Sentences with phrase «not permanent gallery»

Many of the artists also created alternate spaces, not permanent gallery scenes.

Not exact matches

I usually read your posts via bloglines... since you don't use a blog design with columns (which could have a permanent link to your eBay auctions... or gallery shows or whatever), perhaps you could include a link at the bottom of each post?

Not only will your tile remain a permanent part of the Tribute Gallery at Animal League America, but you can also receive a second tile that is either inlaid in a felt - lined keepsake box or placed in a frame that is suitable for hanging.

After a few years of this activity we both realized we couldn't continue operating without a permanent location open not only by appointment, and decided to start a gallery together.

Storefront Bushwick and Parallel also sold work at their permanent gallery spaces, and while Interstate Projects didn't sell work at Basel, they reported sales of Justin Berry's prints at the gallery.

They weren't that far off: The L.A. - born pioneer of the Light and Space movement, who is the subject of the gallery's inaugural exhibition, did design the green oasis, from its grassy terrace to the illuminated vines, as well as the skylights inside the galleries and a permanent Skyspace in the conference room.

2008 Learning by Doing, curated by Alison de Lima Greene, Museum of Fine Arts Houston, TX (catalogue) Works from the Permanent Collection, Milwaukee Art Museum, WI En Sus Marcas, curated by Rebeca Noriega, Universidad del Sagrado Corazón, PR (catalogue) NY Motion 1.0, curated by Elvis Fuentes and Paco Cano, Instituto Cervantes, New York, NY (catalogue) Alogon, Alogon Gallery, curated by Gaylen Gerber, Chicago, IL Ice Cream Show, Loyal Gallery, Stockholm, Sweden Selected Works, Southfirst Gallery, Brooklyn, NY It's Not What You Know, It's Who You Know, (Neutral Capital Collection) Samson Projects, Boston, MA

But we didn't want to denude the walls of the permanent collection galleries of European and American modern painting and sculpture.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

Unlike the other plinths on Trafalgar Square, the fourth plinth directly outside the National Gallery, doesn't have a permanent statue on it.

2008 Listen Darling The World Is Yours, Ellipse Foundation Contemporary Art Center, Lisbon, Portugal This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of the Museum of Contemporary Art, Museum of the Museum of Contemporary Art, Los Angeles, USA UPDATE, DEWEER Gallery, Otegem, Belgium Mai 36, Zurich, Switzerland

Given that the Courtauld Institute and Gallery, both part of the premises of London's iconic Somerset House, boast such an impressive and art - historically significant permanent collection, any temporary exhibition hosted within the space must be not only mindful of the location and its heritage, but equally must be seen to be doing, and saying, something different.

So I can't give you the lowdown on which permanent - collection galleries have been rehung or which works have been rotated in or out of view.

Not only are its 11 works superb for the most part (each is drawn from the gallery's permanent collection), the exhibition evokes an era when painting was still top dog, bestriding the then - narrow art world like a Colossus.

The Delaware Art Museum is pleased to unveil its renovated and re-installed 18th - and 19th - century American Art galleries — Galleries 1, 2, and 3 — to the public on Friday, November 28 from 10:00 a.m. — 4:00 p.m. Just in time for the holiday season, the beautifully redesigned space will display over 50 works of art, including many permanent collection objects that have not been on view for over 10 years.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

The gallery does not keep a permanent space, instead it arranges pop - up exhibitions in order to tailor the experience to the individual needs of the artist and the work.

There has been talk in the family of turning Eagle's Nest into a permanent gallery for Heron's art, something about which he was untypically diffident.

The Guerrilla Girls are not represented by any gallery and have always kicked out against institutions, so there is obvious irony in museums such as the Getty and Tate having their artworks in their permanent collections.

This should not lead the visitor to deem the Peggy Guggenheim Collection's garden simply a pleasant haven, it is also an impressive open - air gallery of masterpieces by artists such as Arp, Duchamp, Ernst, Giacometti, Holzer, Marini, Minguzzi, Merz, Moore, Noguchi, Ono, Paladino and Kapoor, just to name a few, partly coming from the museum permanent collection and partly from long - term loans by other institutions.

David Claerbout Sean Kelly Gallery Olympia (Simulation of late april snow (not yet permanent 1 day)-RRB-, 2016 inkjet print, collage, tape, washed ink, acrylic paint, felt pen and pencil on cardboard image: 15 15/16 x 23 3/8 inches (40.4 x 59.4 cm) paper: 23 5/8 x 31 1/2 inches (60 x 80 cm) framed: 25 3/4 x 33 5/8 x 1 3/4 inches (65.4 x 85.4 x 4.4 cm) DC - 55

The bridge will lead to the Armand Hammer permanent collection and a temporary gallery that doesn't get as much attention as the main temporary galleries across the courtyard.

In opening his first permanent gallery next month — in St. Moritz — Vito Schnabel is leading with his friends — namely the Swiss artist Urs Fischer, who has not had a solo show in Switzerland since 2008.

(Susan Sontag) If we consider an artwork not solely as an object but as an experience, we might also consider the gallery as a hybrid space in permanent reconfiguration: all at once a gallery, an auditorium, a screening room, and a performance space.

In a recent The Art Newspaper piece about international galleries moving to Los Angeles, Jori Finkel points out that two years ago, before Hauser Wirth & Schimmel became a permanent fixture in the area, artists like Bradford and McCarthy did not have gallery representation in Los Angeles.

Recent exhibitions include On the Edge at Aqua Art Miami, Message from the Sea at the GAIA Center in Athens, Greece, Forget Me Not at Zuckerman Museum in Kennesaw, GA, and A Large But Finite Number at Southside Gallery in Oxford, MS.. Her work is part of the permanent collection of the High Museum of Art, Goya Contemporary, and the International Printing Museum.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

Just as the office space was a monthly rental expedient in which to show the work of four artists, it was not necessary to declare it a permanent gallery space.

