Despite using purist
notions of abstract form and color that date back to 1950s art critic Clement Greenberg's domineering brand of New York School formalism, Lawson fashions nothing short of a vicious attack on photography's «objective eye» via these modestly sized canvases.
Not exact matches
Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy
of German painting, or even
of Albert Oehlen himself — the panel will consider
abstract painting in relation to other contemporary manifestations
of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure
of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations
of form, the
notion of style).
Made
of cotton, linen, natural and synthetic dyes and aluminum, the installation will challenge our
notion of the textile, bringing it into
abstract sculptural
form.
Matthias Neumann — bench V (basics), 2016 «bench V (basics)» is a site - specific installation that continues a body
of work under the title «basics,» exploring an
abstracted notion of form, material, space and utility.
For Stieglitz, the
abstract forms and formations
of clouds perfectly equated to the modern idea
of equivalence, holding that
abstract forms, lines, and colors could represent and evoke universal inner human states, emotions and ideas — a powerful
notion which numerous later photographers recognized and emulated.
Conversely, Steven Frost's assortment
of embellished sex toys — protests against traditional
notions of good taste — become investigations
of abstracted color and
form in their ornate departure from the norm.
The works are composed
of layers
of sterile and simplified
abstract forms, removed from any natural or organic references, they become reliant on the chain relationship between one basic modular unit linked to another, questioning
notions of singularity.
With this new and relatively radical body
of work, however, Davis introduced the
notion of depicting a three - dimensional
abstract shape emanating from the wall as a monochromatic
form.
Chinese writing evolved through the development
of pictographs (which depicted objects) or ideographs (which represented
abstract notions) and the bronze sculptures from the artist's series Sages» Sayings derive from these ancient
forms.
In doing so, these images become
abstract forms floating in space, forcing viewers to reorient their preconceived
notions of symbols and their meanings.
By
abstracting natural
forms into a single material — marble, wood, silver, or steel — she reveals things that are often hidden below the surface or beyond sight, merging rational order with
notions of beauty and the transcendental.
Rather, an entirely different sort
of basic connection
of elements is possible, from which our ordinary
notions of space and time, along with those
of separately existent material particles, are
abstracted as
forms derived from the deeper order.