Sentences with phrase «novelty so»

Put the components on a plate (minus the lettuce) and give them a little bit of dressing to dip the salad fixings in — easy peasy and a bit of a novelty so kids like it

It isn't heavy on style or novelty so the world isn't particularly memorable, but the neon trails and plumes of smoke stand out as an accomplishment and it still stands as something of a showcase for what the PS4 can do.

They will feel that they are full by the time playtime is over and the next time they are hungry, the food will not be such a novelty so they will be less likely to overeat.

I seek novelty so i always am looking to try new things, i love the thrill.

Human beings crave novelty so it's vital that you consistently offer customers some kind of newness.

Not exact matches

«The brain craves novelty, so boring work has a double cost: the effort involved, and the mental drain due to dissonance between what you're doing and what you want to be doing.»

Crafting was a passion for Theresa so she created a process to hand die novelty buttons and to produce other embellishments for the crafting industry.

Most people haven't used an Echo, so there's also some novelty to watch them request their favorite song and have it play almost instantly.

The novelty of drones is so 2013.

It had to be something that I would be thrilled to produce so that the novelty of creating it wouldn't wear off.

Honestly, there isn't yet a killer app that takes advantage of on - device AI, so it's mostly an early - adopter novelty at present.

When it was still a novelty, crowdfunding was possible for projects like indie films, but these days, not so much.

SharafDG is one of the most popular electronic retailers in the UAE, hosting many laptops, mobile phones and all manners of electronic novelties, However, As is the case with most of the electronic shops in the UAE, The management / staff are utterly clueless as to proper security practices since «no one ever breached us so why should we care»?

So where's the novelty there?

The point is not that Twitter is a degenerate way of communicating, but that the Twitter phenomenon seems to be driven so strongly by the sheer novelty imposed by its form, which is actually not so tremendously novel after all.

He is not one of those thinkers so enamored of modernity that they assume any novelty necessarily entails progress.

It is order entering upon novelty; so that the massiveness of order does not degenerate into mere repetition; and so that the novelty is always reflected upon a background of system.

Or is he, in contrast, so bound to his technical methods that they blind him to the novelties in the situations he confronts?

The shallow novelty, the low - cost nihilism, and the vague and sentimental spiritual pretensions of so much contemporary art — in every medium — are the legacy of this schism, as well as the cynicism that pervades the arts world.

The superiority of a living over an inanimate nexus of occasions is that it does not refuse so much of the novelty in its environment, but adapts it to itself by a massive imposition of new conceptual feeling, thus transforming threatened incompatibilities into contrasts.

God does not become more divine, of course; but God has other and more varied opportunity to adapt the divine Loving to the creatures, so that in any and every circumstance there is the renewed possibility of novelty, with the emergence of a greater capacity to act instrumentally for God's intentions in the world.

I suggest that it is in the way in which each succeeding moment along that routing incorporates into itself what has taken place in the past, so that this past is not lost nor rejected but is felt or accepted («prehended» is Whitehead's word for this) and incorporated into the next moment, along with whatever novelty or specific «newness» that next moment includes.

So, even to the degree that the open view is novel, it is a novelty that stands in a long tradition of novelties.

We find a combination of novelty and tradition so that images and forms were affected by the content.

In his analysis, he discriminates three factors or aspects of the developing process, all of which, acting together, determine the process so that it exhibits a novelty or a character not accounted for by data and principles which were present at the beginning of the process.

Habitual patterns of response, such as getting dressed, riding a bicycle, using a typewriter, so painfully and self - consciously learned at the time, become quite unconscious.37 A centralized nervous system or its close analogue may be the necessary basis for consciousness, but consciousness itself is the inner concomitant of the presence of some novelty which has not yet faded into the background through incessant repetition.

Passion for the possible, mission and exodus, denial of the reality of death, response of superabundance of meaning to the abundance of non-sense — these are so many signs of the new creation whose novelty catches us, in the strict sense, unawares.

