Franklin Sirmans,
now curator of contemporary art at the Los Angeles County Museum of Art, was on the curatorial committee at MoMA PS1 in New York when he was reading poet Ishmael Reed's writings on Neo-HooDoo, which posits that «every man is an artist and every artist a priest.»
After three years at e-flux, Karen Archey is
now the curator of contemporary art, time - based media at the Stedelijk Museum in Amsterdam.Archey joined e-flux in 2014.
Not exact matches
The prize was devised by Hammond in 2007, the independent
curator then went on to compile The Catlin Guide, a yearly book that presents a collection
of recent graduate and postgraduate artists from UK
art schools, which is
now recognised as an essential reference for collectors
of contemporary art.
As the first black
curator of the Whitney Museum, she organized landmark shows, such as «Black Male: Representations
of Masculinity in
Contemporary American
Art» in 1994, that
now seem strikingly prescient.
Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and
Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And
Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and
Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University
of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des
Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on
Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The
Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto»,
Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton
Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art Gallery, November 1981 Karen Wilkin, «The New Generation; A
Curator's Choice»,
art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
art magazine, May / June 1981 Ken Carpenter, «New Abstract
Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
Art»,
art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1
art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto»,
Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A
Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long
Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto»,
Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973
Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent
Curators International, «Superconscious, Automatisms
Now,» at the
Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation
of Character» at the P.S. 1
Contemporary Art Center, New York.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College
of Charleston; The Meddin Building; and the Gibbes Museum
of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve
Contemporary Masters — Works by Alumni
of the School
of the
Art Institute
of Chicago / One Hundred Twenty - fifth Anniversary Celebration,
Art Institute
of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow
Art: Painting in New York
Now, P.S. 1 Museum, Institute for
Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School
of the
Art Institute
of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University
of New York (March 20 — April 17) American
Art 1930 — 1970 (organized by FIAT with the assistance
of Independent
Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection:
Art From the 19th Century to the Present, Castellani
Art Museum, Niagara University, New York
Golden,
now director and chief
curator of The Studio Museum since 2005, is an increasingly powerful force in
contemporary art — grooming smart new
curators and anointing the next wave
of artistic talent.
These successes launched Hoptman back to MoMA in 2010 as
curator of contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever
Now:
Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first
contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
contemporary painting survey at the institution in some 30 years, featuring 17
contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques
of painters from previous eras.
From 2012 until 2015 he was the Manilow Senior
Curator at the Museum
of Contemporary Art Chicago where he curated and co-curated, among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in
Art and Music, 1965 to
Now (2015), Simon Starling: Metamorphology (2014), and The Way
of the Shovel:
Art and Archaeology (2013).
Stuart Comer (formerly
Curator: Film at Tate Modern, London,
now Chief
Curator of Media and Performance
Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographe
Art at MoMA) commented that his section
of the Biennial «acknowledges the complexity
of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographe
art practice by including many types
of cultural producers: editorial collectives, artist -
curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographers.
In the late -»80s, Laster was an Adjunct
Curator of Photography at PS1
Contemporary Art Center,
now MoMA PS1.
Though Tuttle's work is
now canonical, it was met with fierce criticism early in his career: the artist's 1975 solo exhibition at the Whitney Museum
of American
Art was received terribly by many prominent critics, most famously by Hilton Kramer
of the New York Times, and
curator Marcia Tucker — who went on to found the New Museum
of Contemporary Art later that year — was fired from the museum, allegedly because
of the controversy surrounding the show.
Selected for the job were Stuart Comer, formerly a film
curator at Tate Modern and
now chief
curator of media and performance
art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Ya
art at the Museum
of Modern
Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Ya
Art; Anthony Elms, associate
curator at the Institute
of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Ya
Art, in Philadelphia; and Michelle Grabner, an artist and professor
of painting and drawing at the School
of the
Art Institute of Chicago as well as a teacher at Ya
Art Institute
of Chicago as well as a teacher at Yale.
