Sentences with phrase «not white the screen»

Not exact matches

White House Chief of Staff Reince Priebus muddied the waters on President Donald Trump's new executive order barring immigration from select countries, saying Sunday it «doesn't include green card holders going forward» but adding that anyone traveling back and forth from the countries in question will be subject to further screening, including U.S. citizens.

Treasury secretary Steve Mnuchin may have declared earlier this year that the issue is «not even on [the White House's] radar screen,» but it could have a serious political as well as economic impact.

Pepsi was not first in this market — Coke was — but its latest version is beautiful, a simple white or black frame with a touch screen that offers as many as 1,000 flavor combinations.

The Portuguese actor's Jesus is not exactly Anglo (although his on - screen accent is); but basically, this Jesus is white.

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Those who hadn't put on their white, playoff - themed shirts were shown on the in - arena video screen and booed roundly until they did.

I'm probably not the most objective critic since I've been a Disney fan since the age of three when I first fell in love with their animated movies at a special screening of Snow White.

Consider buying a sound screen or white noise maker for your son's room so he won't hear the baby wake during the night.

Most simpler and cheaper fish finders have a black and white LCD screen and don't provide as much information.

At night, I turn the brightness down all the way, and the Kindle app has an invert mode where it puts white on black background instead of black on white background, so it's pretty dark, and I found that a pretty comfortable experience and certainly preferable to my previous way of reading in the dark which was getting out a little AA battery — powered book light that I had to clip onto my Kindle — which seemed so backward that you have to have a second electronic device attached to your first electronic device — but [the] eInk screen on the Kindle doesn't light itself.

Researchers say it's possible the white bits did not break up enough to fall through the screen.

The Moroccan screens came from a client's house who didn't want them and I painted them white.

Some I couldn't resist making black or white or sepia because it further enhanced Lizzie's natural beauty on screen.

For the bloggers out there, you may or may not have experienced the «white screen of death», but let me just say..

when i switch to manual focus and adjust the aperture to 3.5 or 4, i don't know how to adjust the other features (iso, and loads of other options) so the screen becomes either white or black.

I find myself nonstop distracted by a little white screen — across the dinner table, on the couch «watching» a show together, first thing in the morning — and let's be honest, it ain't good for my relationship.

Or I leave the blinking cursor on the white screen and think about how everyone has already said everything worth saying and I suck and I'm not even a real writer, anyway.

ok now my laptop's screen is wet after I cracked up seeing rosie perez in that dress it's so horrible, it's almost funny again she looks like a toddler who plays dressup and a (do nt get me wrong I loved her ever since White boys cant jump and I think shes totally cute) old hag AT THE SAME TIME!

Stairs 10 times about kids not liking and white rather fran, muslim dating I learned site australia and paying for the entire computer screen of orders.

The items and menus are compressed for easier use, and by disposing all the useless white space, you don't need to swipe the screen at all.

Well my screen name is White i am 36 looking for not commentment just straight up fun with no strings if u think i am ur man give me a holla.

Hitting our screens as the current White House incumbent raves about news media being «the enemy of the American people», The Post offers a reminder that «the founding fathers gave the free press the protection it must have to fulfil its essential role... to serve the governed, not the governors».

As Mica Levi's score buzzes like an otherworldly hornet's nest, we see a black screen with a tiny white dot in the middle.

Since their notable appearance in a song and dance routine with actor Dick Van Dyck in the 1964 film Mary Poppins, these little black and white creatures have scored numerous screen roles in films like Madagascar, Cat's Don't Dance, Surf's Up, Happy Feet and this fall's sequel Happy Feet Two.

The most interesting character by far is the white whale, who is apparently omniscient, and he doesn't get nearly enough screen time.

In the film's final shot, Stewart's Maureen reveals a face that is not so much scared as uncertain, apprehensive, quietly waiting on the verge of something unknown; we hear a faint intake of breath before the picture of her fades, ghostlike, the whole screen bleaching to a whiter shade of pale.

While pithy, the term isn't quite right: In the 45 years since her first uncredited on - screen appearance, at age 6 in her mother's film White Lightning, Dern has amassed one of the most consistently interesting bodies of work in Hollywood.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Stadium noises often sound like white noise, and the game doesn't play music in management screens.

Tense and beautiful, Sweet Country is utterly gripping from the first scene, an extreme close - up of white sugar being stirred into black tea and boiling in a billy, while racist violence occurs off screen, heard but not seen.

Disney has been remaking their animated classics for the screen over the past few years with the likes of Alice in Wonderland, Cinderella, and The Jungle Book (they did not produce either live action version of Snow White but adaptations of Aladdin, Dumbo, The Little Mermaid, The Lion King, Mulan, Peter Pan, Pinocchio, and The Sword in the Stone are in the works).

