Sentences with phrase «nothing about this production»

Sure, nothing about this production looks pretty but it sure cleans up well.

But nothing about this production really strikes you as believable or interesting or compelling.

Not exact matches

She agrees that this jar, by itself, proves nothing about the environmental impact of «fracking,» the drilling technology largely responsible for America's boom in oil and gas production.

Even though I know nothing about the iron ore market, and certainly not as much as the CEO of Fortescue, I know arithmetic, and even before I heard Minack's discussion of the global increase in production, I simply could not get the arithmetic that connected Chinese interest rates with Australian iron ore exports to work otherwise.

Since there still is about 5 % of people who do not share the production of oxytocin in the brain, which has been called the empathy chemical, on stimulus which means they would feel nothing after stealing a childs candy because they are chemically unable to relate to the child and all they can think about is that they now have the candy.

If Australia does nothing, and wheat production remains at about 25 million tonnes, the nation's market share would slip by about 240,000 tonnes per year as it lost to global rivals.

There are volumes written about how tinkering at the edges can slightly increase production efficiency, but almost nothing about how to resolve the main problem of farmgate price.

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This has been largely a response to disturbing reports about the cruel treatment of animals in «factory farming» - one of the most controversial and emotive issues - where the maximum number of animals are crammed into the minimum amount of space, unable to move freely, denied any kind of normal life and reduced to nothing more than products on a factory production line.

The effect must have seemed otherworldly, but there was nothing mysterious about its production.

Therefore in terms of nutrients in milk, there is nothing distinct about organic milk that makes it unique from conventionally produced milk once the different factors that influence milk production are compared or adjusted for.

Some say its a numbers game, the more LDL particles crashing the walls of the arteries... some say the LDL is only a sign of vascular damage, but if my LDL goes down on a low fat diet, then that is bs, some say that it may be a problem metabolizing LDL, intake / production is outpacing LDL receptor activity, some say its not LDL but LDL that stays in the blood too long and oxidizes, some say about 20 % carbs (I was less than 5 %) will produce just enough insulin to help metabolize cholesterol, but the hard core low carb guys, say the whole cholesterol thing is a scam and cholesterol under 500, without insulin resistance is nothing to worry about.

Woo goes one step further by ensuring that her materials are also sourced from companies that are committed to sustainable production practices, but perhaps the best thing about her label is that there is absolutely nothing «wooly» about it: «The greatest aspect of all these fabrics is that you would never guess they were eco-friendly,» says Woo in a recent interview.

There's arguably nothing groundbreaking about Pull My Hair Back, but its artful combination of influences, subtle production, and the ambiguous emotional terrain it covers makes it one of the strongest debuts of the year.

A veteran stage actor, Pankow has appeared in numerous New York Shakespeare Festival productions, including this season's MUCH ADO ABOUT NOTHING, THE TEMPEST, MEASURE FOR MEASURE, HENRY V, and TWO GENTLEMAN OF VERONA.

His National Theatre productions include HAMLET, which won him the Evening Standard Best Actor award; Felix Humble in HUMBLE BOY (also West End); George in JUMPERS (also West End / Broadway); Benedict in MUCH ADO ABOUT NOTHING; Andrew Undershaft in MAJOR BARBARA; Sir Harcourt Courtly in LONDON ASSURANCE; Stalin in COLABORATORS; Timon in TIMON OF ATHENS; and Lear in KING LEAR, directed by Sam Mendes.

More importantly, there's nothing nearly so mirthful about the trailer, or the general thought of director Chris Columbus teaming up with Sandler's Happy Madison production company; unless the Columbus who wrote Gremlins shows up, this is likely to be another Sandler comedy where only the most wan jokes make the cut.

There was nothing inventive or entertaining about this production — it's just more humdrum Hollywood hype.

Lapses into cartoon tendencies aside, there's nothing especially offensive about this production, but it turns out that the return trip to Never Land that the title promises just isn't as exciting as it was the first time around.

On several occasions, its portentous blatting resembles nothing more than a sonic raspberry — and, given the overall pointlessness and bad faith with which practically every aspect of this production has been crafted, that sounds just about right.

There's nothing particularly groundbreaking about the movie (the script is only as good as your typical Carpenter production and the special effects are right on par with the films of that era), but there's a real charm to the film that makes it irresistible.

Though he claims he didn't set out to keep «Frances» a secret, he did mention it was a «bonus» that nothing about it appeared online during the production.

I have definitely dropped that money on worse production before, but this one has so much star power and a fun premise (or at least it sounded that way) that I feel this was one of the least risky choices I've made as far as going into a movie I know very little (or nothing) about.

There's nothing groundbreaking about Anders Thomas Jensen's blessedly non-Dogme The Green Butchers, the latest movie to mine the consumption of human flesh for laughs (even the title suggests a cheeky allusion to Soylent Green)-- but for a comedy, that most culturally - specific of genres, the Danish production travels remarkably well.