May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View
Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and
Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum
of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking
Art Collection
of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and
Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries
of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum
of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop
Art Exhibition at Wadsworth Atheneum Museum
of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman
Curator of American Decorative
Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum
Meanwhile, in the high temple
of modernism ---- New York's Museum
of Modern
Art ----
curator and past New American Paintings juror Laura Hoptman has just opened The Forever
Now:
Contemporary Painting in an Atemporal World.
Art for a New Understanding: Native Voices, 1950s to
Now is organized by Crystal Bridges, and curated by independent
curator Candice Hopkins (Tlingit, citizen of Carcross / Tagish First Nation), Crystal Bridges Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New
curator Candice Hopkins (Tlingit, citizen
of Carcross / Tagish First Nation), Crystal Bridges
Curator of American Art, Mindy Besaw, and Manuela Well - Off - Man, Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New
Curator of American
Art, Mindy Besaw, and Manuela Well - Off - Man, Chief
Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New
Curator at the IAIA Museum
of Contemporary Native
Arts in Santa Fe, New Mexico.
Known in six other cities as Hauser & Wirth, the Los Angeles gallery is marked by the addition
of partner Paul Schimmel, who previously worked as chief
curator of the Museum
of Contemporary Art in downtown L.A.,
now across the street from the Broad.
Circa 1970 is organized by Lauren Haynes, former Associate
Curator, Permanent Collection, at The Studio Museum in Harlem and
now Curator,
Contemporary Art, at Crystal Bridges Museum
of American
Art.
In 1989, Andrew Nairne,
curator of the Third Eye Centre in Glasgow (which
now houses the Centre for
Contemporary Arts, Glasgow) invited Hirst to exhibit his second solo show whilst in his final year at Goldsmiths.
Named to the Austin
Arts Hall of Fame in 2013, Carlozzi is now an independent curator and arts writer producing a volume on the contemporary Texas art scene for UT Pr
Arts Hall
of Fame in 2013, Carlozzi is
now an independent
curator and
arts writer producing a volume on the contemporary Texas art scene for UT Pr
arts writer producing a volume on the
contemporary Texas
art scene for UT Press.
Since 2001 she has been senior
curator at the «Museet for Samtidskunst», the Museum
of Contemporary Art in Oslo, which
now, following the fusion
of Oslo's four largest museums in 2003, forms part
of the National Museum
of Art, Architecture and Design.
Now head
of Mercer
Contemporary, her own
art consultancy, and winner
of the 2014 Robert Rauschenberg Foundation and Artsy Emerging
Curator Award, she's never looked back.
Denise Markonish»97 is
now a
curator at the Massachusetts Museum
of Contemporary Art in North Adams.
Franklin Sirmans, the Terri and Michael Smooke Department Head and
Curator of Contemporary Art at Los Angeles County Museum
of Art (LACMA), is serving as the Artistic Director for «Prospect.3: Notes for
Now.»
Meanwhile, in the high temple
of modernism — New York's Museum
of Modern
Art —
curator and past New American Paintings juror Laura Hoptman has just opened The Forever
Now:
Contemporary Painting in an Atemporal World.
Spring / Break is known for presenting
contemporary work that's hand - selected by a team
of curators resulting in a show that reveals insider views
of what's happening in
art right
now.
Like Life: Sculpture, Color, and the Body (1300 —
Now) is curated by Luke Syson, Iris and B. Gerald Cantor Chairman
of European Sculpture and Decorative
Arts, and Sheena Wagstaff, Leonard A. Lauder Chairman
of Modern and
Contemporary Art, both at The Met, with Brinda Kumar, Assistant
Curator of Modern and
Contemporary Art, The Met, and Emerson Bowyer, Searle Associate
Curator of European Painting and Sculpture at the
Art Institute
of Chicago, with the assistance
of Elyse Nelson, Research Associate, European Sculpture and Decorative
Arts, The Met.
