Sentences with phrase «now under the camera»

Not exact matches

The clip appears to show him planting evidence in an empty can, hiding the can under a crate, before then saying, «I'm going to check here» with the camera now formerly activated.

Now, city officials and state lawmakers want to bring red light cameras — which snap photos of vehicles illegally zipping under traffic signals — to Albany's most dangerous intersections.

While several of the Angulo brothers have camera credits on The Wolfpack, this collaboration doesn't for the most part inform the filmmaking in any noticeable way, and only in these final moments, when under the credits we see a short film that Mukunda, now an aspiring filmmaker, shot with the help of his family, can they be seen to assert a style of their own onto the film.

With three movies now under his belt as director (following the underrated Wild Bill and the likeable but slightly amateurish Sunshine on Leith), Fletcher seems increasingly assured behind the camera.

Oldman's performance is certainly something; he's buried under all sorts of things designed to make him not look like himself, though every now and then the camera angle is just so that you can see his telltale features staring back at you.

(Leo McCarey, 1958) Reel 30b01 — Positano (Pierre Clémenti, 1969) Right Now, Wrong Then (Hong Sangsoo, 2015) Rio das Mortes (R. W. Fassbinder, 1971) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sag es mir Dienstag (Astrid Ofner, 2007) Shrimp Boat Log (2006 - 2010), So Sure of Nowhere Buying Times to Come (2010), David Gatten Schwitzkasten (John Cook, 1978) Shift (1972 - 1974), Still (1969 - 1971), Ernie Gehr Sisters (1973), Raising Cain (1992), Brian de Palma Smorgasbord (Jerry Lewis, 1983) Spain (Beryl Sokoloff, 1962) Spin (Hannes Schüpbach, 2001) Stella Dallas (King Vidor, 1937) Still Light (1970/2001), Sotiros (1976-1978/1996), Robert Beavers Suspicion (1941), Rope (1948), Alfred Hitchcock The Black Cat (Edgar G. Ulmer, 1934) The Effect of Gamma Rays on Man - in - the - Moon Marigolds (Paul Newman, 1972) Outer Space (2000), The Exquisite Corpus (2015), Peter Tscherkassky The Seventh Victim (Mark Robson, 1943) The Thoughts That Once We Had (Thom Andersen, 2015) The Throw 1 (2006), Eye Eclipse (2007), Fried Egg (2008), The Initiate (2008), Fruit Polyhedron (2009), Hand, Smaller than Hand (2009), The Soup (2009), Cassowary (2010), Pot Smaller than Pot (2010), Spaghetti Tornado (2010), Benguelino putting a spell on the camera (2011), Bread, Tea and Bao Game (2011), Donkey (2011), Dream of a Ray Fish (2011), Getting into bed (2011), The horse of the prophet (2011), The Unparticled Man (2011), Under a Car (2011), Wave (2011), Wheels (2011), Darwin's Apple, Newton's Monkey (2012), Placing the Fisheye (2012), Those animals that, at a distance, resemble flies (2012), Triangles and Squares (2013), Water Mill (2012), Proboscis (2013), João Maria Gusmão & Pedro Paiva Thorndon (1975), Napkins (1975), Aberhart's House (1976), Johana Margaret Paul Three Films from the Room (Peter Todd, 2015) Tortured Dust (Stan Brakhage, 1984) Trixi (Stephen Dwoskin, 1969) Twin Peaks (1990), Fire, Walk with Me (1992), David Lynch Viaggio in Italia (Roberto Rossellini, 1954) Vivir para vivir (Laida Lertxundi, 2015) Yolanda and the Thief (1945), An American in Paris (1951), The Bad and the Beautiful (1952), The Cobweb (1955), The Courtship of Eddie's Father (1963), The Sandpiper (1965), Vincente Minnelli Zanj Revolution (Tariq Teguia, 2013)

These assumed images are now under considerable threat, and in many schools and settings the paints, kilns and cameras are now actively abandoned.

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

Of course, under increasing pressure from insurers and threats of costly litigation, many businesses that operate vehicle fleets are now turning more and more to dash - mounted cameras like those from SEMA Show exhibitors DriveProof and SteelMate to help them decipher accidents and fender benders.

At first sight the side sills look the same as seen on the Avanti Rosso, also the very large rear wing, with integrated rear view camera looks identical (repainted, but styled the same) but the lower rear diffuser has been modified with extra vertical fins while the air vents under the taillights show Y - shaped insets now... inspired by Mansory perhaps?