Marvel Studio better bring on Black Panther to the big screen cause if they do nt i believe they are scared that the white audience will not watch black panther thats why they not making a live action movie

Honestly, when i saw the Scott Pilgrim movie it was kind of appalling to see just how white it was — to not even really see myself represented on the screen... At least in the comic they were just cartoons.

For a brief moment at the beginning of «First They Killed My Father,» we glimpse a white reporter taking snapshots of the Khmer Rouge as they roll into Phnom Penh in April 1975, but for the rest of the movie, not a single Caucasian appears on screen in...

Having never actually played the original game, I can only compare to screens but this remake of White Day is a massive step up from its 2001 counterpart, naturally, but isn't going to push the PS4 to its limits graphically by any stretch of the imagination.

But The Big Lebowski isn't about plot, it's about the individual pieces of the film, The Dude's bathrobe, John Turturro's wonderful performance as Jesus Quintana, and the way the White Russians gleam on screen.

It's been three decades since the last time we saw Annie on the big screen and with a winking poke at the traditionally (white) red - headed and cheerful moppet we're used to it lets you know right off the bat that this isn't the previous generation's Annie; it's a modernized, Twitter - ized and street smart update.

Writer - director Justin Simien wasn't sure if his 2014 film, Dear White People, would ever hit the screen, but after a conversation with friend Lena Waithe he knew he had to find a way to get it done.

Lately, Rebhorn had been seen most prominently on the small screen as Claire Danes» father on the Showtime drama series «Homeland,» not to mention a recurring role on the USA series «White Collar.»

Films have on occasion broadened the scope, perhaps none as widely as Blindness (2008), Fernando Meirelles's failed attempt to translate the devastating dark beauty of José Saramago's novel to screen, in which all of its many characters — except for one, played by a miscast Julianne Moore — lose their sight not to the usual blackness but a bright white light.

Portman emphasized the need for more on - screen representation and called out the industry's habit of dividing pools of actors according to who's white and who isn't:

Though the pursuit in Gun Fury takes the team down Mexico way, the picture was shot near Sedona, Arizona (Walsh employing some of John Ford's creative geography), and even if the 3 - D didn't do its part, with multiple objects and even animals surging toward the screen, and a gun - to - the - camera throwback to The Great Train Robbery (1903), the vibrant Technicolor cinematography by Lester White is bold and picturesque in its own right.

I never read Lowry's novel, turned off in part by its black and white cover image of a bearded old man, so I can't speak to how faithfully it has been translated to the big screen.

If I had access to the Windsor font I'd list us all in alpha order in white lettering on the same black title card Woody Allen style so that there won't be any tragic Corey Stoll business where the Screen Actor's Guild leaves one of us out when our inevitable Best Ensemble nomination arrives.

And indeed, this prequel / sequel hybrid doesn't quite make sense, muddling its premise by straining to keep Snow White herself out of the story (she's always just off screen) while spinning a tale that feels so derivative that we feel like we've seen it all before.

Dabbling between the sitcom and film work, Woody's big screen career didn't really begin to soar until late in the «Cheers» run with the 1991 release of «White Men Can't Jump,» with Woody opposite Wesley Snipes.

When the starlets of the Tennessee Twirling Institute present their greetings to Nashville idol Barbara Jean after her recovery from a near - fatal fire, the screen is overwhelmed with red - white - and - blue jingoism, prancing sexism, and canny commercialism — but it is overwhelming, and the energy of the sequence does not inhere entirely in the spirit of awestruck mockery one senses just offscreen.

It is plagued by the occasional blink - and - miss white speck and scratch, which might be imperceptible if not being scrutinized on a large screen display.

Affleck brings big - screen charisma, understated wit, and a hint of tenderness to the role of Chris, a man who wants to connect with other people but doesn't quite know how; Anna Kendrick does her winsome Anna - Kendrick thing as a CPA unknowingly entangled in a diabolical corporate scheme; J.K. Simmons and Jon Bernthal offer solid supporting performances as, respectively, a Treasury agent and an elite hitman; and the great Jeffrey Tambor is even tucked in there, as a white - collar con in a high - security prison.

It's a wonder that Pollack so readily thinks that the people of Edison will be shocked by what's going on, as F.R.A.T. barely makes any effort to conceal their pattern of illegal behavior, leaving behind obvious clues, doing a poor job of screening their candidates, and the head of the organization himself (Heard, White Chicks) can't seem to have anyone assassinated without doing do in front of dozens of witnesses.