So when Sheena Wagstaff, the chairwoman
of the Metropolitan Museum's modern and
contemporary art department, and Ian Alteveer, a Met associate curator, saw the beguiling environment Mr. Huyghe created at Documenta 13 in 2012 and the retrospective first at the Pompidou Center in Paris and now on view at the Los Angeles County Museum of Art, they asked him to create a site - specific installation for the roof of the Met next spri
art department, and Ian Alteveer, a Met associate
curator, saw the beguiling environment Mr. Huyghe created at Documenta 13 in 2012 and the retrospective first at the Pompidou Center in Paris and
now on view at the Los Angeles County Museum
of Art, they asked him to create a site - specific installation for the roof of the Met next spri
Art, they asked him to create a site - specific installation for the roof
of the Met next spring.
In London, the Whitechapel Gallery revisits key chapters
of Exhibition Histories with a conversation between artist Lubaina Himid and
curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time
Now», Battersea
Arts Centre (1983 - 4) and «The Thin Black Line», Institute
of Contemporary Arts (1985).
Mary Weatherford and Katy Siegel, Professor
of Art History, Hunter College; Chief
Curator, Hunter College Galleries Join us for a series
of one - on - one conversations between
curators and painters in front
of their paintings on view in the exhibition The Forever
Now:
Contemporary Painting in an Atemporal World.
MUSEUM COLLECTIONS Cleveland Museum
of Art, Cleveland, OH Museum
of Fine
Arts, St. Petersburg, FL Museum
of the City
of New York, NY Smithsonian Museum
of American
Art, Washington, DC Cahoon Museum
of American
Art, Cotuit, Cape Cod, MA Brooklyn Historical Society, Brooklyn, NY SELECT GROUP EXHIBITIONS Beach Elements IV (curated by Nancy Gesimondo), PLAXALL Gallery, Long Island City, Members» Exhibition, Edward Hopper House
Art Center, Nyack, NY America: Here and
Now, curated by Eric Fischl, Buchanan Center for the
Arts, New York State
of Mind, Flinn Gallery, Greenwich Library, Greenwich, CT Wide Open 3 (curated by Charlotta Kotik,
Curator Emerita
of Contemporary Art, Brooklyn Museum
of Art), Kunstwerke Carlshutte, Budelsdorf, Germany Wide Open 2 (curated by Nathan Trotman,
Curator, Guggenheim Museum, NYC), Brooklyn Artists National Midyear Exhibition, Butler Institute
of American
Art, Youngstown, OH Painting the Town: Cityscapes
of New York, Museum
of the City
of New York, New York, 165th Juried Exhibition, National Academy
of Design, New York, NY 31st New England Exhibition (juried by Henry Geldzahler), Silvermine Guild Recent Painting USA: The Figure, Museum
of Modern
Art, New York, NY
«Camil has been creating an impressive body
of work for many years
now that is rooted in an interest in architecture, economy, and performance,» says
curator Justine Ludwig, who unveiled Camil's first institutional survey in the U.S. at the
Contemporary Arts Center in Cincinnati in early November.
Now in its ninth edition, «this program has been recognized as one
of the most prestigious
of its kind among the Latin American
contemporary art community,» said Jesús Fuenmayor, CIFO Director and
Curator.
Now the executive director
of the deCordova Sculpture Park and Museum, Ravenal was previously the VMFA's Sydney and Frances Lewis Family
Curator of Modern and
Contemporary Art.
She has also served as
Curator at the Aldrich
Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art
Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cultu
Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant
Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»;
Curator of Collections and Public Programs at the Price Tower
Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cult
Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and
now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cultu
now a World Heritage Site; Director
of Community Outreach
of the Queens Theatre in the Park in New York City, a premier performing
arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cult
arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico
Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and cultu
Now Festival, New York City's first — and only — annual festival
of contemporary Mexican art
contemporary Mexican
art and cultu
art and culture.
Others soon took note, such as dealer Jeffrey Deitch —
now the director
of the Los Angeles Museum
of Contemporary Art — and
curators Dan Cameron and Klaus Kertess, who featured Ward's work in the 1995 Whitney Biennial.
(co-authored with Philip Dodd)(BBC Books 1991); Moving Targets 2: A User's Guide to British
Art Now (Tate 2000); Market Matters: The Dynamics
of the
Contemporary Art Market (
Arts Council England 2004) and Owning
Art: The
Contemporary Art Collector's Handbook (co-authored with Judith Greer)(Cultureshock Media 2006) Her latest book, Commissioning
Contemporary Art: A Handbook for
Curators, Collectors and Artists was published by Thames & Hudson in October 2012.
