Sentences with phrase «now as a viewer»

Now as the viewer we find out that off camera there was an armed police officer standing 5 feet away, all of a sudden we have some questions.

Not exact matches

Now in its 21st season, Sheindlin's «Judge Judy» is, as of 2015, the highest - rated first - run syndicated show during the week with about 10.3 million viewers.

With celebrity declarations of gayness — such as CNN anchor Anderson Cooper's recent admission — now being greeted with little more than a shrug by most viewers, being gay finally seems to be beginning to lose its stigma with the general cookie - consuming public.

After Miller repeatedly described Trump as a «political genius» and lamented what he said was unfair treatment during the interview, Tapper said there was «one viewer you care about right now,» and abruptly ended the interview.

He now serves as chairman.Prior to Vitals, Rothschild started more than a half - dozen businesses, including Raspberry Red Marketing, NetWorks, Tuff Rhino, Awards.com and Time Warner Viewer's Edge.

As more viewers seek to cut pay - TV packages, AT&T added 312,000 customers to its DirecTV Now streaming service.

As viewers, we're now being asked to join that pursuit.

development (by now a cable - drama cliché) struck many viewers as weird in a stale way.

I use to have CNN as my homepage, but since you've introduced the belief page, my impression of it is you now have lowered your viewers personal beliefs as «news».

The joke is rich: Buster earlier in the season had won a baby seal plush toy from a claw machine, and the careful viewer will now look back on that event as a foreshadowing of his prosthetic hook.

Viewers can now get the first glimpse of this year's competitors, who are four of the world's best pastry chefs, in what is dubbed CRPC «International», as it marks the first year the competition was opened up to chefs from around the world.

As such, the show's audience has more than doubled since it first aired in 2005, and now attracts 133,000 viewers per episode.

Multiperspective 3 - D differs from the stereoscopic 3 - D now common in movie theaters in that the depicted objects disclose new perspectives as the viewer moves about them, just as real objects would.

Viewers around the world have been inspired to start juicing, lose weight and get healthy - and as a result of the film over 370 million glasses of fresh juice have been consumed, 370,000 tons of fruit and vegetables consumed, more than 24.8 million pounds of weight lost, and over 220,000 people are now medication free.

My site now not only features relationship and dating tips, events and reviews, but it also has inspiring interviews, showcases charities of the month, has a quick advice section (for busy people who just want a short read) and a directory listing for viewers to use as a reference for anything related to love, dating and relationships.

is one of the best series on TV right now, i must say that the writers make the viewers stay tuned, intriguing and wondering during all of the episode, making the viewer want to watch the show week after week, making the series is successful as it is, is brilliant than the writers decide to put at the end of each episode a clip about what «A» plan to do, leaving you more intrigued that you were at the beginning of the episode.

is one of the best series on TV right now, i must say that the writers make the viewers stay tuned, intriguing and wondering during all of the episode, making the viewer want to watch the show week after week, making the series is successful as it is, is brilliant than the writers decide to put at the end of each episode a clip about what «A» plan to do, leaving you more intrigued that

The Help star was among the stunned celebrities featured in a now - famous Academy Awards photo taken as the audience and viewers at home learned Faye Dunaway had announced the wrong Best Picture winner.

Though it's set roughly thirty years ago, Jude and Eliza deal with issues that are as relevant now as ever and are sure to be extremely relatable to teenage viewers.

Desplechin's new film is the prequel to his masterful 1996 movie My Sex Life... or How I Got Into an Argument — and as such, it invites viewers to reflect on the past two decades of his career, during which he has brought to life a set of richly intricate and emotionally potent tales that evoke the singular pleasure of cinema, from My Sex Life and Kings & Queen to A Christmas Tale and now My Golden Days.

Now I don't want to give too much away about this film as I'd like for viewers to enjoy it for themselves.

And now we have arrived at «I, Daniel Blake,» Ken Loach's Palme d'Or - winning drama that was criticized by some viewers for not being as adventurous as Maren Ade's «Toni Erdmann» or Paul Verhoeven's «Elle.»

Viewers may initially feel as though they're hearing the world's tiniest violin concerto as Rachel bemoans the fact that her highly paid, prestigious work bores her, but Bell, whose comic timing and Diane - Keaton - meets - Buster - Keaton charm ought to have secured her a bigger acting gig by now, doesn't condescend to her character's malaise.

