Sentences with phrase «now exhibitions director»

Colin Gleadell interviews Emma Dexter, former curator at Tate Modern, who is now Exhibitions Director at Timothy Taylor Gallery:

Not exact matches

For over twenty years now I have been involved with drinktec, and during that time I have made it from junior assistant to «Miss drinktec» J. For me, being Exhibition Director of this show...

Fiona Jeffery, Reed Travel Exhibitions Director World Travel Market, told the 500 senior travel executives attending the Official Opening: «Travel and tourism, supported by governments, must strengthen their efforts; more need to actively get involved, not just pay lip service to something which is now deemed fashionable.»

Richard Mortimore, managing director, Reed Travel Exhibitions commented: «Reed has been exploring opportunities in Africa for sometime and the success of our first launch event, ILTM Africa, has given us the platform to now introduce two more of our global industry brands to create «Africa Travel Week» and make it the leading global event for the continent's travel industry.

The site of Pindell's first major exhibition in 1972, the Spelman Museum in those years was not the sprawling 4,500 - square - foot institution that it is now, and Pindell had not been established as the great artist, gallery director, curator, educator, -LSB-.....]

He said he was grateful for the opportunities he'd had at the NGV, under its director Tony Ellwood, curating major shows including the institution's landmark Melbourne Now exhibition of works by local contemporary artists and a survey of works by British artist David Shrigley.

In this, the eighth of our interviews, we talk with Nigerian - born Okwui Enwezor who, after a distinguished early career as curator in the United States, organized exhibitions in Europe, where now he is director of the Haus der Kunst, Munich.

The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.

Previously he was Artistic Director at Tate St Ives (2007 - 13), Curator of Exhibitions at Arnolfini, Bristol (2005 - 7), and Curator and Exhibitions Tutor at Kent Institute of Art and Design (now University College of the Creative Arts)(2002 - 5).

I have been mulling over the idea of curating a show about women since the 1990s, when I approached the now - director of Tate Modern, Frances Morris, with the idea of putting on an exhibition together.

A catalogue from this exhibition is now available featuring an interview between the artist and Ian Berry, Dayton Director of The Frances Young Tang Teaching Museum and Art Gallery and an essay by Ingrid Schaffner, Chief Curator, Carnegie Museum of Art, Pittsburgh.

At 18th Street Arts Center, Project X Executive Director and artist Shana Lutker spearheads the team's research and study of key artist - driven exhibitions of the 1990s with the aim of articulating the particular characteristics of «LA artists» in the 90s and now.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

Members of the Sculpture Garden Exhibition's honorary committee are Matko Tomicic, executive director of LongHouse Reserve, and Tod Berks, an original founder of the East End Arts Council (now East End Arts).

«We have had an excellent start to 2018 with the spectacular success of our Terracotta Army exhibition, and we are thrilled to now launch Evans 360º as yet another way people of all ages can enjoy VMFA,» said Alex Nyerges, Director of the Virginia Museum of Fine Arts.

The exhibition was curated by Heidi Zuckerman Jacobson, former Phyllis Wattis MATRIX Curator and now director and chief curator of the Aspen Art Museum.

As the founding director of public events and projects at the Queens Museum (2003 — 06), she co-curated the exhibitions Fatal Love: South Asian American Art Now, Queens International 2006: Everything All at Once and Her Stories: Fifteen Years of SAWCC.

Feingold has exhibited in London, Tokyo, and Los Angeles, among other cities, and she's now holding her first solo exhibition at the Untitled Gallery in New York (where she's previously exhibited in group shows), curated by gallery director Indira Cesine.

The site of Pindell's first major exhibition in 1972, the Spelman Museum in those years was not the sprawling 4,500 - square - foot institution that it is now, and Pindell had not been established as the great artist, gallery director, curator, educator, and intellectual she is now.

Her work is in the collection of the Stedelijk Museum, Amsterdam, and was featured there in «Kabinet Over Holland,» 2000, and «Tot Zo Fer / Up To Now,» 2003, an exhibition curated by then director Rudi Fuchs, which was accompanied by a catalogue raisonné of the Stedelijk Museum collection.

She is now director and curator of the FATVillage Arts District 501c3 in Fort Lauderdale, FL, where she oversees the execution of art exhibitions in the Projects, an 8,000 sq ft gallery space, and a recipient of a 2015 - 2016 Knight Arts Challenge Grant.

No such provincialism here: although the exhibition is firmly rooted in Wales (now in its seventh edition, it has for the past 12 years taken place at the National Museum Cardiff and other nearby arts centres), selected artists not only represent a broad range of national identities, but are also united by their works» concern with what Artes Mundi's director Karen MacKinnon describes as «global issues».

For 6 years by now, the School director Daria Kamyshnikova has been curating the exhibition programme Debut.

According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Now, as the gallery embarks on an expansion plan that will see its exhibition space almost doubled, director Iwona Blazwick has decided it's time to call in a few favours.

CCVA's director James Voorhies leads a talk and tour of the exhibition The Way We Live Now, Modernist Ideologies at Work.

Exhibitions Director Richard Klein explains, «Shallow Sun» explores how the physicality of the image is disappearing in the digital age, and, in turn, how a digital image can now be reproduced infinitely to the point that it can be completely disassociated with the original reference.»

Tim Marlow, the RA's director of exhibitions, said: «In a sense the time has now come, the monographic displays have been made, now it is time to put it all together.»

