Scientists at the Technical University of Munich (TUM) and the Forschungszentrum Jülich have
now presented a process that, for the first time ever, allows this so - called lithium plating process to be investigated directly.
Not exact matches
«We want to be clear that we have
now presented two runway designs for the city to review as part of its
process,» said Robert Deluce, president and chief executive of Porter Airlines, in a statement.
But atheists should not
now deny the reality of God on this score if God were
presented as the Ground of the universe in
process, since to attain the Ground is not a destruction of the universe or its abandonment, but its differentiation and fulfillment.
your role
now as atheist, is to be the opposing argumenter for the modern day change
process or evolution of the
present religion from monotheism which you have shown in your arguments to be flawed so that the future faithfuls will shift to the ultra modern faith called PANTHROTHEISM - the synthesis of theistic monotheism vs.humanistic atheism.I suggest to you to be more aggressive and conscise in your arguments, God needs you
These acts are
present solely in a dynamic and forward - moving
process that even
now is reversing the totality of history and the cosmos, and therefore effecting an absolute transformation of a Totality that is human, cosmic, and divine.
the proof of Gods presence in us is not limited to the material or biological evolutionary development only, but most important scientific proof is the effect of His will in historical development of the world.A computer program
now used and tested a powerful machine by inputing all recorded events in history during the last hundreds years and found out that it has a purpose and not random.Meaning that an intelligent being could have influence it.It is
now presumed by the religious observers that it could be His will.The
process now is under improvement, because the computers is not powerl enough the deluge of information and data since the beginning of history, some analyst believes that in them near future if the Quantum computers which is much powerful than the
present coventional will be used, then dramatic results and confirmation will be at hand.
There never was a time in History that atheists exist, only in this
present stage of our intellectual developement that they deny His exisrence, but it can be easily explained that they are just part of the dialectical
process of having to have two opposing arguments or forces to arrive to the truth, The opposing forces today are the theists or religious believers of all religions and the other are the atheists who denies religion, The reslultant truth in the future will be Panthrotheism, the belief that we are all one with the whole universe with God, and that we Had all to unite to prepare for human survival that will subject us humans in the future.Aided by the the enlightend consevationist, environmentalists, humanists and all of the concerned activists, we will develop a kind of universal harmony and awareness that we are all guided towards love and concern for all of our specie.The great concern of the whole conscious and caring world to the natural disaster in the Phillipines,, the most theist country
now is a positive sign towards this religious direction.Panthrotheism means we will be One with God.
Whereas in an Aristotelian substance philosophy the problem of the immanence of object within perceiving subject is how that object there can become
present in this subject here, in Whiteheadian
process philosophy the problem for perception (or prehension in general) is how that object there - then can become
present in this subject here -
now?
As a
process of experiencing, the
now is ongoing and ever -
present.
In this
process the original physical feelings of causal efficacy are submerged (not eliminated) by an inrush of conceptual feelings, so that the throbbing causal world of the immediate past
now appears as a passive display of qualities «
presented» to our senses.
Part of the answer is that these ancient events are moments in a living
process which includes also the existence of the church at the
present day; and another part is that, as Christians believe, in these events of ancient time God was at work among men, and it is from his action in history rather than from abstract arguments that we learn what God is like, and what are the principles on which he deals with men,
now as always.
He contrasts this 44 percent with the mere 9 percent who believe in a «naturalistic evolutionary
process not guided by God,» and goes on to say that «the philosophy [sic] of the 9 percent is
now to be taught in the schools as unchallengeable truth» (again, incorrect — science is not
presented as unchallengeable truth).
Yet it will be a growth
process,
present in some measure
now but advancing slowly because of the recalcitrance of the human spirit.
«18 In the
present context of globalization it is not only necessary to reject «the Western pretence of universalism,» writes Rajni Kothari, «but also for non-Western cultures to seek answers to their problems from within and, in the
process, not only provide pluralism in techno - cultural system but, through such pluralism, help Westerners themselves to deal with the new crop of problems they
now encounter.
We received and carefully
processed your feedback and are pleased to
now present two motions for our member organizations to vote on:
It may be impossible to replicate the
process that led to Suarez becoming so adored by the Liverpool fans, and also impossible for Liverpool to find another striker like him in the current pool of strikers on the market, but Suarez's departure
presents an opportunity for all of the players in the Liverpool squad, and also any players that may join Liverpool in the future — Suarez may
now be the benchmark for greatness at Liverpool, but there is a chance for a new player to forge their way into the hearts of Liverpool fans across the world and to write their own story as Suarez did, and Gerrard, Fowler, Barnes, Rush and Dalglish did before him.
Is the Electoral Commission going to
now resource and support political parties to make sure that they reach everywhere there will be a Ghanaian to campaign and to track the
process or in other words to
present party agents?
The ever -
present discontented murmuring about Sampson's leadership seemed to crescendo toward the end of the last session, and several other Democrats, including Mike Gianaris, who masterminded this last campaign,
now say a leader will be determined by the conference in some future
process.
Now the purchasers of that building, George and Stacy Fakiris, have come before the Town Board at its June 3 meeting to
present the first architectural drawings of the adaptive reuse that they have planned for it: a 60 - unit apartment complex that will put the new EEO
process to the test.
Now, two more
processes have gained ground as possible culprits, according to new work
presented here last week at a meeting of the American Geophysical Union (AGU).