In the case of Hulu, Stateside viewers suffering from Anglophilia have been particularly excited about seeing a flurry of programming from the UK turning up, but now they're starting to bring us a few treats from down under as well.

A cartoonist, novelist and screenwriter, Alex Garland, who's most commonly known for writing films such as The Beach, 28 Days Later, Sunshine, Never Let Me Go, and Dredd, has now made his directorial debut with Ex Machina, a sci - fi cautionary tale that challenges viewers with a variety of existential questions in regards to artificial intelligence.

But now it's a reality and as a viewer, it looks like Reyna was able to bring together a solid group to make a solid film.

Now, OK — did that line just come out that way, in Cronenberg's script, or is he winking at his dad's first hit, the 1975 sexual - parasite saga «Shivers» (known to American viewers as «They Came From Within»)?

But as with her queerness, her pop inclinations are a feature, not a bug, and it is difficult to separate Dirty Computer from the larger narrative of resistance across the arts today; from A Wrinkle in Time, a film dedicated above all else to instilling wonder and empowering young viewers; from Gabby Rivera's (now sadly discontinued) America comic book series, one centering a young, queer Latina, America Chavez, who repeatedly declares she is America; from An American Marriage, Tayari Jones's latest novel that emphasizes to be black is to be American.

It should have been obvious to viewers then and now that there were different films's footage used, as the cinematography for the new footage is nowhere near the level of the original picture.

The sitcom also boosted the careers of supporting actors Martin Freeman, now familiar to BBC1 viewers as John Watson in Sherlock and as Bilbo Baggins in Peter Jackson's big - screen adaptations of The Hobbit, and Mackenzie Crook, who has appeared in the Pirates of the Caribbean movies and hit fantasy show Game of Thrones.

With that said, there is enough in the here and now, to lock the attention of the viewer as we follow Dwight on his inherited crisis, one step at a time.

«The Wolf of Wall Street» If the mark of a truly significant artist is their ability to continually provoke and outrage viewers in their later years instead of falling into a complacent rut, then Scorsese once again proved himself to be a provocateur for the ages with this jaw - dropping, eye - popping depiction of the true story of a crafty little weasel (Leonardo Di Caprio in what now stands as the performance of his career) who created a billion dollar empire out of selling crappy penny stocks and subsequently rode it into the ground in a blaze of greed, hubris and more cocaine than «Scarface» and «Boogie Nights» combined.

Now, almost 60 years later — and despite an occasional reliance on matte shots that, depending on whom you ask, either a) remind viewers of the film's age or b) lend it a certain nostalgic charm — it all still stands up as a highly entertaining and wonderfully suspenseful example of a filmmaker taking obvious pleasure in toying with his audience.

