The Lincoln Lawyer is a quintessential airport -
novel kind of movie, possessing no great qualities or ambitions.
Not exact matches
- go to football games - attend an opera - play cards - watch any
kind of movie at the theater or in your home - own a television - listen to rock, country western, or Mozart - invest in the stock market - observe Christmas with a decorated tree - decorate and hide Easter eggs - read mystery
novels
Fans
of Suzanne Collins»
novel,
of course, know that that is exactly how this
movie needed to be made; it's just surprising to see a studio show that
kind of discipline when they normally are, shall we say, going all Tex Avery with the big dollar sign eyeballs.
Written and directed by Dee Rees from a labyrinthine
novel by Hillary Jordan, it's the
kind of movie they rarely make any more — heavy on plot and character development and more literary than cinematic — but so skillfully directed, photographed and acted that it sucks you into its powerful emotional storyline from the start and holds interest to the finish.
But we'll have to wait and see if Will Ferrell will star... A
movie version
of John le Carré's 2010
novel Our
Kind of Traitor has just started shooting, helmed by veteran British TV and Nanny McPhee Returns director Susanna White, hot off HBO and the BBC's Parade's End, not to mention four episodes
of Generation Kill.
It's almost the
kind of movie, indeed, to blast loose a detective -
novel fan from Ross Macdonald.
«Characters like Spider - Man or Batman or James Bond or Iron Man, who have been around for so long and are always refreshed in comic books or
novels or
movies, you don't necessarily get that
kind of an endpoint — and we wanted to do that, which is what these next two Avengers films are.»
Based on a Daphne Du Maurier
novel and made a year before Hitchcock's Oscar - winning
movie of Du Maurier's «Rebecca,» the film introduces Maureen O'Hara as Mary, a headstrong young Irish woman (is there any other
kind?)
This is the
kind of thing you'd expect on a women's cable network
movie -
of - the - week, and screenwriter Allison Burnett (working from, what I've heard, a more meta - fictional
novel by Charles Baxter; this
kind of circumstantial plotting might actually work as meta - fiction) takes a
kind of dopey sincerity about the whole thing.
Which explains, for you, all the text pop ups throughout the
movie, and the flashing lights, because, if you actually pick up a comic book or graphic
novel, you'll notice all the action panels and even the normal ones too, have text pop ups, and flashy
kind of drawing.
There are several
kinds of movies based on
novels.
Track
of the Cat William Wellman, USA, 1954, 35 mm, 102m Mitchum reunited with his Story
of G.I. Joe director William Wellman («I was very, very fond
of him,» Mitchum said
of Wellman, «and he tolerated me») for a different
kind of movie, based on a Walter Van Tilburg Clark
novel, about a homesteading family in snow country whose livestock is being destroyed by a roaming mountain lion.
The third feature from Anton Corbijn, the
movie is based on a John Le Carre
novel and is infused with the
kind of grimy atmosphere which characterised Tinker Tailor Soldier Spy.
It's also not the
kind of movie that would normally interest me, but between the casting
of Shailene Woodley and the almost unanimous admiration for the John Green
novel on which it's based, there's a certain air to the project that suggests it'll be much better than the typical young adult book adaptation.
A
novel or
movie may depend on this linearity to convey the narrative arc, which is essential to its form, but this can present an impediment to more instructional
kinds of media.