And as early as 1943 the principal tenet that was to distinguish the new abstraction from earlier, pre-war
abstract art was clearly formed, as evidenced in a brief «manifesto» of the rising movement crafted by Mark Rothko, Adolph Gottlieb, and Barnett Newman for The New York Times in response to a negative review of the new style: «There is no such thing as good painting
about nothing.
In this excerpt, Julian Jebb interviews Francis Bacon
about his contemporaries in the
art world, his working practices and his personal philosophies, such as his belief that true
abstract painting is
nothing more than «lyrical, charming and decorative».