Sentences with phrase «noted film critics»

Below, we've got a clip from the film that makes that above paragraph a bit more clear, as well as some early buzz from noted film critics.

Noted film critic Roger Ebert who counts himself as a fan of the film also supplies an audio commentary in addition to the film's creative team.

There are plenty of interesting points raised, but as for me I decided to abstain from rehashing the same argument that's been going on for years and instead share an insightful quote from noted film critic Roger Ebert.

Not exact matches

Note: The list only includes films that were released in 600 or more theaters and / or had 80 or more critic reviews.

But Variety critic Scott Foundas, who reviewed both the Toronto and Cannes editions, noted, «In all its versions The Disappearance of Eleanor Rigby is a film of marked ambition that turns out to know a fair bit about love and loss and the various ways in which we do and don't grow up to become our parents.»

Note that if a critic ranks more than the standard 10 films, we will not include films ranked 11th or worse.

An assessment of the film as part of a dissertational examination of Lawrence's contribution to comedic posterity and to African - American cultural history will surely note that the film was not pre-screened for critics in advance.

Numerous critics have noted the film's association of Louie with Jesus Christ.

In its 20th year as an organization, the Las Vegas Film Critics Society has solidified itself as a noted and trustworthy source for film criticism by all lovers of film and cinema.

The «N.Y. Times» Vincent Canby, a usually generous critic, slammed the film for its utter lack of realism, noting that in this Georgia farm, the corn remains harvest - ripe year - round and seems to pick itself.

After the film premiered at the 2010 Sundance Film Festival where it was nominated for a Grand Jury Prize, Variety film critic Todd McCarthy wrote, «Gosling and Williams interact beautifully and without a false note, their deep immersion in their roles resulting in nothing but behavioral truths.»

Home Video Notes: The Breakfast Club Release Date: 2 January 2018 Criterion releases The Breakfast Club on home video (Blu - ray) with the following extras: - Audio commentary from 2015 featuring actors Anthony Michael Hall and Judd Nelson - New interviews with actors Molly Ringwald and Ally Sheedy - New video essay featuring director John Hughes's production notes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic DavidNotes: The Breakfast Club Release Date: 2 January 2018 Criterion releases The Breakfast Club on home video (Blu - ray) with the following extras: - Audio commentary from 2015 featuring actors Anthony Michael Hall and Judd Nelson - New interviews with actors Molly Ringwald and Ally Sheedy - New video essay featuring director John Hughes's production notes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic Davidnotes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic David Kamp

Film critic Rich Haridy joins the Hyphenates to talk the films of December 2012, compare notes on the five best films of the year, and look at the ongoing filmography of American provocateur Oliver Stone.

Monitor film critic Peter Rainer called «Wind,» which was billed as Miyazaki's final film and the story of which is partly based on fighter plane designer Jiro Horikoshi's life, «visually as beautiful as anything he's ever done,» though he noted that «the collision between poetic fancifulness and grim reality, between peace and war, never falls into focus.»

Critics have noted that director Zack Snyder has used a lighter tone than the morose clash between «Batman v Superman,» but criticized the film's plot and overuse of CGI in action scenes.

Many critics noted how the film is slow to start off with, with one describing the first part as «clunky».

Pull up a chair and take notes as The Times» film critics, Kenneth Turan and Justin Chang, discuss the holiday movies they're most looking forward to.

After this revelation, film critics noted the «manic pixie» similarities in female love interests throughout cinematic history.

I can assure you, Rashad, that most film critics taking notes during screenings aren't merely writing down what happens in the film.

In fact, she linked the low number of female filmmakers to the low number of female film critics, noting that critics are the gatekeepers of cinema — and when all of them are men, fewer women are likely to make it through.

Extras include a liner notes essay by novelist Grady Hendrix, an interview with film critic Tony Rayns, a video essay by film critic Travis Crawford, a photo gallery, and a trailer.

(Note: Time film critic Richard Corliss passed away this Thursday.

Mark Brown (The Salon) Note: Thanks to fellow film critic Wilson Morales of BlackFilm.com for his very valuable assistance in researching this article, although the picks and pans strictly reflect the opinion of Kam Williams.

Features a video interview with director Chuck Workman conducted by film scholar and critic Annette Insdorff and a booklet with stills but no film notes.

It is also with such hope that film critics go to film screenings on cold winter mornings and sit in cold theaters with cold fingers trying to take notes — you get a pleasant surprise.

With The Spectacular Now «s Miles Teller in the role of a young drummer, many critics note that the film provides its other star, J.K. Simmons, a near - perfect vehicle for the former J. Jonah Jameson's brand of half - screamed scolding.