Recently she has also had major exhibitions at the Serpentine and Tate Modern — the latter in 2012, curated by the now - recently appointed director Frances Morris — and has created collections for Louis Vuitton, as well as t - shirts for Uniqlo.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cultunow a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cultuNow Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

In fact, Krushenick's paintings are now enjoying a well deserved resurgence of interest, based partly on exhibitions at Mitchell Algus, Marianne Boesky, Gary Snyder and Garth Greenan, all in New York, and partly on the first extensive survey of his work, which opens this month at the Tang Museum at Skidmore College in Saratoga Springs, curated by museum director Ian Berry.

18 Nov 2002 Equivalence Exhibition at the Irish Museum of Modern Art An exhibition based on the results of two different residencies by the artist Terry O'Farrell — one a long - term project with older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new DirectoExhibition at the Irish Museum of Modern Art An exhibition based on the results of two different residencies by the artist Terry O'Farrell — one a long - term project with older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new Directoexhibition based on the results of two different residencies by the artist Terry O'Farrell — one a long - term project with older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new Director of IMMA.

This is why, when Ms. Beckwith and Claudia Schmuckli — then the director of the University of Houston's art museum, now a curator at the Fine Arts Museums of San Francisco — came here to plan the Propeller Group exhibition, its members insisted they first explore the city and the vast Mekong Delta that flanks it.

But now Mr. de Montebello has decided to add yet one more, becoming a director of Acquavella Galleries, effective immediately, where he will focus on the curation of special exhibitions and the development of publications.

Tate Britain has had a tumultuous few years, what with mixed receptions across its exhibitions, and now with the announcement that director Penelope Curtis is on her way out.

With the support of an experienced team of curators, advisors and SITE's Board of Directors, Hofmann continues SITE's legacy of presenting first one - person museum exhibitions of numerous emerging and now internationally recognized artists in addition to significant group exhibitions, while garnering SITE an expanded profile among its national and international peer institutions as well as in its own community.

They ultimately parted ways with the Contemporary Arts Association of Houston - now the Contemporary Arts Museum Houston - but not before mounting major exhibitions and enabling Jermayne MacAgy, perhaps the first professionally trained art historian in the city, to serve as its director and a cultural force at large.

He is now Curator and Director of Exhibitions at the Museum of Chinese in America (MOCA) in New York City.

Continuing her exploration of color and this hypothetical battle between the color chart and the color circle, Galeria Nara Roesler's artistic director Alexandra Garcia Waldman presents the second part of the group exhibition Chromophilia vs. Cromophobia: Continues, now at the Rio venue.

While running that gallery, he published his own artist book (Points of Departure: Roadside Memorial Polaroids, The Jargon Society, 2012) and became the inaugural director of the now - prominent Souls Grown Deep Foundation, an organization created by the pioneering Southern collector Bill Arnett to preserve the work of self - taught African - American artists — an undertaking soon to be celebrated in an exhibition at the Metropolitan Museum of Art.

Now, White House is displayed as a video made by the artist in collaboration with film director Ricardo Pons, and is one of the opening pieces of the group exhibition Excéntricos y Superilustrados (Eccentrics and Ultra-Enlightened), at the Museo de Arte Moderno de Buenos Aires.

Now entering his fourth year as director of the Virginia Museum of Fine Arts, Alex Nyerges is responsible for the management and realization of Rick Mather's ambitious master plan for the museum's expansion and renovation; the enhancement of services and programs to Virginians outside of Richmond in order to fulfill the institution's mandate to be Virginia's museum; the completion of a revenue - based business plan for the museum's post-expansion future; and the approval and advancement of a series of exciting special exhibitions slated to open in 2010 and thereafter.

Last year, he was artistic director of the 2014 Prospect New Orleans biennial exhibition «P3: Notes for Now,» which presented works from more than 50 artists in 18 locales across the city over three months.

He also left his artistic mark from 1943 to 1964 as director of the Dallas Museum of Fine Arts, now the Dallas Museum of Art, where he oversaw significant growth of the permanent collection and initiated exhibitions featuring the work ofregional artists.

Henri Matisse: The Cut - Outs (Tate Modern, 2014) Co-curated by Nicholas Serota and Nicholas Cullinan of MoMA (now director of London's National Portrait Gallery), this compendious exhibition of Matisse's late work received more than half a million visitors, the largest ever for any Tate show.

Ahead of the January 31, 2015, opening of the Tang Teaching Museum's traveling exhibition Someday is Now: The Art of Corita Kent at the Warhol Museum in Pittsburgh, NPR's All Things Considered produced a feature on the artist that includes an interview with Ian Berry, the Dayton Director of the Tang and a co-organizer of the exhibition.

My first project in an exhibition was at Artsway working with Mark Segal, who used to be a director and who now runs The Artists Agency.

Cornell first major museum retrospective, entitled An Exhibition of Works by Joseph Cornell opened at the Pasadena Art Museum (now the Norton Simon Museum) in December 1966, curated by legendary museum director Walter Hopps which traveled to the Solomon R. Guggenheim Museum in New York.

Since the 1960s, the «arts establishment» (meaning: government officials who control the Arts Budgets; directors / owners of galleries; curators of exhibitions; committees that run the important artist - organizations; teaching staff in arts colleges, and so on) as well as the contemporary art now being practised and encouraged, has become significantly more radical.