Sentences with phrase «nothing against black»

I have nothing against black dogs however the majority of the black dogs I have met have all been aggressive ranging from poodles to miniature pincher's to chows.

Now, don't get me wrong, I have nothing against black or navy, but come on, people.

Not exact matches

This past Black Friday, the so - called «party game for horrible people» Cards Against Humanity had a hilariously bizarre deal: Give them $ 5 and get absolutely nothing in return.

it's insane how you know so little of your own religion and how you go against your Christs teaching with such arrogant and disdain towards atheist and other religions your nothing but a bigot and hatemonger your world is only black and white and you can't fathom how a country can have so many different people with different believes that don't match yours and can live peacefully without your christs.

They insult Black folks and nothing happens, they insult Jewish fellows and nothing happens, they spew hatred against gays, and nothing happens.

Defoe, who did not play in Sunderland's final game of the season against Chelsea, had a clause in his contract that enabled him to leave for nothing after the Black Cat's relegation to the Championship.

I've nothing against religion, as long as it's not being used to hurt others, or to black - mail them.

Many of the animals, such as the American bison, «went from all of these rich, beautiful browns and blacks to blond — nothing against blond; they just didn't look real,» MacPhee notes.

Nothing against colors and prints, of course, but you cant go wrong with black and white.

Metroid is a great game and it has some great graphics for a nintendo game sorry i have been nothing against it i just been playing my brothers call of duty black ops game On the his x box and its actullay fun but iam going to stick with zelda games iam better at those games

Sadly this lack of any intelligence shows up in the boss battles too; epic fights against Wolverine or Gambit should be a deadly dance of death, but in reality both characters have just a few simple moves at their disposal and have a rather peculiar tendency to attack absolutely nothing, leaving the locked in an attack animation where you can happily batter them black and blue.

Expect a climb up some scaffolding that'll ensure there's a vertiginous test of your platforming skills; look out for a dangerous trip into a pitch black forest involving red eyed arachnids and glowing orbs of light; a race against a rapidly rising water level and a roof top scramble with nothing to help you except an unpredictable, twisting, growing vine.

In fact, they look like nothing so much as a Southern California vision of elementary particles — arcing, spiraling, surfing and catching a wave, or curling up tightly against a black ground.

«Throughout a night without images but buffeted by black sounds; amidst a throng of forsaken bodies beset with no longing but to last against all odds and for nothing; on a page where I plotted out the convolutions of those who, in transference, presented me with the gift of their void — I have spelled out abjection.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Next to Nothing: On the Price of Nothing and the Value of Everything is an exhibition by Black Dogs, an art collective comprising members based primarily in Leeds and London that interrogates the notion of art produced for social transformation and develops platforms for art production and presentation to exist outside and against the values of a capitalistic art system.