Sentences with phrase «now painting from life»

«It feels as if he is now painting from life,» Gaiman says on Frontrow of Dadd's work once he'd become mentally ill, killed his father, and been arrested on a train to Paris.

Not exact matches

Now, the practice has become law, and if you live on the island and want to paint your home, you must ask for permission from the government, who will assign your home a color.

Artist Teodora from Teodora Paintings grew up in Romania but now lives in a small town in Devon, where she creates lyrical, joyful paintings that reflect the rolling hills of her adopted county and her love oPaintings grew up in Romania but now lives in a small town in Devon, where she creates lyrical, joyful paintings that reflect the rolling hills of her adopted county and her love opaintings that reflect the rolling hills of her adopted county and her love of poetry.

The report, from the State Senate's Independent Democratic Conference, paints a grim picture of what it's like to live next door to a foreclosed home now owned by a fat - cat bank or financial institution.

These objects are painting vivid pictures of life at the site now known as the Bathonea excavations, from the earliest days of the Lower Paleolithic era to the bustle of a busy trading port during the Byzantine Empire.

I painted my living / kitchen a light gray color from a yellow and it feels 1.5 times larger now.

Formerly a traditional manor house owned by the man who discovered the islands, Joao Goncalves Zarco, it now features exhibits of various antiques, paintings and jewellery that belonged to the rich owners who lived there from the 15th to the 19th Century.

Now on Earth, Atlas is walking through notable periods of time, meeting various historical and mythological figures, all of whom have been depicted (in real life) in paintings and other works of art, such as statues or books — from the likes of Henry VIII, to Medusa, to William Wallace and a demon that blew up Mount Vesuvius.

She explained how she was confined to bedrest for many months and spent her time staring at one of Morandi's paintings, an early Still Life from 1916 (now on view at CIMA).

Whitaker lived and worked in Chicago from 1991 until 2003, during which time she developed «Women in the City», a group of paintings observing the Chicago cityscape; and also, a series of large drawing / paintings on paper called «Ancestral Excavations» which have shown in solo venues around the country and now some of this work will be touring the United States in a group invitational, The Veiling: Visible and Invisible Spaces beginning in Colorado, the Spring of 2008, and traveling to Arkansas, Wisconsin, Connecticut, Indiana, SUNY in NY, California until 2010.

Only four artists are listed as being from Europe: French artist Henrot, who now lives and works mostly in New York; Piero Golia, born in Naples but based in Los Angeles; Hew Locke, son of a Guyanese sculptor and raised in Guyana, but now based in south London; and Paul Gauguin, whose best - known paintings portray a land far, far away from his native France.

If you lived here, you'd be home by now presents a number of works on loan from Marieluise Hessel's private collection — works which she has lived with over a number of years — including paintings and sculpture by Gerhard Richter, Sigmar Polke, Agnes Martin, Louise Bourgeois, Carl Andre, and Dan Flavin.

Chie Fueki - who was born in Japan, grew up in Brazil, and now lives in the United States - utilizes far - ranging imagery in her paintings, from chrysanthemums, owls, and cranes to professional athletes and symbols of popular culture.

A 2009 New York Times story on Herrera said her larger paintings were selling on the range from $ 30,000 to an «unimaginable» $ 44,000; Herrera told the paper, «I have more money now than I ever had in my life.»

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The painting that has been viewable on our live studio feed is now complete, and has been replaced with a work from a new series of «Scalpel Blade Paintings».

Riley discusses his work and process noting: «I really strive to not have the paintings feel like just compositional games... and maybe in that sense they're talking a little bit more about the life around the artist and the life that we're living right now - present tense - and the art being a by - product of that and not so much the art being made in this cloistered place away from life but in with life.»

Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works.

Now a ground - breaking exhibition entitled Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

Agnes Martin's now familiar paintings of pencil grids and subtle bands of color are the culmination of a personal search for artistic identity that led her from traditional still lifes and portraits to landscape paintings of the New Mexican desert through variations on Abstract Expressionism.

Xiao Yu (b. 1965, Inner Mongolia) graduated from the Mural Painting Department at the Central Academy of Fine Arts in 1989 and now lives and works in Beijing.

Now as a solo artist, and occasionally with the collective, Ashcroft exhibits his paintings, works on graphic projects, and collaborates on live - painting projects in galleries and alternative spaces from street locations to shops.

According to the artist, these new paintings are not just about his passion for the landscape, but also about the detailed expression of his journey from his birthplace to New York, where he now works and lives.

From his basketball hoop sculptures Higher Goals, 1986, which commented on the limited opportunities available to young African Americans, to the arresting painting How ya like me Now, 1988, which depicts a young Reverend Jesse Jackson with white skin and blonde hair, Hammons has not shied away from topics which directly impacted his own life and which continue to be the everyday reality for a large portion of the American populatFrom his basketball hoop sculptures Higher Goals, 1986, which commented on the limited opportunities available to young African Americans, to the arresting painting How ya like me Now, 1988, which depicts a young Reverend Jesse Jackson with white skin and blonde hair, Hammons has not shied away from topics which directly impacted his own life and which continue to be the everyday reality for a large portion of the American populatfrom topics which directly impacted his own life and which continue to be the everyday reality for a large portion of the American population.

