Sentences with phrase «nothing about this film»

Know nothing about this film when you go to see it.

But nothing about this film is forgettable.

Knowing next to nothing about the film, it wasn't really a priority for me to check out, especially since it kept conflicting with other films I was trying to check out.

Nothing about this film works: the camerawork is amateurish, the acting is stilted, the characters underdeveloped, the editing looks like it was done by a blind monkey, and as for the plot — the plot makes no damn sense.

Now, knowing nothing about the film, I went into...

I knew pretty much nothing about the film prior to seeing it on the opening night of the festival.

Nothing about the film is subtle.

I knew nothing about this film going into an early preview, 101 mins later I left the cinema doing karate kicks and chops down the street.

Not only has the whole rock star / estranged parent story been done countless times before, but nothing about the film suggests that it'll bring anything new to the table, either.

There is nothing about this film that feels fresh and original.

In fact nothing about this film is what I anticipated.

Toolbox Murders: it's a butcher's - menu of a title whose visceral potential — next time you mention it to someone, watch his or her face light up in mock disgust — almost outweighs its attendant stigma, and while the slayings pack a vicarious punch, nothing about the film transcends its very superfluousness.

You fit in what you can, cross your fingers, and hope for the best, sometimes knowing almost nothing about the film you're about to see.

In fact, but for the main characters, nothing about the film seems real.

Directed with a magical sheen by David Frankel (Hope Springs) and written to within an inch of its life by Allan Loeb (The Switch), there's nothing about this film that doesn't feel contrived and controlled.

I'd probably lean in more towards D + — Nothing about this film was believable for even a second to me.

Not exact matches

«New York doesn't have a revenge porn law because our politicians are doing nothing about it,» Goldberg says elsewhere in the film.

COOPER: There are people who argue that this much ado about nothing, that if this was not a story about an adult - film actress and the president of the United States, no one would pay attention.

«There are people who argue that this is much ado about nothing,» Anderson Cooper said on 60 Minutes, «that if this was not a story about an adult - film actress and the president of the United States, no one would pay attention.»

Adam, I can promise you that the person you replied to said nothing about someone's right to make an offensive cartoon or film.

I think I'm going to be sick, AA wants nothing to do with press radio or film (nor does it wish to engage in any sect, cults or religion), yet you have the nerve to write an opinionated article about not believing in God and being part of AA?

Here's the actual scoop, if you're not yet in the know: We are making a film of Much Ado About Nothing at our house over the next couple of weeks.

Furthermore, they can easily parody the whole position so that (as one critic, a friend of mine who is not unsympathetic to the wider process conceptuality, has phrased it) talk about divine memory may be taken as nothing more than indicating God's continually re-playing some old film or continually listening to some old soundtrack.

I knew nothing about the chemicals industry and the oil industry before I saw the films, and in fact, of course, I still know nothing.

Yes, that brownish film on the inside of lychees is nothing to worry about and they should blend just fine

Most famously she has starred in films such as Sense and Sensibility, Much Ado About Nothing and Nanny McPhee.

THERE IS nothing saccharine about Sugar, a film that traces the journey of fictional Dominican pitcher Miguel (Sugar) Santos as he tries to yank his family out of poverty with his killer curveball and major league aspirations.

Three days ago on this blog, I launched a Change.org petition regarding 540 Meals: Choices Make the Difference, a new McDonald's «nutrition education» film about an Iowa science teacher who ate nothing but McDonald's for six months.

The other significant thing this film is doing is to keep healthcare providers thinking about the importance of the microbiome so that if and when a c section is necessary for the baby's survival, then they will make every effort possible to allow skin to skin contact and breastfeeding as soon as possible after the birth so that the baby is exposed to the mothers skin flora if nothing else.

I never cared about the «agenda» behind the the film... I knew nothing about the filmmakers when coming to this blog.

Funnily enough I went recently to the screening of the new film about Julian Assange, the Fifth Estate, and I was talking afterwards to Alan Rusbridger, and I said to him, and he didn't disagree, in fact he agreed, I said, «the Guardian gets the credit for basically exposing the phone hacking scandal, but if we hadn't picked it up, nothing would've happened».

Yet as the examples above demonstrate, there's nothing very new about fiction - whether books, plays, films or TV - taking aim at politicians as either fools or knaves.

Nothing you read or hear about this film can adequately encapsulate the experience of watching it.

And that's it honestly, nothing too special about his childhood but what we do know is that somewhere down the line he fell in love with film.

The ending isn't much of a secret, unless you know absolutely nothing about the history of Alcatraz, but it is a suspenseful film nonetheless.

It is the director's extraordinary intuition about the synchronicity of history, geography and the physical universe — a mysterious relationship that has nothing to do with cause and effect — that gives the film and its predecessor their undeniable power.

Nothing feels stock about his films.

Oddly, for a film about triumph over adversity, there's nothing as uplifting as the opening and closing jogs along a windswept beach.

[spoiler, unless you've seen the TV ads and trailers and know absolutely nothing whatsoever about the film]

While there's nothing remarkable about the way director Gary Fleder has brought The Express to the screen, this is a solid film that does justice to Davis» legacy.

I watched this film, knowing nothing about it and having not even seen a trailer and I'm glad, because I had no expectations of it and it left it unpredictable.

In short, the film is much ado about nothing.

It's only as the film inevitably segues into its mystery - oriented midsection that it slowly - but - surely becomes a seriously dull piece of work, as there's simply nothing interesting or intriguing about the gang's ongoing investigation into what happened - with the tediousness of this stretch exacerbated by the unpleasant and downright seedy nature of the movie's locale.

Without a discernible plot or goal in mind, some viewers may feel like this is a film about nobodies who do nothing for the duration.

I enjoyed the film as a horror / comedy, but I can't give it one of my TOP ratings simply because I was in the mood to get scared tonight - and there's nothing particularly scary about this film.

There was nothing new about that film and the references that made the first one seem so fresh, ended up making this one stale in comparison.

District 9 is partly presented as a faux documentary (rather than a mockumentary, which is what Roger Ebert wrongly labels the film... there is nothing funny about this movie), detailing how 20 years earlier, a huge alien spaceship (think Independence Day) parked itself over Johannesburg and... sat there.

There were some talented actors in this film, no doubt, but The Phenom was 88 minutes of talking and nothing more, what in the hell is so great about that?

The results are decent and there is nothing really great about the film.

This is good, because there's nothing else to watch or care about in the entire film anyway.