New Día brochure, webinars offered in January Two weeks to register for ALSC online courses ALSC, PLA offer Every Child Ready to Read webinar Updated Great Early Elementary Reads bibliography released ALSC's Great Websites for Kids relaunches with fresh new design ALSC online courses start January 16 ALA Youth Media Awards webcast available to 10,000 viewers Abrams named 2012 ALSC Emerging Leader ALSC releases new Dia website ALSC releases Children's Graphic Novel Core Collection More selections added to ALSC's Great Websites for Kids ALSC Morris Seminar applications now being accepted ALSC's «Children and Libraries» honored with writing award ALSC releases Fall 2011 online education schedule ALSC names Robina Button 2011 Spectrum Scholar ALSC offers Newbery / Caldecott Mock Elections digital download and webinar Miami (Ohio) University chosen as site for 2012 Arbuthnot Lecture More Great Websites for Kids from ALSC 2011 Spectrum Scholarship winners announced ALSC announces winners of Bound to Stay Bound, Melcher scholarships Every Child Ready to Read launches new Web site Belpre Award celebrates 15th anniversary with «Quinces» celebration at Annual Conference An updated guide to the Newbery and Caldecott awards ALSC offers webinar on family programming in a tough economy Día 101 webinar available for purchase from ALSC Advanced sales for Every Child Ready to Read ® toolkit begin Dr. Carolyn S. Brodie elected ALSC 2012 - 2013 president Five choices for ALSC spring online courses ALSC & PLA to offer Sneak Peek Webinar for Upcoming Every Child Ready to Read toolkit Día 2011 book list is now available Celebrating 15 years of children, cultures and books ALSC offers new round of spring webinars ALSC President's Program to discuss serving special needs, autism in the library The best programming ideas for building a culture of literacy through Día Book discount for Día 101 participants ALSC names 2011 Penguin Award winners Día publicity tools now available ALSC presents first - ever Día 101 webinar Register your Día event with ALSC ALSC tabs West Palm Beach as 2011 BWI Award winner ALSC invites host site applications for 2012 Arbuthnot Lecture with Peter Sís ALSC Recognizes Three Libraries with Bookapalooza Pat Mora to Celebrate Día's 15th Anniversary in Tucson ALSC Presents Biddeford (Maine) with 2011 Hayes Award Richmond (Calif.) PL Wins 2011 Light the Way Grant ALSC Names Carlson Distinguished Service Award Winner ALSC Awards Bechtel Fellowships to Penny, Kaplan Registration Open for 2011 Arbuthnot Lecture in St. Louis Registration Continues for ALSC Online Courses Newbery and Caldecott award winners speak out Clare Vanderpool, Erin E. Stead win Newbery, Caldecott Medals Peter Sís to deliver 2012 Arbuthnot Honor Lecture Batchelder Award honors Delacorte Press for «A Time of Miracles» Eric Velasquez, Pam Muñoz Ryan win Pura Belpré Awards Eric Velásquez y Pam Muñoz Ryan ganan premios «Pura Belpré» Paul R. Gagne and Melissa Reilly Ellard win 2011 Carnegie Medal for «The Curious Garden» Kate DiCamillo, Alison McGhee and Tony Fucile win Geisel Award for «Bink and Gollie» Listening Library wins 2011 Odyssey Award for «The True Meaning of Smekday» Sy Montgomery, Nic Bishop win 2011 Sibert Medal Author / Illustrator Tomie dePaola wins 2011 Wilder Award ALSC Announces 2011 Notable Children's Books ALSC Names 2011 Notable Children's Recordings ALSC Announces 2011 Notable Children's Videos

Right now, it doesn't look as if there is reflow PDF viewer or one that allows for annotations.

You can now hold virtual events, inviting as many viewers as you want.

The Premium version of Documents To Go is now included free of charge, offering users powerful document editing features as well as a native PDF document viewer.

What is now known as Freeform has been many things to many different TV viewers.

This piping hot bowl of ecstasy was given to me courtesy of the now famous Nguyen Thi Thanh, better known in the world as the «Lunch Lady» of Saigon, of No Reservation fame (and the countless viewers and food bloggers who have followed in Mr. Bourdain's steps).

Now since you're watching an old school a gaming channel, I'm going to stick my neck out and predict that a fair number of you watching this episode are either a more casual viewer of franchise such as myself or one of those collectors that knows Marvel lore inside out.

With the PS4's socially connected features, you can now show the world your skills in the new «Interactive Streaming» game mode, letting your viewers vote periodically to change up your gameplay as they watch.

Also, many of the biggest eSports tournaments and Sports events are now available as live streams online, where millions of viewers stream their favourite eSports tournaments over the internet.

The confusion these now - random captions cause for the viewer are as integral to the exhibition as the hanging of the prints, which tend to be well below the average eyeline.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

The viewer functions as the reflection of the now, a different interpretation for every set of eyes.

As a viewer, you are always faced with that question, confronted with a present that could be a beginning or an end or even an obsolete future that is now almost nostalgic.

In one weird, hyphenated word, NOW - ISM insists that the works in it are both of the moment — particular to the circumstances in which they were made and attuned to the digital phase of the Information Age as it hurtles us through the first decade and a half of the twenty - first century — and outside of time: unshackled by the constraints of context and the restrictions of history because, as works of art, they are fully present in the moment and available to be intimately engaged by innumerable viewers, over and over again, in perpetuity.

Then, as now, he intended to «aesthetically trap the viewer», as he puts it, in order to prompt new ways of seeing these structures.

This completely changed the way viewers interacted with his work as they could now engage with it not only visually but also physically.