Sentences with phrase «notable group exhibitions»

Her work has been exhibited across the world in numerous solo exhibitions as well as notable group exhibitions.
Gordon has had solo shows at several international galleries and has been included in notable group exhibitions including Out of Focus at the Saatchi Gallery, Greater New York at MoMA PS1 (2010), and New Photography 2009 at the Museum of Modern Art.
Dunham has also been included in notable group exhibitions including multiple Whitney Biennials and SITE Santa Fe; and at institutions including Musée d'art moderne et contemporain, Geneva; the Museum of Modern Art, New York; Museu Picasso, Barcelona; The Institute of Contemporary Art, Boston.
Recent notable group exhibitions include Ron Arad's Curtain Call, The Roundhouse, London (2011); Rude Britannia, Tate Britain, London (2010); Laughing in a Foreign Language, Hayward Gallery, London, UK (2008); Momentary Momentum, Parasol Unit foundation for contemporary art, London; touring to Kettle's Yard, Cambridge, UK (2007 - 2008); The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York, NY (2006) and State of Play, Serpentine Gallery, London (2003).
Dickinson was the subject of a solo exhibition at Horsens Kunstmuseum in Denmark, and has been included in notable group exhibitions at venues such as Togo Memorial Sompo Japan Museum of Art in Tokyo, the Contemporary Art Museum in Sao Paulo, and Musée National Collection Schlumpf in Mulhouse, France.
Fontaine has also been included in notable group exhibitions such as the 4th Moscow Biennale of Contemporary Art (2011), the 12th Istanbul Biennial (2011), Manifesta 7 (2008), and the 2004 Whitney Biennial.
Notable group exhibitions featuring his work have been presented at MUMA, Caulfield East, Australia (2015); ZKM Karlsruhe, Germany (2015); GAM, Turin, Italy (2015); Palais de Tokyo, Paris (2014); and Fondazione Querini Stampalia, Venice (2013).
Other notable group exhibitions include Touched, the Liverpool Biennial (2010); the third Guangzhou Triennial, China (2008); and Flow at the Studio Museum in Harlem (2008).
Biagini's work has been included in many notable group exhibitions at venues such as The Proa Foundation in Buenos Aires (1998), The Cervantes Institute in Rome (2006), The Bemis Center, Nebraska (2006), Hunterdon Museum of Art, New Jersey (2008), Museum of Contemporary Art Buenos Aires (2012) and Mana Miami (2014) and is featured in the MoMA P.S. 1 Contemporary Art Center's Studio Visit, a virtual presentation of artists» studios.
Ronay has recently been included in several notable group exhibitions, including «Phantasmania,» at the Kemper Museum of Contemporary Art, Kansas City, and the traveling exhibition «Uncertain States of America: American Art in the 3rd Millennium» which originated at the Astrup Fearnley Museum of Modern Art in Oslo, Norway.
Notable group exhibitions includeIntimisms, James Cohan Gallery, New York; Long Instant Short Hour, Thomas Duncan Gallery, Los Angeles and Addicted to Highs and Lows, Bortolami, New York among others.
His work has been the subject of notable group exhibitions, including the Seoul Museum of Art, Seoul, Korea; Royal Academy of Arts, London, England; Sungkok Art Museum, Seoul, Korea; Museo Amalia Lacroze de Fortabat, Buenos Aires, Argentina; and Jule Collins Smith Museum of Fine Art, Auburn, Alabama.
His installations, videos, and performances have been included in many notable group exhibitions worldwide, including Prospect.1 New Orleans, Illuminations at the Tate Modern; Whitney Biennial, and Freestyle at the Studio Museum in Harlem, and at institutions in China, Germany, Hungary, Japan, Poland, and Russia.
Salcedo has also been included in notable group exhibitions internationally including: XXIV São Paulo Biennial (1998); Documenta XI, Kassel (2002); 8th Istanbul Biennial (2003); «NeoHooDoo,» PS1 Contemporary Art Center, New York and The Menil Collection, Houston (2008); and «The New Décor,» Hayward Gallery, London (2010).
His work has been included in recent notable group exhibitions at The Art Institute of Chicago; Foam Fotografiemuseum, Amsterdam; and the Deutsche Guggenheim.
Stark's work has been exhibited extensively, including in solo shows at MoMA PS1 and the Van Abbemuseum in Eindoven, as well as notable group exhibitions such as the 2008 Whitney Biennial and the 54th Venice Biennale in 2011.
Heltoft's work has been featured in notable group exhibitions at Whitechapel Project Space, London; Magazin4 Bregenzer Kunstverein, Austria; Whitney Museum for American Art, New York; Museum Kunst der Westküste, Alhersum / Föhr; The Museum of Contemporary Art, Antwerp; New Museum, New York; Binz39, Zürich; and participant inc, New York.
Notable group exhibitions featuring his work have been presented at LAXART, Los Angeles (2017); Es Baluard Museu d'Art Modern i Contemporani de Palma, Palma de Mallorca, Spain (2016); MACBA, Barcelona, Spain (2016); Centre Pompidou, Málaga, Spain and Paris, France (2016); Stedelijk Museum, Amsterdam, Netherlands (2015); and the Museum of Modern Art, New York (2014).
Other notable group exhibitions include Femmes Artistes Du Koweit at the Institut du Monde Arabe in Paris in 2006, Approaches to Figurative Practices at the Third Line Gallery, Dubai in 2007 and 2010 JAMM Contemporary Art Auction in Kuwait.