This movie may be pitch perfect when it comes to the songs, yet there is nothing harmonious about the production's obsession with the tasteless jokes.

Nothing I've seen stateside can compare with Nicholas Hytner's National Theatre production of «Much Ado About Nothing,» with Zoë Wanamaker and Simon Russell Beale as a decidedly middle - aged Beatrice and Benedick.

Composition Anderson is nothing if not meticulous, and often packs each frame of his films with incredible details, to the point that his detractors accuse him of being more concerned about the production design than the characters.

But that's cynicism, and there's nothing cynical about this gorgeously crafted, perilous journey with three heroes who've grown up before our eyes over the last decade, iconically repelling evil with the support of a miraculous, focused production team.

And there's certainly nothing cheap about this hand - drawn, gorgeously mounted production, which employed hundreds of artists, plus, for the Disney version, the voice talents of Gillian Anderson, Jamie Lee Curtis, Beau Bridges and, for the old salt who arrives just in time to set things straight, Bruce Dern.

The 39 - year - old won for her role as Beatrice in the Royal Shakespeare Company production of Much Ado About Nothing.

There's nothing spectacular about his action sequences, but they all contain a sense of danger and striking compositions, reinforced by some terrific production and sound design.

Shot and then again reshot almost two years after the initial production began back in 2014, before finally receiving a late - October 2017 release, Geostorm, is unfortunately, nothing to rejoice about.

Simon Russell Beale and Zoë Wanamaker talk about playing Beatrice and Benedict in the 2007 production of «Much Ado About Nothing» directed by Nicholas Hyabout playing Beatrice and Benedict in the 2007 production of «Much Ado About Nothing» directed by Nicholas HyAbout Nothing» directed by Nicholas Hytner.

There's nothing about Toyota's FT - 1 concept that hints at a production Supra, one industry insider suggests.

While there's nothing groundbreaking about the look, there's also very little that shouldn't find its way into the eventual production XV, save perhaps the 19 - inch alloy wheels and some of the more outlandish elements to the headlights and bumpers.

Sadly, there was nothing mentioned about the new Golf GTI, however, internet speculation is rife that the production version of the sporty Golf will be revealed in full during the Geneva Motor Show which starts tomorrow.

It was the first production passenger car to come with 300 ponies on tap and a design that had nothing to say about that.

Although concept cars are rarely put into production without major changes (the Dodge Viper is a recent exception), automakers often use some of the shapes and styling cues in production vehicles.Here's a look at some of the concepts: - Lincoln L2K: Last January at the North American International Auto Show in Detroit, Lincoln officials showed off this car and said there was nothing about this stubby roadster that would prevent it from being put into production.

- Lincoln L2K: Last January at the North American International Auto Show in Detroit, Lincoln officials showed off this car and said there was nothing about this stubby roadster that would prevent it from being put into production.

Some sources even state this car will be red when unveiled at Frankfurt and will be priced at a hefty $ 330,000 for a production run of as little as 30 units... some serious details for a car that only exists in rumors for now... as usual nothing official has been released, and nobody «in the known» will comment if asked about this, which is totally normal naturally.

The white test car, with multi-colored accent stripes and red Monte Carlo SS graphics, showed a few shortcomings of early production, such as ill - fitting rubber trim around the rear window and air bubbles under the accent stripes, but nothing to get overheated about.

Nothing is official just yet, although BMW production experts suggest the new model will offer savings of up to $ 750 (about # 660) compared with its more complex predecessor.

That said, I can see her method would be helpful in two specific ways: a) potentially more buzz and / or Amazon algorithm friendliness, and b) forcing authors to focus on production first and not worrying about promotion until later in the series (as there would be nothing released to promote until 5 books in).

If we were talking about production dates that had nothing to do with me, it was giraffe - drawing time.

Likely this will be a seven inch tablet, with a larger one in production, but nothing is known about it yet.

And after everything I read about Podium's pedigree, accolades and reputation, I felt comfortable forgoing the profits (if any) I might gain from handling the audio production myself and instead entrusting the responsibility to experts who were asking nothing from me except just that: trust.

ii) Nothing — China already accounts for about 25 % of global production, but standards & quality are lower.

This year, the two productions being staged are Much Ado about Nothing (June 3 — July 6) and King Lear starring John Lithgow (July 22 — August 17).

But there is nothing to worry about, Nintendo knows about the stock shortage and more of the consoles are in production.

If such assessment was made about a regular, multi-platform publisher, the idea would surely have been abandoned — however, since it was, in a way, a very prestigious project that was eagerly anticipated by a small, albeit quite important group of dedicated players, the work was eventually carried through, and the players got an amazing, absolutely unique game, the production of which was only motivated with the need to have extraordinary games available for PlayStation — otherwise, it would have been nothing more than a super-modest indie game.