Sentences with phrase «now made their feature film»

Studio Ponoc — that team of enthusiastic Studio Ghibli alum — have now made their feature film debut with Mary and the Witch's Flower directed by Hiromasa Yonebayashi and adapted from Mary Stewart's 1971 book, The Little Broomstick.

Not exact matches

Rees, whose one and only feature film until now was her 2011 debut, «Pariah,» has said she set out to make an «old - fashioned» movie, and she's done that, allowing her story to unspool at a refreshingly deliberate pace and her characters to find their own footing within the story and with one another.

At the same time, DreamWorks still has yet to make a film to put them on a par with Pixar in terms of being able to make animated family films that will last the test of time as classics in their genre, rather than populist features that work primarily in the here and now.

Bad Samaritan is directed by veteran producer / writer (of the scripts for Universal Soldier, Stargate, Independence Day, Godzilla, «The Outpost») and now filmmaker Dean Devlin, making his second feature film after directing Geostorm previously.

Gehenna is directed by Japanese filmmaker Hiroshi Katagiri, an FX legend working for years at Spectral Motion and Stan Winston Studios, now making his feature directorial debut after a few short films previously.

While Majid Majidi's «The Song of Sparrows» featured several poetic, and surprisingly funny sequences and Dorris Dorrie's emotional «Cherry Blossoms» made me want to run out of the theatre and call me parents to tell them that I love them (incidentally, Film Movement's, and more importantly, Sheboygan, WI native Meghan Wurtz is raving about the film over my shoulder right now), Fatih Akin's latest ruled my day.

«Revenge» is the film we need right now, from a filmmaker we need right now: French writer / director Coralie Fargeat, who makes her stunning feature debut with a rape - revenge fantasy that's as brutal as it is thrilling.

So in a way Austrian filmmaker Michael Haneke is an anomaly, a director who unapologetically has a definite moral agenda that he's been exploring for over 20 years now, closer to 40 if one considers the TV work he made in the»70s and»80s before embarking on his feature film career in 1989.

He made his feature film debut at age 12 in «Cornbread, Earl and Me» and followed that up a few years later with «Apocalypse Now.»

A blot on Hollywood is that, until now, with «Selma,» no feature - length dramatic film has ever been made about Martin Luther King, Jr..

Featuring brilliant editing and sound design by Walter Murch, very much a genius in his own right, «The Conversation» may not be as well known as Coppola's «Godfather» films and «Apocalypse Now,» but it remains one of the most devastating thrillers ever made.

Long before Bay started making Transformer films, though, there was another feature film that is often overlooked now: Transformers: -LSB-...]

Director Bennett Miller has now made three consecutive features based on real - life people and / or events, and to my mind his films suffer from a failure of imagination, skimming lightly (but often self - importantly) over the surface of the verifiable.

Based on Duncan Jones's first two feature films, Moon and now Source Code, the latter of which had its world premiere Friday night here at SXSW, one could say that Jones has a knack not for putting across breathtakingly original ideas in a breathtakingly original way, but for putting across familiar ideas with enough skill, intelligence, and heart to make the end result seem fresh enough.

A smart screenplay (by Linda Woolverton), a gifted voice cast (that, it must be noted, is free of the marquee names that now clutter animated feature credits), and superior animation work would have already made for a good film, but what makes Beauty so justly beloved is a generous helping of magic — namely the divine music by the legendary team of composer Alan Menken and the late, great lyricist Howard Ashman.

Although a certain cameo appearance in Thor has been well and truly leaked on the interwebs, the recent snafu featuring everyone's favourite Australian film critic Jim Schembri makes this critic more wary of explicitly stating the who or why, but let's just say that a brief appearance by another character from The Avengers occurs and it isn't in the now - obligatory post-credit sequence featuring Samuel L. Jackson.

The only exception to the «no special features» formula is Manos, a justifiably obscure film that now holds a place alongside Plan 9 from Outer Space as one of the worst movies ever made (it currently sits at # 3 on IMDB's Bottom 100 list).

