Sentences with phrase «notion of personal identity»

Consequently, the system ideal, like the notion of personal identity sketched in (ii), is perhaps better viewed as a regulative principle guiding philosophical reflection than as a philosophical reality that we can appropriate and elucidate in the present.

Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity.

Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity, engendering a new visual pronoun.

TUESDAY, APRIL 30 NOON LUNCH, 12:30 - 1:30 P.M. PROGRAM FACULTY BIENNIAL ARTIST TALKS: Lisa Rundstrom and Humberto Saenz External vs. Internal: Exploring the Public and Private with Lisa Rundstrom, ShiftSpace Gallery Director and Lecturer Rundstrom is a multi-disciplinary artist exploring notions of personal identity, intimacy, power, and interdependence through installations of light, video, and performative works.

Not exact matches

Personal identity emerges as an ontologizing of the notion of commitment.

We can briefly reconstruct as follows one prominent argument which brings Merleau - Ponty to this new notion of the cogito and which will thus bring us to the question of personal identity.

His evidences show that, as against Weiss, Whitehead's work can yield a fruitful concept of personal identity based on behavioral habits, a sense of moral responsibility, and a legitimate notion of guilt.

I have then used these explicated evidences to show that, as against Weiss, Whitehead's work can yield a fruitful concept of personal identity based on behavioral habits, a sense of moral responsibility, and a legitimate notion of guilt.

The central notion of discovering one's unique personal identity («the only thing that matters is what you choose to be now») takes us back to an earlier China and it's free of jokey references to other movies.

Of particular interest is the notion that the emerging professional identity of preservice teachers could be enhanced through inclusion of relevant professional scenarios, materials, and support during the simulation in addition to the incorporation of a space for personal reflection and growtOf particular interest is the notion that the emerging professional identity of preservice teachers could be enhanced through inclusion of relevant professional scenarios, materials, and support during the simulation in addition to the incorporation of a space for personal reflection and growtof preservice teachers could be enhanced through inclusion of relevant professional scenarios, materials, and support during the simulation in addition to the incorporation of a space for personal reflection and growtof relevant professional scenarios, materials, and support during the simulation in addition to the incorporation of a space for personal reflection and growtof a space for personal reflection and growth.

Black is the Day, Black is the Night is a conceptual exploration into the many facets of human identity using notions of time, accumulation, memory and distance through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of which had served between 13 - 26 years at point of contact.

This exhibition deals with memory, which is at the core of our notion of ourselves as a continuing identity, and is conceptualised as a self portrait, with groups of personal memory paintings focussing on the affective aspects and associative operations of memory.

The show reflects on a number of interesting notions: the ways in which postwar black artists have constructed their identity through their reliance on abstraction; the formal affinities between artists of different generations; and the role of non-figurative art as both personal expression and political impetus.

«SELF REFLECTION is an intersectional approach to issues of «gender, identity, sexuality, body image, censorship, and self - liberation,» says The Untitled Space Gallery, and the artists involve use their own autonomy as a means of addressing «the personal as political via self - reflection and reinvention, tackling conventional notions of female image and taboo.»

This work examines individual notions of place and its effect on personal identity and growth.

24 In 9-11-01, a monumental work measuring 20 x 10 feet, Whitten transcends the personal or the «notion of self» and divisions of individual identity, to a collective consciousness — history.

August 27, 2003 - January 4, 2004 This experimental exhibition presents four contemporary works of art that explore notions of personal, racial, and cultural identity.

His photographs, sculptures and videos are about his personal memories, art historical sources, and notions of racial and cultural identity.

Building on Conceptual identity art, borrowing from art history and 1970s blaxploitation extravagance, they subvert prevailing notions of beauty and taste and subvert the male gaze while offering resounding proof that the political, not only the personal, can also be stunningly pictorial.

Leticia Valverdes uses her personal photographic practice to engage with a variety of communities to explore notions of identity and self - esteem.

Working across the media of painting, photography and video, Shiraz Bayjoo explores notions of nationhood, personal and collective identities and porous borders.

«I was troubled by the problem of expressivity and the linkage of that to notions of self and identity, almost like the simple idea that a personal signature is an expression of the self, and this becomes extrapolated to an entire discipline like art,» said Gaines.