You can't extrapolate on what books are going to be big and which ones aren't — if it could be done it'd HAVE been done by
now by the big publishers.
Not exact matches
The
big evening hit at the Eccles was Patrick Stettner's «The Night Listener,» an eerie, Hitchcockian thriller starring Robin Williams as a gay late - night disk jockey whose
publisher friend (Joe Morton) asks him to read a manuscript about a young boy (Rory Culkin) tortured
by his parents and
now dying of AIDS under the care of a foster mother in Wisconsin (Toni Collette).
(And
by the way, I'm rooting for * any * platform or company that gives authors a fair shake, whether it's Amazon, iTunes, B&N, Kobo, small - to medium - size presses, some new distribution system being dreamed up right
now in someone's back bedroom, or even any of the
Big 5
publishers willing to significantly change their contract terms and treat authors more equitably.)
This isn't meant as a knock on the individual arts and writers, many of whom have taken the
publisher's existing franchises in a number of interesting and often times thought provoking directions — it's just that Marvel is a
big company (one
now owned
by a giant corporation), and as such, risk taking is likely not atop its list of priorities.
A new report claims that self - published authors have surged to 31 % of ebook sales on Amazon.com, and are
now earning more ebook royalties than writers published
by the «
Big five» traditional
publishers.
As the
Big 6
publishers —
now down to 5 — spend more money on one - offs
by Snooki than on cultivating mid-list authors such as Mr. Sepinwall, the onus is on self - pubbed authors to produce interesting, thought - provoking, quality books — of which we're hoping The New York Times and other mainstream publications will continue to take note.
Now, B&N has once again jumped to the front of the promotions line
by being ready for the DoJ settlement with the
Big Six
publishers.
But
now they've also moved into direct competition with the
big publishers by opening «Amazon Publishing,» with its own genre imprints, such as Thomas & Mercer for mysteries and thrillers.
Book promotion is the other area once covered
by traditional
publishers and
now left largely to book authors, even when you publish with the
bigger and more reputable houses.
A good number of vanity
publishers are
now owned
by big publishing houses.
And
now big publishers are being crowded out of the bestseller lists
by independent authors, and are being forced to lower their own
big - name titles to $ 5 just to compete with indie authors at $ 1 and $ 3.
If I were an agent or
big five
publisher I'd be very worried
by now... Or take your advice.
Now it's everywhere, everyone is doing it, and it's totally accepted
by big publishers.
Similarly, the agency - pricing control afforded
by the new contracts
Big - Five
publishers Macmillan and Simon & Schuster have signed with Amazon.com
now allows them set their own final retail prices for many ebooks.
In the US, the most mature market, independent authors are
now collectively earning more from e-books than authors handled
by the so - called
Big Five
publishers, according to advocacy website Author Earnings.
In all my dreams about getting published
by a «real
publisher» (before I realized how much smarter it is to go indie), I never even dared to dream as
big as I've done for myself in 2013... and I also realized that what I've achieved this year is small - time compared to what's possible
now with a career as an author.
Because I fear new writers may be duped into staying away from all these legitimate mid-sized, smaller and digital - first
publishers and steered toward the subsidy or vanity presses
now owned
by the
Big Five, thinking anything with a
Big Five label is somehow more «traditional» or «legitimate».
Between the election cycle and
big publishers learning how to create visually stimulating videos, the feed began to feel dominated
by news outlets instead of everyday people, and
now Facebook is evening things out.