Six artists /
curators were selected on the basis
of their relevant knowledge and experience as mentors in a six month mentoring programme: Michelle Cotton (then independent
curator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (a
curator and writer and holder
of Cubitt Gallery
curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (a
curator's bursary,
now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (a
Curator at Firstsite), Harriet Godwin (
curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (a
curator of Modern and
Contemporary Art, Norwich Castle Museum and
Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and
now Wysing Ambassador), Jamie Shovlin (artist).
1988 N.Y.
Art Now, Saatchi Collection, London, England Lang & O'Hara, New York, USA
Art at the End
of the Social, Rooseum, Malmo, Sweden (Collins & Milazzo,
Curators) Hybrid Neutral, University
of North Texas, Denton, USA; J. B. Speed Museum, Louisville, USA; Alberta College
of Art, Edmonton, Canada;
Contemporary Arts Center, Cincinnati, USA; Richard F. Brush Gallery, St. Lawrence University, Canton, USA; Santa Fe Community College, Gainesville, USA (Collins & Milazzo,
Curators) The Kaldewey Press, The Metropolitan Museum
of Art, Thomas J. Watson Library, New York, USA Schwarzwaldbild, Kunstverein Hochrhein e.v., Villa Berberich, Bad Säckingen, Germany Benefit Exhibition, White Columns, New York, USA
1994 Possible Things, Bardamu Gallery, New York, USA (Vik Muniz,
Curator) Choice, Chance and Irony, Todd Gallery, London; John Hansard Gallery, University
of Southampton, England Unbound: Possibilities in Painting, Hayward Gallery, London, England (Greg Hilty and Adrian Searle,
Curators) Le Temps D'Un Dessin, Galerie De L'École Des Beaux -
Arts, Lorient, France, (Phillippe Briet,
Curator) Written / Spoken / Drawn in Lacanian Ink, Thread Waxing Space, New York, USA Bravin Post Lee, New York, USA Painting, Rhona Hoffman, Chicago, USA About Color, Charles Cowles, New York, USA 8 Rooms for Paiting, Galeri F15 Alby, Moss, Norway (Gertrud Sandquist,
Curator) Summer Exhibition, Sperone Westwater, New York, USA The Assertive Image: Artists
of the Eighties from the Eli Broad Family Foundation, U.C.L.A. at the Armand Hammer Museum
of Art, Los Angeles, USA Abstract Works on Paper, Robert Miller, New York, USA On Paper, Schmidt
Contemporary Art, Saint Louis, USA Abstraction: A Tradition
of Collecting, Center for the Fine
Arts, Miami, USA American Paining
Now, Galleries Caterina Fossati, Eva Menzio, Giovanni Rimoldi, Turin, Italy Tutti Questi Mondi, Galleria Carini, Prato, Italy
1992 Stubborn Painting:
Now & Then, Max Protetch, New York, USA (Ruth Kaufman and Mike Metz,
Curators) Shades
of Difference, Sandra Gering, New York, USA (Shirley Kaneda,
Curator) Abstract Painting Between Analysis and Synthesis, Galerie nächst St. Stephan, Vienna, Austria The City
of Influence: Ross Bleckner, Peter Halley, Jonathan Lasker, Dayton
Art Institute & Museum
of Contemporary Art, Wright State University, Dayton, USA (Barry Rosenberg,
Curator) Slow
Art: Painting in New York
Now, P.S. 1 Museum, Long Island City, New York, USA (Alana Heiss and Warren Niesluchowski,
Curators) Theoretically Yours, Museo Regione Autonoma Della Valle d'Aosta, Aosta, Italy (Collins & Milazzo,
Curators) Abstract Painting 1992, Schmidt
Contemporary Art, Saint Louis, USA Documenta IX, Documenta Halle, Kassel, Germany Kinder!
