Designed to support the creation of new work, while offering opportunities to explore
notions of the studio practice on view, and active / passive interactions with daily visitors, SOHO20 Gallery will remain open through our normal working hours through the duration of the residency.
Not exact matches
By not making the
studio the central location
of their
practice, these artists are embracing the
notion that art and the creative spirit
of making are more than just making objects that are meant to be displayed, looked at, and bought and sold.
Although his main
studio practice is painting, Kum's incorporation
of time based media and text within his
practice reflects on multi-dimensional scapes where
notions of analog and digital are merged and new realities are presented.
She defines her
studio practice, which is rooted in an ongoing investigation
of experience, memory, abstraction, present and future histories - specifically shifting
notions surrounding landscape - as cyclical rather than linear.
Through print media, sculpture and video installation, her
studio practice examines the relationship between the mapped image and contemporary
notions of exploration, virtuality, and the simulated environment.
Lauren Carter is a Chicago - based visual artist whose current
studio practice incorporates anthropomorphized representational structures and objects as metaphors for the corporeal experience and
notions of degeneration, nostalgia, and anxiety.
He is developing a critique
of painting as a «minor form» informed by
notions of the model and the fragment both in
studio practice and writing.
His
studio practice focuses on painting and questions distinctions made between established
notions of abstraction and representation.
She defines her
studio practice, which is rooted in an ongoing investigation
of experience, memory, abstraction, present and future histories - specifically shifting
notions surrounding landscape, character development and formal processes, as cyclical rather than linear.
The increasing academization
of the art world and the shift, among many artists, to a
practice that involves actions outside the
studio rather than objects made within it, have reinforced that
notion of divergence: beauty headed in one direction, brains another.
She defines her
studio practice, which is rooted in an ongoing investigation
of experience, memory, abstraction, present and future histories - specifically shifting
notions surrounding landscape - as cyclical rather than linear.