Recent notable group exhibitions include Beer Show, Green Gallery, Milwaukee, WI (2013); Body Language, Studio Museum in Harlem, New York, NY (2013); Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (2013); Blues for Smoke, Museum of Contemporary Art, Los Angeles — traveled to Whitney Museum of American Art, New York, NY (2012); American Exuberance, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2011).
He has also participated in notable group exhibitions such as Absolute Collection Guideline (2015), Sifang Art Museum, Nanjing, China; 10th Gwangju Biennale — Burning Down the House (2014), Gwangju, Korea; Revel — Celebrating MoCA's 8 Years in Shanghai (2013), Museum of Contemporary Art, Shanghai, China; or ON OFF: China's Young Artists in Concept and Practice (2013), Ullens Center for Contemporary Art, Beijing, China.
Notable group exhibitions include L'usage des forms, Palais de Tokyo, Paris (2015); Triennial: Surround Audience, New Museum, New York (2015); and Art Post-Internet, Ullens Center for Contemporary Art, Beijing (2014).
Notable group exhibitions and screenings include El Hotel Electrico, MUHKA, Antwerp (2014); Une Brève histoire des lignes, Centre Pompidou - Metz, Metz (2012); Unwrapping History: Films from the Collection, Walker Art Center, Minneapolis (2012); and Ghosts in the Machine, the New Museum of Contemporary Art, New York (2012).
Notable group exhibitions include FUTURE PRESENT, the Schaulager, Münchenstein, Switzerland (2015); The New Human, Moderna Museet Malmö, Malmö, Sweden, in collaboration with The Julia Stoschek Collection (2015); Sights and Sounds: Global Film and Video, The Jewish Museum, New York (2014); and Harvest, Gallery of Modern Art, Brisbane, Australia (2014).
Notable group exhibitions include: Hyde Park Art Center, Illinois; Soap Factory, Minnesota; Phoenix Institute of Contemporary Art, Arizona; Slought Foundation, Pennsylvania; Cabinet Magazine's Exhibition Space, New York; and the International Museum of Surgical Science, Illinois.
Notable group exhibitions include Here and Elsewhere, New Museum, New York (2014); XL: 19 New Acquisitions in Photography, The Museum of Modern Art, New York (2013 — 2014); and Fruits de la Passion, Centre Georges Pompidou, Paris (2012 — 2013).
Notable group exhibitions and screenings include Nuit Blanche, Paris, France (2017); Reframing Worlds, NGBK, Berlin, Germany (2017); Trigger: Gender as Tool as Weapon, New Museum, New York (2017); and Sound Fields, Beirut Art Center (BAC), Beirut, Lebanon (2016).
Notable group exhibitions include UNTITLED & Zach Feuer Gallery, New York (2013); the Indianapolis Museum of Art, Indianapolis (2012); Marianne Boesky Gallery, New York (2011); and Karma International, Zurich (2010).
Notable group exhibitions include; «Artificial Amsterdam», de Appel Arts Centre, Amsterdam, The Netherlands (2013); «Mexico: Expected / Unexpected», Katzen Arts Centre, Washington D.C., USA (2012); «Wall Rockets: Contemporary Artists and Ed Ruscha», The FLAG Art Foundation, New York (2008).
Notable group exhibitions include; «Seismic Shifts», The National Academy Museum, New York (2013); and «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012).
Other notable group exhibitions include «Champs Elysees» at Palais de Tokyo, Paris (2013), and MoMA P.S. 1's «Greater New York» (2005).
Notable group exhibitions include; «Women, War, and Industry», The San Diego Museum of Art, San Diego, USA (2013 - 2014) and «Hide / Seek: Difference and Desire in American Portraiture», The Brooklyn Museum, Brooklyn, USA (2011 - 2012).
A notable group exhibition includes «Masculine / Masculine.
He has also been included in notable group exhibitions at the Palais de Tokyo, the Tate Modern, and Malmö Kunsthall in Sweden.
Heltoft's work has been featured in notable group exhibitions at: Whitechapel Project Space, London; Magazin4 Bregenzer Kunstverein, Austria; Whitney Museum for American Art, New York; Museum Kunst der Westküste, Alhersum / Föhr; The Museum of Contemporary Art, Antwerp; New Museum, New York; Murray Guy, New York; Binz39, Zürich; and participant inc, New York.
Notable group exhibitions include: Hyde Park Art Center, Illinois; Soap Factory, Minnesota; Phoenix Institute of Contemporary Art, Arizona; Slought Foundation, Pennsylvania; Cabinet Magazine's Exhibition Space, New York; International Museum of Surgical Science, Illinois; and the West Los Angeles College Art Gallery, California.
Ronay has also been in notable group exhibitions at the Astrup Fearnley Museum for Modern Art, Oslo; ARoS Aarhus Kunstmuseum, Århus, Denmark; Center for Curatorial Studies, Bard College, Annandale - on - Hudson, New York; Serpentine Gallery, London, England and the 2004 Whitney Biennial, New York.
His work has also been included in notable group exhibitions at the Palazzo Grassi of the François Pinault Foundation in Venice, the Tate Liverpool, the Prague Biennial, the Bucharest Biennial, the San Francisco Museum of Modern Art, and the Fondazione Palazzo Strozzi in Florence.
Notable group exhibitions include Cut to Swipe, The Museum of Modern Art, New York (2014); Rockaway!
Notable group exhibitions include: All watched over by machines of loving grace, Palais de Tokyo, Paris (2017); Generosity, The Art of Giving, National Gallery in Prague (2016); Hugo Boss Asia Art, Rockbund Museum, Shanghai (2013); The Ungovernables, New Museum, New York (2012); Print / Out, MoMA, New York (2012); No Soul For Sale, Tate Modern, London (2010).
He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).
He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).
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