And in addition to the well - known permanent art spaces, there are a number of not - to - be-missed new galleries and exhibitions.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Not just to me: Harry Cooper, the curator who revisited the National Gallery's permanent collection of modern art for the September reopening of the East Building, didn't know the artist either, he told me at the time.

When I spoke to Chicago last year, she pointed out: «The monographs on artists, permanent collections and major exhibitions are really the path into history, and that's what is important to look at, and not be deceived by the many women showing at entry level in smaller and regional museums and galleries.»

Among his eight solo exhibitions are «Buff,» Bonni Benrubi Gallery, New York (2006), and «Your Condition is Not Permanent,» Genovese / Sullivan Gallery, Boston (2004).

You don't have to be a student to stop by and admire the gallery's impressive permanent collection.

Since a museum's schedule is booked years in advance, Grynsztejn won't get to organize her first big show until spring 2004, a retrospective of American postminimalist Richard Tuttle, though she has just installed an unstretched shaped canvas by Tuttle in the permanent galleries next to the Smithson.

The support from the Nashville art community served as an impetus for Sherrick to open Sherrick and Paul, her first permanent gallery, and she couldn't imagine doing it anywhere else.

The walls of 80WSE Gallery have not been opened since its construction in 1974 and following the close of the exhibition the new powder coated steel studs will be plastered over to reinstate the gallery walls, becoming a permanent yet unseen presence in the gGallery have not been opened since its construction in 1974 and following the close of the exhibition the new powder coated steel studs will be plastered over to reinstate the gallery walls, becoming a permanent yet unseen presence in the ggallery walls, becoming a permanent yet unseen presence in the gallerygallery.

curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept) Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicago, IL

Any attempt to encourage the one - time visitor to appreciate the permanent collection (something many museums fail to emphasize) and to remind infrequent gallery - goers that the experience of art can be an enjoyably relaxed and meditative one, not time - bound by staggered entry or a box to tick on the social calendar, is to be applauded.

Selection from the Permanent Collection, Museum of Contemporary Art, Chicago, IL, USA Contemporary Painting / Figuration, University of California at Santa Barbara, CA, USA The Expressionist Image, Sidney Janis Gallery, New York, NY, USA Zeitgeist, Martin - Gropius - Bau, Berlin, Germany Thirty Painters: Given and Promised, Metropolitan Museum of Art, New York, NY, USA Issues: New Allegory 1, Institute of Contemporary Arts, Boston, MA, USA Painting and Sculpture Today 1982, Indianapolis Museum of Art, Indianapolis, IN, USA Landscapes, Robert MillerGallery, New York, N Y, USA Mitchell, Morley, Rockburne: NewPrints and Works on Paper, Xavier Fourcade Gallery, New York, NY, USA Pat, Malcolm Morley Examined, Hampton Arts Hub, (hamptonsarthub)

, London; included in the permanent collections of the Metropolitan Museum of Art, NYC; the Museum of Contemporary Art, Los Angeles; Saatchi Gallery, London and the Museum der Moderne, Salzburg, Austria, among others; solo exhibitions include «Motherboard,» Sperone Westwater, NYC and «We Haven't Landed on Earth Yet,» Galerie Thaddaeus Ropac, Salzburg, Austria; group exhibitions include «Contemporary Iranian Art,» Metropolitan Museum of Art; «Love, Me, Love Me Not,» Baku, Azerbaijan (2013) and the 55th Venice Biennale, Venice (2013); «Expanded Painting,» Prague Biennale 6; awarded an Arts Fellowship in Painting from the New York Foundation (2010); featured in «Painter Ali Banisadr's Sound Inspiration» in

The Zeitz collection, however — unlike those of most Western institutions such as the Guggenheim Museum or the Tate galleries, which are named after principal patrons — is not a permanent part of the museum.

«Me and Benjamin,» Galerie Xippas, Paris, France, November 14, 2014 — January 10, 2015 «Concrete Infinity,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, September 20, 2014 — February 15, 2015 «Exposure: An Exhibition of Contemporary Photography,» Robert and Elaine Stein Galleries, Wright State University, Dayton, Ohio, September 2 — October 12, 2014 «After Our Bodies Meet: From Resistance to Potentiality,» The Leslie + Lohman Museum of Gay and Lesbian Art, June 5 — August 3, 2014, New York, NY «The Douglas Nielsen Collection,» Center for Creative Photography, Tucson, AZ, August 9, 2014 «Game Changer,» Boulder Museum of Contemporary Art, Boulder, CO, July 17 — Septermber 14, 2014 «Fan the Flames,» Art Gallery of Ontario, Toronto, Ontario, June 18 — September 14, 2014 «The Heart of Los Angeles,» Union Station, Los Angeles, CA, April 30, 2014 - 2015 «Pace Gems: Selections from the Linda Pace Foundation Permanent Collection,» Linda Pace Foundation, San Antonio, TX, April 18 — September 13, 2014 «Not For All My Little Words,» Marc Straus, New York, NY, March 30 — April 27, 2014

Like Norman Lewis, most of these artists showing up for the first time in permanent - collection galleries — including the painters Beauford Delaney, Alma Thomas, Bob Thompson, Aaron Douglas and William H. Johnson — did not live to see the change.

Except now Birnbaum has evidence that not the case at all; Someone slipped him a 1977 press release that makes it very clear that the gallery was investing in a permanent garden.

Not only has she turned her brokerage into a permanent gallery, she also connects artists with property owners and local businesses to help community projects flourish.

Gallery walls are a perfect way to add LOTS of character and personality to a room, even if you are a renter or you live in an apartment and can't do as many permanent alterations to your space!