1985 Drawings 1975 — 1985, Barbara Toll Fine
Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College
of Architecture,
Art and Urban Planning, University
of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York
Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum
of Fine
Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum
of Modern
Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum
of American
Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni
Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'
art Contemporain, Geneva, Switzerland New
Art Modernism, San Francisco, USA
Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum
of Art, City
of Miami Beach, USA, traveled to Madison
Art Center, Madison, WI; Winnipeg
Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie
Art Gallery, University
of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine
Arts Museum, Anchorage, Arkansas; Santa Barbara Museum
of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent
Curators Incorporated, New York) The Success
of Failure, Diane Brown Gallery, New York, USA
CAMBODIAN
CONTEMPORARY ART This post features introductory profiles of 5 Cambodian contemporary artists born in the 1960s and 1970s in the 14 artist historic group show curated by Cambodia - based curator Erin Gleeson, Forever Until Now which aims to document the development... Contin
CONTEMPORARY ART This post features introductory profiles
of 5 Cambodian
contemporary artists born in the 1960s and 1970s in the 14 artist historic group show curated by Cambodia - based curator Erin Gleeson, Forever Until Now which aims to document the development... Contin
contemporary artists born in the 1960s and 1970s in the 14 artist historic group show curated by Cambodia - based
curator Erin Gleeson, Forever Until
Now which aims to document the development... Continue reading →
This forum includes the contributors to Photography at MoMA: 1960 to
Now as lead speakers: Quentin Bajac, The Joel and Anne Ehrenkranz Chief
Curator of Photography, MoMA; David Campany, Reader in Photography, University
of Westminster, London, artist, and writer; Noam M. Elcott, Associate Professor, Department
of Art History and Archaeology, Columbia University; Lucy Gallun, Assistant
Curator, Department
of Photography, MoMA; Roxana Marcoci, Senior
Curator, Department
of Photography, MoMA; Sarah Hermanson Meister,
Curator, Department
of Photography, MoMA; Eva Respini, Barbara Lee Chief
Curator, Institute
of Contemporary Art, Boston; and Robert Slifkin, Associate Professor
of Fine
Arts, Institute
of Fine
Arts, New York University.
Formerly the managing editor
of Flash
Art and a roving independent
curator, Michele Robecchi has
now turned his energies to editing Phaidon's extensive (and growing)
Contemporary Artist Series catalog, featuring interviews, essays, and more on the most important artists working today.
2006 The Downtown Show, The New York
Art Scene 1974 - 1984, New York University Grey
Art Gallery, New York, US Onestar Shop by Hans Schabus,
Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'
Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'
Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf
Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is
Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the
Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape
of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Sound, Radio Arte Mobile, Sound
Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner,
Art Gallery
of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring
Art, Lithographs, Publications and Ephemera from The Nova Scotia College
of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The
Curator's
Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out
Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
Of Me, curated Klaus Bisenbach, P.S. 1
Contemporary Art Center, Long Island City, New York, US; KW Institute for
Contemporary Art, Berlin, DE A Bit
Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank &
Art School Palestine, Palestine, IL The Materialization
of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Sensibility:
Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City
of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The
Curator's
Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language,
Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and
Contemporary Art: The Treachery
Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US
Art Metropole: The Top 100, National Gallery
of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK
Art in America: 300 Years
of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of Innovation, curated by Susan Davidson, National
Art Museum
of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon,
of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1
Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR
Organized by Peter Pakesch, chairman
of the Maria Lassnig Foundation in Vienna, and Paul Schimmel, the former Museum
of Contemporary Art chief
curator and
now a partner in the gallery, the survey shows Lassnig (1919 - 2014) dredging the best out
of hard - edged abstraction, gestural expressionism, cartoon figuration and lumpen self - portraiture.
Organized by the Institute
of Contemporary Art / Boston (ICA), and curated by its former chief
curator, and
now chief
curator at Los Angeles's Museum
of Contemporary Art Helen Molesworth, and ICA associate
curator Ruth Erickson, the exhibition contains some 250 objects by nearly 100 artists.
We are pleased to welcome author and
curator Katy Siegel as part
of the speaker series Till
Now:
Contemporary Art in Context presented by the University
of Houston's School
of Art and Blaffer
Art Museum.