Now, in her new book, Counterclockwise, with more of those experiments under her belt, she
presents a more thoughtful and thorough look at the power of mindful thinking: «the simple
process of actively drawing distinctions.»
Professor Tim Jordan added: «Our
present findings indicate considerable stability rather than developmental change in the use of letter position in word recognition, and further work is
now required to see how this this fits in with the general
process of reading.»
«Titan is an especially interesting target for exploration because the organic chemistry
now taking place there provides the only planetary - scale laboratory for studying
processes that may have been important in the prebiotic terrestrial atmosphere,» the report added, meaning that on Titan is chemistry that could have been similar to what was
present on Earth before life arose.
I believe it has been the following two steps — really a
process and realization — that have finally allowed my past to stay in the past and allowed my
present to be
now.
HFCS is
now present in a dizzying array of products, especially
processed foods, and it is the sweetener used in most sodas.
«Yoga is a
process of connecting to the
present moment, and by doing that, connecting to the self, which gives yogis access to an inner knowing that helps guide our decisions and prompts us to ask, «What do I need right
now?
Over the past several years, I have been engaged in a project that tries to do something about that, and I am
now in the
process of writing articles that
present the findings.
Now the authors need to become content experts adjusting the whole
process of
presenting information to a modern form of expression.
One aspect of assessment that I
now understand and that will also
present a challenge is that my collection and use of data to adjust my instruction is a never - ending, cyclical
process.
My focus
now is in
presenting CFA 2.0 keynotes at conference venues and in supporting my amazing team of consultants who are helping to extend the reach of this powerful
process that shows teachers how they can intentionally align standards, instruction, assessment, curriculum, and data analysis within each unit of study.
Donald T. Campbell's 1976 paper
presented a theory about social change that is
now widely revered as Campbell's Law: «The more any quantitative social indicator is used for social decision - making, the more subject it will be to corruption pressures and the more apt it will be to distort and corrupt the social
processes it is intended to monitor.»
The brain is describing the
present —
processing reams of disjointed data on the fly, editing everything down to an instantaneous
now.
One of the biggest factors that should never be overlooked in your decision making
process is the
present cost of money compared to what you are paying right
now.
Presenting an overview of the Los Angeles assemblage movement and David Hammons's innovative body print
process, «L.A. Object & David Hammons Body Prints,» documents an exhibition at Roberts & Tilton gallery that coincided with the opening of «
Now Dig This!»
On one hand, Booker references the environmental decay but also counters this degradation with her own
process of transforming recycled urban «trash» into highly polished artwork
now presented in a museum.
As part of the exhibition «Performance
Process — New Swiss Performance
Now», Kunsthalle Basel
presents the work «battlefield # 132» by...
Riley discusses his work and
process noting: «I really strive to not have the paintings feel like just compositional games... and maybe in that sense they're talking a little bit more about the life around the artist and the life that we're living right
now -
present tense - and the art being a by - product of that and not so much the art being made in this cloistered place away from life but in with life.»
Sarah Rose
presents a new body of work in room 4, commissioned by the gallery for
NOW, which reflects upon
processes of material transformation and the impact that humans have on the environment.
/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016
NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014
NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work
presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012;
NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Pe
now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work
presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer
processing, sound synthesis and video projections performed at The Bakery, Perth
The students learned how to use the equipment and
process the data before we left, do the research at the beach (yes, we're staying on the beach just like so many college students
now), and then we do a lot of data
processing after the trip so that we can
present it to the university in a forum in mid April.
Greg (we almost feel a little bit bad for having a go at someone who describes himself as «A high school science teacher in the
process of burning out «[EDIT: especially
now that Greg — not Gary — pointed out to us, much more politely than would have been perfectly reasonable, and to our embarrassment, and for which we apologise, that we got his name wrong first try]-RRB-
presents «inescapable proof» that it is definitely better to «do something» (anything?)
Later, one inhouse lawyer at a FTSE 100 company told Artificial Lawyer that the company was
now looking at using AI systems itself inhouse, though at
present it had a
process centre of its own that was working with law firms that made use of AI for matters such as document review.
During the 1.5 - hour workshop, blankets are laid out to represent Turtle Island — what we
now call North America — and the participants play the role of indigenous people, going through the
process of colonization from first contact to
present day.
Despite claims that further European trade mark reforms, which apply from 1st October,
now present greater opportunities to businesses seeking to register «non-traditional» trade marks at the European Intellectual Property Office; there is some doubt as to whether the registration
process will be as straightforward as for other traditional marks and whether enforcement will be practical in view of the seemingly narrow scope of protection granted.
It's about time this happened — the idea that you have to be physically
present in court to dispute something as small as a speeding ticket is ridiculous...
Now let's extend online
processes to all sorts of other routine appearances that currently require in - person attendance.
Now Counsel Network freelance lawyers can assist you with all stages of the appellate
process, including supervising an appellate services provider's work compiling and organizing the record; researching the legal issues; drafting the opening and reply briefs (or, if you represent the respondent, drafting the opposition brief); engaging in appellate motion practice; and
presenting oral argument.
Now that you know how to explain gaps in employment during the interview
process, make sure you're
presenting it effectively on your resume with these six tips.
I'm
now presenting myself instead of defending myself as a result of this
process.»
I also
presented in that book the first version of what is
now the Conscious Dialog
Process.