Sentences with phrase «not talking about the film»

Typically, she couldn't talk about the film's plot.

You also can't talk about this film without mentioning the Grizzly Bear score, which was my initial draw to the film.

«I can not talk about the film.»

It sparked in me some questions: Why don't we talk about film and mainstream porn in the same spaces — or, at least, why don't they exist in similar, or more adjacent, aesthetic and cultural spaces?

LMD: Of course, we can not talk about this film without mentioning your action choreographer, Kwon Kwi - duk -LCB- ACTION BOYS -RCB-.

I am not talking about the film itself, but all that has happened before — the 18 films, more than a dozen TV series, short films, companion comics and more.

It's a film presentation so secret that audience members are asked to sign a promise that they won't talk about the film...

I'm not talking about my films, I'm not talking about my life, and I'm not talking about the world.

Not exact matches

An adult - film star was paid $ 130,000 by a lawyer for Donald Trump in the weeks before the 2016 election to not talk publicly about a sexual relationship with the then - Republican candidate, according to a report in the Wall Street Journal.

She and her now - fiancé had talked about her wishes for a rock that wasn't mined by exploited workers or used to fund endless internecine conflicts, as highlighted in the 2006 film starring Leo DiCaprio, Blood Diamond.

We are not talking here about meaningful banality, but about the linguisticality of the world, a world overwritten with letters, refrains, myths, parables, poems, dramas, films, stories» the «linguistic event» that connects us with Being.

So that's our interest and getting the communication that comes out of that, whether it's the book or the films hopefully it's coming out of a real thing that's actually being lived and not just talking about some stuff.»

I don't always talk to my pastor about movies I plan on watching, mostly because being a film critic prevents me from having much choice in the first place to a degree.

Furthermore, they can easily parody the whole position so that (as one critic, a friend of mine who is not unsympathetic to the wider process conceptuality, has phrased it) talk about divine memory may be taken as nothing more than indicating God's continually re-playing some old film or continually listening to some old soundtrack.

I'm not talking about «you fancy so and so» love or soppy Hugh Grant film love, but the love of security and peace and ultimate fulfillment.

By Lauren Kearney You may have first seen Gene Baur when he was featured talking about how not eating animal products changed his life in the inspirational pro-vegan film, Forks Over Knives.

Because he rarely talks about himself on the air, his listeners probably don't know that he is an inventor (he holds a U.S. patent on a bottle / can opener); an actor (films he or his voice were in: One Flew Over the Cuckoo's Nest, Paper Lion, Aunt Mary and Tiger Town); and a lyricist (I Don't Know Any Better by B.J. Thomas, for one).

It's not like Star Wars films are known for always having huge cliffhangers, but it was fun to talk about the possibilities after The Force Awakens.

We would be remiss if we didn't talk about Toy Story 3 and the toys children love best from this wonderful film.

The government's proposal will not ban violent pornography that doesn't include penetration (and it's important to remember we're only talking about hardcore porn, not normal films, documentaries, or art).

Funnily enough I went recently to the screening of the new film about Julian Assange, the Fifth Estate, and I was talking afterwards to Alan Rusbridger, and I said to him, and he didn't disagree, in fact he agreed, I said, «the Guardian gets the credit for basically exposing the phone hacking scandal, but if we hadn't picked it up, nothing would've happened».

In this great three - minute video, our friend Kathy Freston talks to Dr. Terry Mason from the film Forks Over Knives (go see it if you haven't already) about the relationship between our diet and our sex drive.

I didn't wait for him to contact me — in fact five minutes after we left each other on the Tube, I texted him with details of the musicals, films and TV shows we'd been talking about that he'd never heard of before.

i prefer not to talk about myself but here goes... i am 175 cm with blond hair and ive studied architecture.i like taking long walks because i like natures surroundings, i adore animals, going to the beach (summer of course hanging out with friends watching films and reading books about philosophy and phsycology.

Thayer talks about how online dating has become a mainstream aspect of daily life, Tinder was covered in nearly every major news source last year, and yet its influence hasn't extended to TV and film.

If you don't know what to talk about, favourite films, recent holidays and your family are all safe subjects.

I do find it hilarious how almost no one really talking about the actual film (they are, but it just do not feel like it).

If subsequent roles in the films Layer Cake and Alfie weren't enough to get people talking about Miller, her sometime relationship with the latter film's star, Jude Law, certainly helped keep gossip columnists in business.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Naming names and letting people talk, this should be seen, and Kirby Dick (no kidding, that's the director) is a terrific filmmaker (THIS FILM IS NOT YET RATED, if you haven't seen it, please do - right now) and he obviously feels passionately about this.

Not the most intersting of films, however it talks about a very current theme, even for today.

Its too bad we didn't get any more Harry D'Amour films or tv series that was talked about at one time.

As a portrait of modern journalism, though, it leaves quite a lot to be desired; this is the kind of film that has characters trade grandiose talking points about the ethics of reporting, but can't be bothered to show its reporter hero — still recovering from the damage factual inaccuracies did to his career — using a recording device during interviews.

Not that it's saying much when we're talking about films like Bold Eagles, Mummy I'm a Zombie, and Justin and the Knights of Valor.

Graham's father, a wealthy industrialist, bought the paper in 1933 at a bankruptcy auction, a fact not mentioned in the film, curious for a movie that spends a great deal of time talking about the paper's dire finances.

Reviewer doesn't know what he's talking about in regards the film's source materials.

This was a blank - slate film experience for me, and it's not a sequel or prequel so much as an independent movie operating laterally to Suicide Club, so why am I even talking about all this.

When talking about films and ideas we often reference what has come before as to not repeat it.

The movie kicks off with a poorly CGI'd (for Zemeckis) shot of the hero standing in the Statue of Liberty's torch with the Towers looming across the water behind him, talking and talking and talking not to you but at you, often in bizarrely gargoyle - ish close - ups, about the amazing thing he's about to do, or is doing — as if convincing us to buy a ticket to the film we're already sitting there watching.

Director Kapur — who can be quite fascinating in person — provides a dull commentary track, not helped by the fact that he's trying to talk seriously about such an awful film.

I'm just so annoyed with both Scott and Crowe for talking shit about the original script's premise for a film told from the Sheriff of Nottingham's perspective, and how this wouldn't work because it played like a medieval police procedural.

If you don't know what I'm talking about, the censorship occurs on only a few frames of film.

Talk about stupid, though that's not this film's fault.

I don't come here for discussion about «films,» I'm here to talk about FLICKS AND MOVIES!

Secretly, though, he's a heartbroken gay man in free fall, something David still can't talk about with his dad after coming out a decade ago — of all of the film's strands, the bond between fathers and sons is the most complex, deserving of more attention.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

Since I have not yet seen Jackie I can't talk about tone or narrative of one film versus the other.

«It wasn't until I saw Greta talk about the film and making it and putting it together, and how all of this came from her and she's done something brilliant that people truly love and it's a great piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.

After the excitement of David Arnold's three scores for Emmerich and then the brief diversion to the great John Williams on The Patriot, the change in musical approach since Kloser (later joined by Wander) took over is so extreme, it doesn't really make sense — it's hard to talk about any of the previous four Kloser / Wander scores for Emmerich without repeatedly using the word «bland» — I've just never been able to reconcile the outlandish extravagance of every other aspect of the films with the understated timidity of their scores, which seem to serve no purpose whatsoever.

Jolie and her co-writer Loung Ung visited last month's 7th annual Deadline's The Contenders all - day awards - season event at the DGA Theater to talk about their film (as part of N... Read