Sentences with phrase «not program exhibitions»

SFU Galleries does not program exhibitions through submission.

The Belkin Art Gallery is a research - based institution and does not program exhibitions through unsolicited submissions.

Not exact matches

Not to be confused with the American Hockey League's (AHL) 2007 program under the same name, this «Harmony Through Hockey» tour was a weeklong exhibition series between the Chinese women's national ice hockey team and four local women's teams across British Columbia.

«I like the challenge of an artist who isn't very articulate,» says Elizabeth Armstrong, assistant director for programs and exhibitions and curator of contemporary art at the Minneapolis Institute of Arts.

Please note that the Museum does not develop its exhibition programming from unsolicited submissions.

Major exhibitions and programs under Olsen's tenure include — Sol LeWitt: The Well - Tempered Grid; Monika Baer; Franz West; Warhol: By the Book; Publication Studio: Williamstown; Material Friction: Americana and American Art; Object Lab; «Not Theories but Revelations:» The Art and Science of Abbott Handerson Thayer; Ghana Think Tank; and Accession Number.

With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection for exhibitions and programming, yet also displays a significant number of borrowed shows and works by emerging artists.

-- In light of a potential merger with their local neighbor LACMA, MOCA is reportedly considering a five - year agreement with D.C.'s National Gallery of Art wherein the two institutions would collaborate on programming, research, and exhibitions — though the arrangement would not provide the beleaguered Los Angeles institution with any financial or fund - raising assistance, two areas in which the museum needs the most help.

As a matter of fact, this exhibition is part of the program of contemporary and historic exhibitions within the embassy and it would not be possible to realize without the precious help of the lenders all over the country.

So, when the rents for my three spaces on Grand Street, Wooster Street, and Windward Avenue combined were under $ 50,000, that allowed me to maintain the program that I want to maintain, which means being able to afford doing exhibitions that do not sell work and being able to show whatever I want at any art fair without worrying about making sales or not making sales.

The museum long ago decided on a populist approach to its exhibition program, so it should come as no surprise that it has chosen to introduce its audience to Diego Rivera and Frida Kahlo not from an art - historical perspective but through the lens of their love of Mexico, shared politics and tumultuous personal life.

«Not me: subject to change, 2012 CIFO grants & commissions program exhibition», catalogue, CIFO, December 5, 2012.

Please note: the membership program does not include direct exhibition opportunities at the Foundation.

AiB selects students, nominated by teachers and community centers, who not only show an aptitude for art, but who also demonstrate leadership, and the program not only offers them hands - on art practice, but also holds workshops on creating an identity on social media, curating an exhibition and public speaking.

Eckmann: The building afforded us to really try to implement a really rigorous exhibition program, which we were not able to do before we moved into the new building because of space limitations.

Traditionally, graduating seniors mount individual exhibitions throughout spring semester as part of the Fine Arts degree program, however due to the fire, most of these exhibitions were not possible.

The recent controversy over Kelley Walker's exhibition Direct Drive at the Contemporary Art Museum St. Louis, and the departure of that exhibition's curator, Jeffrey Uslip, was another reminder that museums are not built and programmed for all audiences alike.

My goal for the exhibition program is to either really put my neck on the line for artists who are early in their careers, for whom the critical legitimation process has not yet taken place, or for artists who have received a lot more attention, but not in the U.S.. That's where Markus falls in — he has zero presence in the U.S., yet he represented Austria in the Venice Biennial in 2011.

We spent our Memorial Day Weekend studying yet another year's daunting event program and came up with a relatively short survey of events, exhibitions, and studios that should not be missed... or at least those that we'll not miss!

Absolutely not,» said Engelen, 46, who left Christie's in 2011 after 16 years to head the public art and exhibition program at Qatar Museums.

#museums #race #representation #institutional critique The recent controversy over Kelley Walker's exhibition Direct Drive at the Contemporary Art Museum St. Louis, and the departure of that exhibition's curator, Jeffrey Uslip, was another reminder that museums are not built and programmed for all audiences alike.

2008 30 Americans, Rubell Family Collection, Miami, FL Prospect.1 New Orleans, New Orleans, LA THE PROGRAM, Video Association of Dallas at Conduit Gallery, Dallas, TX Disguise: The Art of Attracting and Deflecting Attention, Michael Stevenson Gallery, Cape Town, South Africa Whatever is Whatever, Hydra School Project, Hydra Greece Summer Mixtape, Exit Art, New York, NY Bedtime Stories, The Red House, Syracuse, NY Is You Is or Is You Ain't, Indianapolis Museum of Contemporary Art, Indianapolis, IN Glasgow International: Festival of Contemporary Visual Art, Glasgow, Scotland Air Kissing: An Exhibition of Contemporary Art about the Art World, Arcadia University Art Gallery, Glenside, PA Laughing in A Foreign Language, The Hayward Gallery, Southbank Centre, London, UK

It has been deeply rewarding for all of us at the Foundation to work in partnership with other colleagues to create exhibitions, programs, and additional projects that have brought new voices to the discussion of Frankenthaler's work, and that have helped us reach not only existing audiences, but beyond.