(Hong Kong film critic Stephen Teo has noted that the film's original title, A Fei Zhengxhuan, alludes to the Chinese title of Rebel Without a Cause:» «A Fei» is local Cantonese slang for unsavory youths and the full title may be interpreted as the life story of one.»)

It should be noted Verbinski's last two film's The Lone Ranger and A Cure for Wellness didn't make much of an impact at the box office or with critics...

Editor's note: Times film critic Justin Chang is keeping a regular diary at the 2017 Toronto International Film Festival.

«Moonrise Kingdom is an adventure movie in the true sense,» writes critic Geoffrey O'Brien in his liner notes for our edition of the film.

In addition to liner notes by British film critic Jason Solomons and a feature - length audio commentary track with writer Lothian and director Metzstein, there's the movie's theatrical trailer, a single deleted scene and a couple of featurettes in which Lance and Cilenti showcase two respective bits of sleight - of - hand that their characters employ.

While it doesn't look like we'll be getting much in the way of extras, at least we get a behind the scenes look at the making of the film, in addition to McDonagh's Academy Award - winning short film from 2004, so if you were as enamored with this future Oscar winner as the critics and guilds have been, then be sure to note the February 13th (Digital HD) and February 27th (Blu - ray / DVD) release dates.

Of course, it's worth noting that NYFCC is made up of a small group of New York — based film critics; a larger awards body like the Oscars will be pulling from a much bigger pool of voters working within the film industry.

As critic David Sterritt notes in his liner essay for our edition of the film, the dazzling Brazil's «verbal and visual wit remain as incisive as ever, and the themes it explores — social alienation, terrorism, the hazards of high technology, and the bureaucratization of absolutely everything — are more urgent now than when the film premiered.»

Ingram noted that «most critics» loved the film, while fellow industry colleagues who saw the feature in Toronto were mixed.

In a recent article on Tarkovsky, Julian Graffy notes that the Russian journal Kinovedcheskie zapiski (Notes in Cinema Analysis) asked 27 critics from around the world to list the twentieth century's 12 best films «from the point of view of history» and «from the point of view of film criticism&ranotes that the Russian journal Kinovedcheskie zapiski (Notes in Cinema Analysis) asked 27 critics from around the world to list the twentieth century's 12 best films «from the point of view of history» and «from the point of view of film criticism&raNotes in Cinema Analysis) asked 27 critics from around the world to list the twentieth century's 12 best films «from the point of view of history» and «from the point of view of film criticism».

In the lead - up to its release, Ingram noted the film is a New York Times critics pick and was praised by the Los Angeles Times.

The Times announced the news in a note to its readers that ran with their 2017 Holiday movie preview, saying that they would continue to review Disney films, but their critics would only be able to see them when tickets were available to the general public.

As film critic Roger Ebert notes in one of the bonus features on this new 75th anniversary Blu - ray, such questions are silly, since film fans» favorites tend to change.

As critic Kent Jones noted in his excellent Criterion Collection essay, «Hiroshima Mon Amour» carries such a weighty reputation it has become its own worst enemy regarding 21st century audiences unfamiliar with the film.

The film ultimately belongs to Riggan, who suffers repeated humiliations (learning a drunk Carver probably wrote a prized note, having to wander Times Square in his underwear after a mishap with a stage door, and getting a lambasting from Lindsay Duncan's cruel critic) while the voice of his movie alter - ego prattles in his head about the actor's failures, and Keaton, whose performance finds the right balance between longing determination and outright insanity.

Noted Magnolia Sunday: «It was clear to us over the last week that critics were really liking Little Men — the film received more — and better — press than almost anything we've opened this year.

I caught the film at Sundance and while it left me cold, I should note that some of my fellow critics absolutely adored...

Other critics, like Entertainment Weekly and USA Today were quick to note that while the film is undeniably fun, it doesn't always take itself seriously enough.

As many of the best critics have stressed, film criticism's function is to resist becoming part of the machine for promoting films at either the mass market or indie / art film level, repeating the press notes and feeding the hype.

The Atlantic piece ends by reminding us that «the absence of women film critics has been in the news recently thanks to Meryl Streep, who questioned in October how having so few women writers might affect the reception of female - centric films,» while noting that «There are no headlines recently about the representation of other races or sexual orientations, though they deserve many of their own.»

The liner notes booklet includes an essay by critic Dave Kehr (an early supporter of the film), and a poster.

It's interesting to note that the 1993 film, which had low expectations by critics, has become a cult classic.

It includes essays by the curator Jens Hoffmann, the scholar José Luis Barrios, and the film critic Ernesto Diezmartínez Guzmán as well as information on all the participating artists and their works, extended notes on the classic films selected by the artists, and a special insert featuring a newly commissioned photographic project by Fernando Ortega depicting abandoned or repurposed movie theaters in Mexico City.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.