Sentences with phrase «not prose»

A cover letter is not the prose form of a resume.

Win on merit and action, not prose.

That is a matter of plot and pacing, not prose.

Most readers aren't prose wonks or industry insiders.

Not exact matches

From a personal standpoint, poetry has a way of making me remember life's beauty, something mere prose or narrative storytelling can not do with the same grace.

They do all this while dealing with temperamental writers who think their prose should never be changed and with even more temperamental editors who sincerely believe they are God's gift not only to journalism, but the universe.

You're not just being judged on the quality of the prose you write or the level of intelligence you show.

The most compelling prose or the most enticing offer in the galaxy isn't going to do you a smidge of good if no one opens the email.

While mastering the art of good email etiquette doesn't mean sending out beautifully crafted prose each time — that would take forever — if you can avoid these bad habits, you'll be off to a great start.

Earlier this month in his outlook for September, the head of the world's largest bond shop employed the Lindy dance craze, former Citigroup CEO Chuck Prince, the Wimpy cartoon character and his «dying cult of equity» argument in a mash - up of prose to describe the «age of inflation that is upon us,» which he claims typically «provides a headwind, not a tailwind, to securities prices in both stocks and bonds.»

Otherwise they just won't read prose - type texts without knowing where the text leads.

In typical Bill Gross style, the head of the world's largest bond shop employs the Lindy dance craze, former Citigroup CEO Chuck Prince, the Wimpy cartoon character and his dying cult of equity argument in a mash - up of prose to describe the «age of inflation that is upon us,» which he claims typically «provides a headwind, not a tailwind, to securities prices in both stocks and bonds.»

Your sector Facebook errand boy from proper discolored, which is provided in this nonfictional prose for or so tips and ttipsidbits that aim not

Then you spend 8 days not buying stock, just hanging out, polishing the prose in that 13D filing before you ultimately make it public.

The book's most irritating flaw is the author's relentlessly polite Episcopalian - scholarly prose: readable and informative, but not the penetrating or polemical critical analysis for which this topic calls.

Don't limit it to just one art form: poll your group for their interests in music (all kinds), painting, drawing, sculpture, drama, prose, poetry, graffiti art and dance (all styles).

If you can not write in prose that has some measure of wit, best not to try at all... read some Shakespeare... he was a master of using the written word to express a wide variety of emotion and tone.

Even though this may not be the best written prose, it is Young's first work and it does transport the story fairly well.

Like biblical Hebrew, Atwood's witty prose is thick with double entendre and allusion, including hidden puns whose meanings dawn on us only later, and outrageous jokes that don't so much dawn as «bomb» (one of the book's metaphors and an effect of Atwood's powerfully laconic style)

Then I stopped, not because of the bias but because I was seduced by the superior quality of the Wall Street Journal, which in those days had the most sophisticated and sparkling prose of any daily paper.

Dramatizing the trauma of expulsion from Paradise, Maine sometimes employs the cadences of the Old Testament («The sun rises and sets and does not change») and sometimes the concise, allusive conjunction of high and low that characterizes modern prose (as in the Babel image, or when Eve reflects on their vicissitudes «ever since their departure from the Garden to fight their way through this deathtrap called Creation»).

M. Jourdain was wrong; he had not been speaking «prose,» but poetry, all his life.

We should understand some of the mistakes we have made in replacing an oral prose with book, prose, a public language with a private one not written, to be read aloud.

A quick glance at her sources reveals just how well - read and smart the author is, though her prose is not for a moment stilted or heavy - handed.

What they say is so governed by the prose of print that most listeners can not grasp the thought.

The major problem in editing a journal of ideas like First Things is that most of our contributors are academics, and many academics, not to put too fine a point on it, write barbaric prose.

thinks, that the Tigris and the Euphrates have not a common source, that the Dead Sea had been in existence long before human beings came to live in Palestine, instead of originating in historical times, and so on... We are able to comprehend this as the naive conception of the men of old, but we can not regard belief in the literal truth of such accounts as an essential of religious conviction... And every one who perceives the peculiar poetic charm of these old legends must feel irritated by the barbarian — for there are pious barbarians — who thinks he is putting the true value upon these narratives only when he treats them as prose and history.