Kemper Museum's incredible free world - class art exhibitions and educational programming would not be possible without the support of people like you.

For the first time, as a programming partner, Art Fund is not only offering a dedicated app featuring Lilley's commentary, but also a programme of photography workshops for the duration of the outdoor exhibition.

The educational programs that accompany these exhibitions not only present fresh perspectives about African American culture, but also encourage visitors to reflect upon their own perceptions.

Not only that, but the Rose's galleries have been rehung for the new exhibitions by Dabney Hailey, the museum's first director of academic programs, who came to the Rose last year after eight years as a curator at the Davis Museum and Cultural Center at Wellesley College.

Duties include, but are not limited to: research, artist and donor relations, exhibition design and installation, writing / editing of scholarly texts and didactics, budgeting, conceptualizing and leading exhibition - related public programs, and tours.

What distinguishes Pioneer Works's achievement is not just the stunning display the institution has succeeded in granting McCall's installations, but that the exhibition and its associated programming upturns many years of encrusted wisdom concerning the solid light works, recovering and recontextualizing them amidst the artist's broader oeuvre.

Titled No borders in a wok that can't be crossed, Marten's exhibition is curated by Beatrix Ruf and is the first major collaboration between CCS Bard and the Kunsthalle Zürich and was presented as part of the inaugural program of the Kunsthalle's newly expanded Löwenbräukunst complex in 2012.

Programming for NOT ONLY, BUT ALSO: 2018 MFA Thesis Exhibition includes an Artist Talk in the University Art Gallery, on Thursday, May 3 at 5:30 p.m. with Fahimeh Foudazi, Patrick Shaffer, Jeffrey Erwin and Monica Martinez.

A robust schedule of associated programming for the Wendy Red Star: The Maniacs (We're Not The Best, But We're Better Than The Rest) exhibition including a series of Saturday hands - on art workshops for children and adults.

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

Aujourd» hui is happy to present an exclusive selection of pictures from Galerie Valentin's archive, that documents not only the gallery's program throughout the last two decades, but also the evolution of an exhibition's photographic documentation.

The Margulies Collection at the Warehouse is a not - for - profit institution in Miami dedicated to the presentation of exhibitions and educational programs that explore contemporary art and culture.

«The exhibition, along with its accompanying catalogue and public programs, brings to light a crucial aspect of the postwar period that will strengthen not only our knowledge of these works of art but also our understanding of this complex period of inter-American relations amid the Cold War,» continued Frank Goodyear, Co-Director of the Bowdoin College Museum of Art.

While not wishing to exclude artists from being contributors to this current exhibition, we do look forward to the rich dialogue that we will continue throughout our larger program.

The Rauschenberg Foundation, which runs a residency program at the artist's former home in Captiva Island, Fla., doesn't have public exhibition space there.

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

Stephen Friedman Gallery is excited to launch the autumn program with «Not Alone», an ambitious exhibition by the American artist Jennifer Rubell.

Although the University of California, Los Angeles's Hammer Museum is undergoing a renovation project, its exhibition programming has not lost momentum.

The Bob Rauschenberg Gallery does not develop its exhibition program from unsolicited proposals from artists, and we regret that our resources do not allow for curatorial review of such submissions.

According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.

Program of events The Haus der Kulturen der Welt is not a traditional museum with a permanent collection, it is instead an art center and a public venue for exhibitions and special events focused on contemporary art — intended in a broad sense — including visual arts, music, literature, performing arts, and cinema.

To give these artists a platform we deliberately do not limit our exhibition program to any particular form of artistic expression.»

As the artist herself remarks in the program to the exhibition: «One does not exploit any nature that speaks to one.»

It is a tremendous honor to join the team at SFAI — I can not imagine a greater role than developing exhibitions, public programs, and community engagement for an institution, and a city, known for restless experimentation, risk, and the implicit trust of artists.»

Aujourd» hui is happy to present an exclusive selection of pictures from Galerie Valentin's archive, that documents not only the gallery's program throughout the last 20 years, but also the evolution of an exhibition's photographic documentation.

Dorsky Gallery Curatorial Programs is a 501 (c)(3) not - for - profit organization that presents independently - curated exhibitions of contemporary art.

NOT OVER includes essays by Cynthia Carr, Robert Atkins, Aldrin Valdez, and Nelson Santos, color reproductions of over 50 artworks and projects; an interview between artist members Jessica Whitbread and Frederick Weston, memorable quotes by artists, activist and writers, and a timeline of exhibitions, programs and other Visual AIDS milestones.