And so it is that just as we finish «remodeling» one home, my eyes are captured by images of the new, by the possibility and excitement that novelty promises.

So when things «don't fit,» «won't work,» «are inconsistent,» or when you need something different or want something new — these negatives introduce the possibility of novelty.

The common principle here is only that each human should be moving toward actualization, with others, in and under the divine Love — a Love, one may be sure, that prefers variety, novelty, and even oddity (if I may say so!)

So novelty does occur; there are real supervenient occasions; the world is no rigid corpse but is a living and organic (or societal) process.

One videographer shared candidly with Mead the conundrum that results: «The novelty offered by his video displays was so great that guests, rather than talking or dancing, would start to congregate around the screen instead,» Mead writes.

It is so constructed that there is a constant flow of novelty from all its parts to the brain.

The enhancement of the divine life in its consequent aspect has opened up new possibilities of relationship with the creation and has also provided new material through which God may act upon creative potentiality, thus bringing to pass that emergence of novelty which is so genuine an element in our experience and (as our observation informs us) of the world at large.

Of course, some ministers have sought to break the monotony of the usual outline, but these refreshing alterations have been so rare that the minister has been self - conscious about the change and the attention of the congregation has, been stolen by the novelty of the sermon.

However the limitation is that the vision for novelty is so limited by the assumption of what the construct can be.

In so far as their proclamation about God involved novelty, this aspect was to be found in their insistence upon an absolute monotheism.

According to Roger Ames (NAT 117), an «aesthetic order» is a paradigm that: (1) proposes plurality as prior to unity and disjunction to conjunction, so that all particulars possess real and unique individuality; (2) focuses on the unique perspective of concrete particulars as the source of emergent harmony and unity in all interrelationships; (3) entails movement away from any universal characteristic to concrete particular detail; (4) apprehends movement and change in the natural order as a processive act of «disclosure» — and hence describable in qualitative language; (5) perceives that nothing is predetermined by preassigned principles, so that creativity is apprehended in the natural order, in contrast to being determined by God or chance; and (6) understands «rightness» to mean the degree to which a thing or event expresses, in its emergence toward novelty as this exists in tension with the unity of nature, an aesthetically pleasing order.

Societies of waves (modulations of physical fields) do not have a static structure, and so they seem quite compatible with conceptual novelty in this regard.

When they do so, the question arises as to how to identify, in religious language, the source of novelty and order that is philosophically understood as the realm of ordered possibility.

That is how there can be novelty and change, out of «the dearest freshness deep down things» (as the poet G. M. Hopkins so beautifully phrased it).

Third, efficient causation dependably passes on novelties introduced so that human purpose involving vast reaches of time and space may be expressed.

Like them, and therefore also like Berkeley's finite perceivers, he is passive in perception; with them, the content of his perception is independent of his will, for the creative events are free — though, of course, within the limits that God also represents — to give to reality and so to God something of their creative novelty.

The «flattening» problem that Bloom worried about was too nervous about a brutish end of history than an infinity of beastly novelties, but we've put so much effort into sanding off the sharp edges of our beastliness that it's no surprise collective naughtiness seems at the same time to be getting safer and more dangerous.

They are the avenues by which the principle of order and novelty lays hold of our consciousness so as to move it toward a deeper and more explicit sensitivity to value.

And so by special condensations within particular segments of reality the beauty which is reality as a whole comes to expression in particular orderings of novelty that fall within the range of our secondary awareness.

focussed more on the coordination of novelty (so that he used the word «life» only to designate a characteristic of a «living society» enduring through time).

And, if so, does the world's advance toward novelty justify the presence of evil?

The biblical insight that God could also be understood in terms of novelty and adventure, risk and suffering had been suppressed; and so theology usually left Out the question of how to relate the divine to the incursion of freshness into the world.

So there is no novelty, and everything is present at once.