The best part of Galaxy Quest, playing the guy playing the ethnic guy in a «Star Trek» - like cult television series, Shalhoub also stole the show as fast - talking lawyer Freddy Riedenschneider in his reunion with the Coen Brothers, The Man Who Wasn't There; demonstrated uncommon intelligence and sensitivity in the still - underseen Big Night; and made his feature - film debut behind the camera with wife Brooke Adams in the independent Made - Up, now trickling into video stomade his feature - film debut behind the camera with wife Brooke Adams in the independent Made - Up, now trickling into video stoMade - Up, now trickling into video stores.

Now the two make their first foray into feature film directing with «21 and Over,» a story about a med student celebrating his 21st birthday.

Before being selected to direct Black Panther, the director, now 31 years old, had only made two feature films: Fruitvale Station, which won accolades at Sundance in 2013, and Creed, the seventh installment in the Rocky series, which garnered rave reviews in 2015.

With Control and now The American Corbijn has not only proven his success in making the transition into feature films but asserted himself as one of the most talented directors working today.

I Think We're Alone Now Cinematographer Reed Morano has had a buzzy year after her breakout directorial work on Hulu's The Handmaid's Tale, and she's poised to make even more of a mark this year with her second feature film.

Liz W. Garcia's feature film directorial debut «The Lifeguard,» starring Kristen Bell, is now in theaters and Garcia talks about what it takes to get a movie made.

Having suggested that he's now done with making feature films, director Steven Soderbergh's ambitions seem to be heading in another direction.

Now she's making her feature directing debut with the romantic - comedy, coming of age film Carrie Pilby.

In addition to there being a movement right now to make Loving Day a Federal holiday, there is also a gorgeous - looking film about the Lovings coming out from Focus Features!

Now, 45 years later, the Fiction Factory documentary COP STORIES: THE MAKING OF RICHARD FLEISCHER»S THE NEW CENTURIONS, featuring new filmed interviews with writer Joseph Wambaugh, star Stacy Keach, technical advisor Richard E. Kalk (Wambaugh's real - life LAPD partner) and assistant cameraman Ronald Vidor, chronicles the production of that landmark film in all its stages from script to screen.

But «Revenge» is the film we need right now from a filmmaker we need right now: French writer - director Coralie Fargeat, making her stunning feature debut.

Fifty films, each under five minutes, have already been posted online, and executive producers Dawn and Jim are now working on making a two - hour feature - length documentary out of the nearly 350 hours of footage captured.

After purchasing an Acura NSX, aside from receiving a digital film featuring your new supercar and a customized 1:18 scale replica, owners now have the option of a one - on - one, exclusive tour of where their NSX is made.

And self publishers and Indie publishers in particular now have a lot more options available to them in terms of actually pursuing their own projects, and getting their own stuff made and adapted from their original source material into web series, television projects, various different short films, feature films, things like that.

Now these twin interests are being united in Hayden's most ambitious project to date: an August 12 event at Postmasters that will feature the New York premiere of his transportingly quirky short film «Hugh the Hunter» (directed by Zachary Heinzerling) as well as something the announcement describes as a «multi-sensory experience including a sculptural «chicken n» waffles» remix of a classic Scottish dish made in collaboration with the culinary talents of Ghetto Gastro and wild game birds from D'artagnan.»

All the shows and record companies and skateboard graphics, ad campaigns, t - shirt brands, music projects, feature and documentary films these artists have produced now blur together into a indecipherable glob of creative output that I can barely make any sense of.

Now, the artist's latest project has been to extrapolate his early career - making photographs into a new form: a three - part feature film about his childhood titled Ray & Liz.

Two paintings in the exhibition feature Buzz Lightyear and Woody, computer - animated stars of the 1995 film Toy Story, while two others include a helix logo made of colored pixels, a new icon of the kind now familiar from computer screens and handheld devices.

[Insert The Times has published a feature about the film and the director, including the fun detail that Robert Stone, now 54, made his first movie, on the dawn of environmental consciousness, using his mother's Super 8 camera on the first Earth Day.]