The reading pleasure that results from this conversation — different for different readers — is not merely the simple pleasure of hearing a good story, but the complex pleasures of strong feelings — sometimes violent disagreement, sometimes frustration and sometimes a euphoric recognition, produced by Augustine's text, of the «beauty so ancient and so new,» to which Augustine points through the beauty of his prose.

When David writes his prose, I am not sure if it is because ideas clarified for him, or if he just decides to states things in a format that are more direct and clear.

We are, in Comes's view, «victims of an age of prose,» but the real reason we can not sing the Lord's song is because «we have lost the instrument on which to play it — the imagination.»

Odd again, because, despite my best efforts to see something heroic in this man's biography, which might explain what his prose does not, I confess to see at best what Stephen Spender referred to, in a 1979 New York Review of Books piece (March 25, p. 13) on modern German self - analysis, as «der Nebel,» the fog that «allows people to live with unbearable experiences»; the fog that made it possible to «go along» or «not know.»

That is not to say that poetic language is nebulous, vague, uncertain: on the contrary, the cutting edge of great poetry is sharper and digs deeper than that of any prose.

But whereas in translating scientific prose the aim is simply to reproduce with complete accuracy the author's statements, in translating «poetic» language the primary aim is not just to reproduce statements about reality but, as far as may be, to make the same communication of reality — which will mean trying to reproduce something of the author's «tone of voice», something of the mood and colour of tie original.

Just as Winthrop thought of Moses so Captain John Smith thought of Aeneas in what Howard Mumford Jones calls the «prose Aeneid» that he composed to recount his establishment of the English Colony in Virginia.23 But it was not so much Latin myth or legend that dominated the minds of educated Americans in the late i8th century as it was the history of Roman liberty.

Okay, here's a shorter way, for those of you who haven't the patience for my full cinemascopic link - littered prose, to get at what I mean by Intermediate Modernity In Book VIII Republic terms, intermediate - modernity was the era of the self - repressing Oligarchic Soul, and «the....

Such a story could not be told wholly in terms of matter of fact, in straight, literal prose.

C.S. Lewis admired George MacDonald tremendously, not because he was such a great «writer»» his prose, in fact, was often cumbersome» but because he could create worlds and myth.

I think one can not find in Hebrew prose A passage more poetically conceived And executed.

It is not easy for the modern Western mind to distinguish prose from poetry, and one is not helped by the way many translations of the Bible have been printed.

The greatest writer of English prose in the last century, P. G. Wodehouse excepted, was not Lytton Strachey or Logan Pearsall Smith or the E. M. Forster of Pharos and Pharillon or Hugh Trevor - Roper.

We didn't understand that when we read ancient Hebrew prose poems (like Genesis 1), wisdom literature (like Proverbs), or apocalyptic literature (like Revelation) as if they were science textbooks, we were actually obscuring their meaning.»

We are the poorer because Underhill did not express her pacifist feelings in verse, but the strength of her viewpoint is Unmistakable in her prose.

But not one of these terms appears in the prose prologue or epilogue where, in contrast, the specific Israelite name, Yahweh, is used.

Okay, here's a shorter way, for those of you who haven't the patience for my full cinemascopic link - littered prose, to get at what I mean by Intermediate Modernity

Of course they are prose, not poetry, but I assume that's not your contention.

From Steve Walker's The Power of Tolkien's Prose, three of his students» «Top 10 justifications for not being married from TLOTR»: (10) It's the Arwen worry: the girl who married me might die.

One thing the book The Road has that the movie can not replicate is the author's sterling prose.

Such prose and poetry not only represent what women wrote but also teach us an imaginative process of reconstructing women's lives, the church, and the very nature of reflection as aimed toward the future.

I'm not reassured by Dugin's prose, however, for it consistently evokes conflict.

Having avoided contemporary fiction for most of my adult life, I at first could not believe what English prose had been reduced to, let alone that any reader could find the book's substantive claims remotely plausible.