Living Walls The City Speaks urban conference and mural - a-thon — now an annual event; some excellent and some awful big outdoor wall paintings done by artists from all over the globe, gallery shows of their work, a real change in public and institutional perceptions.

But the canvases vary wildly from one to the next — using her tried - and - true vehicles of action and comparison, Fiona Rae's recent paintings stretch from the pastoral «We go in search of our dream» (2007), featuring a bambi and butterfly peacefully grazing at the foot of a tree, to the nihilistic and menacing «My favorite puppy's Life» (2004), in which a now mutated bambi triskelion hurtles through the dark reaches of space, surrounded by rotating stencils, blobs, and brushstrokes (think of the opening sequence of Superman).

«Now «n Then» offers various examples of paintings from such histories over a span of sixty years including student works from R.I.S.D. in the late 1950s, a unique collage / combine from his MFA days at Cornell University in 1961, a small series of strictly black and white oil paintings from 2010 which were done between a larger group of imaginary still life paintings and a following group of minimalist color paintings.

Her experience as a clinical psychologist practicing psychotherapy from a contemporary psychoanalytic perspective for over 25 years reflects an enduring passion and respect for personal idiosyncrasy that characterizes her early portrait work, the more recent and abstract, life - size human figure paintings, and now, her turn to the reservoir of personal experience within.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Coming from provocative feminist figuration, Catherine Howe is now reinvigorating the still life with an efflorescence that borders on decadence, while employing the gusto of abstraction, all the while revealing an expertise that grounds these paintings in the essentials of craft.

From 1946 - 51, as Abstract Expressionism was taking hold of New York, Richard Pousette - Dart lived and worked in a former brewery on East 56th Street where he painted «Symphony Number 1, The Transcendental,» 1941 - 42, which now hangs in the Metropolitan Museum of Art.

He has lived and worked in London since he first moved, and now paints from a former sausage factory in south London, which he has converted into a multi-storied, floral - laden home and artist's studio.

William Villalongo sets African sculpture and modernist painting soaring together among the stars; the Kenyan artist Wanuri Kahiu films ecological cataclysm and renewal in ages to come; William Cordova, who lives in New York and Lima, Peru, recreates the Falcon spaceship from George Lucas's «Star Wars,» now equipped with a cultural studies library.

William Villalongo sets African sculpture and modernist painting soaring together among the stars; the Kenyan artist Wanuri Kahiu films ecological cataclysm and renewal in ages to come; William Cordova, who lives in New York and Lima, Peru, recreates the Millennium Falcon from «Star Wars,» now equipped with a cultural studies library.

Dr. Gabriele Finaldi, Director, The National Gallery said: «Tacita Dean acts as both artist and curator in the National Gallery exhibition, focusing her, and our, attention to the fascinating quality of objects, real, painted and filmed, from the origins of still life to now.»

Variations: Conversations in and Around Abstract Painting, The Los Angeles County Museum of Art, Los Angeles, CA Cast From Life, Skarstedt, New York, NY The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York, NY Liquor Store, Paradise Garage, Los Angeles, CA Room by Room: Monographic Presentations From the Faulconer and Rachofsky Collections, Dallas, TX

Now's the Time: Recent Acquisitions, Guggenheim Museum, New York, New York Ancestral Figure, Gagosian, Paris, France The Venice Beach Biennial, Armand Hammer Museum of Art, Los Angeles, CA Contemporary painting, 1960 to the Present: Selections from the Collection, San Francisco Museum of Modern Art, San Francisco, CA In Living Color, The FLAG Art Foundation, New York, NY

In Michaels Fried's review of Michel Seuphor's now criminally out of print 1963 book Abstract Painting: 50 Years of Accomplishment From Kandinsky to Jackson Pollock, Fried all but dismisses the very need for such a book, saying, «Whatever controversy it may once have provoked, abstraction per se is by now no longer a live issue.»

But she left that all behind, moved to a houseboat community in San Francisco Bay, and now lives in 400 square feet on a stunningly painted houseboat from the turn of the last century.

But now they're suing the companies that have provided reliable, affordable fuels and raw materials that have brought them lights, heat, livelihoods, living standards, and countless products from paints, plastics, pharmaceuticals and fertilizers to skis, ski parkas, and vehicle fuel and asphalt roads to ski areas.»

Now, I know that the environmental damage from wasting a goal post, which is made out of freaking metal, is huge and who knows what the paint is doing to the life in the pond (even though they are usually retrieved from the pond afterwards) but I bring it up just to point out that, yeah, anyone that supports college sports or attends any kind of major event with a lot of people and concessions or wipes their butt will be contributing to waste.

The new spacious island — painted a soft, pale grey — is now the only thing separating the kitchen from the living and dining areas.