A quick
note about the dialogue and localization: it's excellent.
Not exact matches
One participant, Ricardo Antoncich,
noted that theology, (as reflection
about the faith of the Church), should enter into
dialogue with other forms of thought that rationally explain the life of the human being in the world.
Perhaps this last critical point, i.e.» that Muray overstates the substantialism in Hauerwas, allows us to end on a somewhat hopeful
note about the future of
dialogue between those of us who are strongly influenced by and continue to work in the light of the writings of Stanley Hauerwas and those who call themselves process theologians.
Al - Mansour and her screenwriting partner, Emma Jensen, pump the
dialogue full of swoons, especially in the opening stretch in which a 16 - year - old Mary is wooed by the 21 - year - old author Percy, who sends drippy love
notes, and inspires murmuring
about the «curdling of the blood and the quickening of the heart.»
Hate - mailers, take
note: I am not demanding hyperrealism from a movie
about a giant lizard — I'm not even asking for passable
dialogue!
The film — a character study
about two road workers who bicker and banter with each other as they tediously paint road lines in a burned down Texas state park — is a notably weightier comedy than most Rudd vehicles (this isn't one), striking some beautiful, poignant
notes along with the funny
dialogue.
He has been in psychoanalysis for
about as long as he's been making films, and the
dialogue in his screenplays often reads like an analyst's
notes.
Despite all the
dialogue about Prometheus and Turing (and Wittgenstein), or the score which echoes the
notes from Close Encounters of the Third Kind, the film is best exemplified by how Nathan remembers Ghostbusters - as that movie where the lady - ghost gives Dan Aykroyd a blow - job.
Note: If you notice students are particularly subdued or agitated after a provocative lesson (for example, the Holocaust, or a recent tragedy), provide a few minutes for open conversation, personal response, and
dialogue or ask students to reflectively write
about their response to the lesson.
As the gallery
notes of the current show, «MOLESTIA is
about a series of artworks with a minimalistic approach and a strong
dialogue with the exhibiting space.
Featuring
noted scholars, curators, and artists; the symposium encourages
dialogue and debate
about this important body of work and its themes while connecting them to wider aspects of Kelley's complex and varied oeuvre.
A fierce friend of Heiss, she
notes that the two have often been overheard arguing, but, in her words, «In reality we are reliving a continuing
dialogue about the best way to place objects in space.»
Featuring
noted scholars, curators and artists, the symposium seeks to encourage
dialogue and debate
about the work and its themes while connecting them to wider aspects of Kelley's complex, varied, and important oeuvre.
Note: Please provide a 200 - 300 word precise of the paper that shows your thorough understanding of the Paper and the issues discussed and the conclusions / recommendations BEFORE attempting to comment or engage in further
dialogue with me
about it.
«On the social media platforms that you can control, we always advise our own clients to try to control them to the extent that they can, but... in social media, it's a
dialogue going on and you don't always control both sides of the
dialogue, but you have to try to be careful
about it,» he says,
noting that he, too, expects future decisions on this point to offer more clarity.
A large part of this
dialogue is also
about good news, so make a mental
note to be on the lookout for other people's good news and use their good fortune to build stronger bonds.