330 West Street.

The mystical significance of numbers is also the premise of Numerology 7, another important oil painting in the show demonstrating Milder's belief that expressionism did not always have to be abstract or gloomy.

Expect a small show, not a major retrospective, despite the two great oil paintings in the museum's permanent holdings.

In 1951, Pepi became one of the lucky group of painters who worked under Hofmann, whose sophisticated influence is vividly on display not only in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206In 1951, Pepi became one of the lucky group of painters who worked under Hofmann, whose sophisticated influence is vividly on display not only in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206).

After having painted in traditional oil on canvas, in the 1970s Holland began using materials that were light and strong but did not require a frame.

However, unlike Schapiro, Meyer didn't join the Pattern and Decoration movement, but instead went on to create lyrical all - over compositions in diluted oil paint, inspired by the translucent qualities of watercolor.

Not only does Rauschenberg demonstrate his irresistible formal sensibilities in the body of the painting by using socks and doilies as another artist might use oil and acrylic, but having strutted his formal stuff satisfactorily, the artist crowns his efforts with a mocking, stuffed bird, as if to drive home the casual ease with which this radical gesture was achieved.

Yet Monkman's «trickery» only becomes clear on closer inspection: these grand panoramas, painted in acrylic not oil, are populated with cavorting «cowboys and indians».

Another de Kooning, Lot 37, «Brown Derby Road,» a 62 3/4 - by - 49 1/4 - inch oil on canvas, shown above, was painted in 1958 and sold for a hammer price of $ 640,000, not reaching its low estimate of $ 800,000.

The abstract oil paintings have a somewhat disturbing element, taking apart well - known faces, such as Jimi Hendrix and Edgar Allan Poe, and piecing them together again in a way that doesn't quite fit.

It is in the nocturnal paintings that Plimack Mangold not only switched from acrylic to oil but also changed her approach.

In «Carbon Night» (1978), done in acrylic and oil, one sees evidence of the artist's decision to not fit in, to step away from received ideas about landscape paintinIn «Carbon Night» (1978), done in acrylic and oil, one sees evidence of the artist's decision to not fit in, to step away from received ideas about landscape paintinin acrylic and oil, one sees evidence of the artist's decision to not fit in, to step away from received ideas about landscape paintinin, to step away from received ideas about landscape painting.

In 1922, when he takes up watercolour because he can't afford oil paints, he makes this sedate medium snarl and spit in a set of sadomasochistic brothel interiors that see sex as a form of hatreIn 1922, when he takes up watercolour because he can't afford oil paints, he makes this sedate medium snarl and spit in a set of sadomasochistic brothel interiors that see sex as a form of hatrein a set of sadomasochistic brothel interiors that see sex as a form of hatred.