Key specification changes for the Fabia are as follows: — Two paint colours deleted — Moon White & Sprint Yellow, — Reversing camera and umbrella under front passenger seat now standard for all variants, — Reverse parking sensors deleted for all variants, now part of an option pack, — 81TSI standard equipment slightly downgraded to match spec of 61TSI, (steel wheels in lieu of 15 - inch alloys, cruise control and front centre armrest with storage compartment now deleted), — Adaptive cruise (new) is now available as part of an option pack, — Minor interior trim changes.

Lariat, 4x4 Lariat 4dr SuperCrew 5.5 ft. SB, PRICE REDUCED WAS $ 45,988 NOW $ 43,988 ECO-BOOST MOTOR 20 WHEELS SUNROOF NAVIGATION FX4 SYNC - Satellite Communications Wifi Capable Electronic Messaging Assistance With Read Function Multi-Functional Information Center Multi-Function Display Security Remote Anti-Theft Alarm System Impact Sensor Post-Collision Safety System Rear View Monitor In Dash Rear View Camera Memorized Settings Includes Adjustable Pedals Memorized Settings Includes Exterior Mirrors Memorized Settings Number Of Drivers: 2 Memorized Settings Includes Driver Seat Steering Wheel Mounted Controls Voice Recognition Controls Roll Stability Control Stability Control Audio Auxiliary Input: IPod / IPhone Integration Cargo Bed Light: LED Towing And Hauling Cargo Tie Downs Towing And Hauling Trailer Hitch: Class IV Towing And Hauling Tow Hooks: Front Mirror Color Body - Color Rear Bumper Color Chrome Fender Lip Moldings Body - Color Drivetrain Transfer Case: Electronic Hi - Lo Gear Selection Power Windows: Front And Rear Windows Rear Defogger Windows Privacy Glass Pickup Truck Sliding Rear Window Power Windows Front Wipers: Intermittent Warnings And Reminders Maintenance Reminder Tachometer Warnings And Reminders Low Oil Level Trip Computer Fuel Economy Display MPG Warnings And Reminders Low Fuel Level Fuel Economy Display Range External Temperature Display Daytime Running Lights Headlights Wiper Activated Front Fog Lights Tail And Brake Lights Rear Center Brakelight Headlights Dusk Sensing Headlights Halogen Exterior Entry Lights Puddle Lamps Headlights Auto Delay Off Exterior Mirrors Heated Exterior Mirrors Driver Side Auto - Dimming Exterior Mirrors Integrated Turn Signals Exterior Mirrors Power Folding Exterior Mirrors Power Air Conditioning - Front - Automatic Climate Control Air Conditioning - Front - Dual Zones Airbags - Rear - Side Curtain Airbags - Front - Side Curtain Airbags - Front - Side Airbags - Passenger - Occupant Sensing Deactivation Airbags - Front - Dual Electronic Brakeforce Distribution ABS Brakes (4 - Wheel) Electronic Parking Brake Power Brakes Security Perimeter Alarm Security Engine Immobilizer Power Door Locks Programmable Safety Key MyKey Body Side Reinforcements Side Impact Door Beams Child Safety Locks Child Seat Anchors LATCH System Towing And Hauling Trailer Wiring: 4 - Pin Towing And Hauling Trailer Wiring: 7 - Pin Inside Rearview Mirror Auto - Dimming One - Touch Windows: 2 Vanity Mirrors Dual Illuminating Multi-function Remote Proximity Entry System Overhead Console Keyless Entry Keypad Front 12V Power Outlet (s) Engine Push - Button Start Multi-function Remote Keyless Entry Storage Under Rear Seats Power Steering Steering Wheel Mounted Controls Cruise Controls Storage Under Front Seats Cruise Control Adjustable Pedals Power Reading Lights Front Assist Handle Front Reading Lights Rear Rear Seats Center Armrest: Folding With Storage Rear Seats Center Armrest: With Cupholders Front Headrests Adjustable Rear Seats

However, while detailed specifications of the Transformer Prime has been kept under wraps as of now, what has come to the fore is that the rear camera is now accompanied with a LED flash.

Running Android 2.1 (for now), the Liquid e possesses a 3.5 ″ WVGA capacitive display, 5 megapixel camera with 720p video recording, Wi - Fi, GPS, tri-band 7.2 Mbps HSDPA and a Snapdragon processor under clocked to 768 MHz.

Takes you to Galaxy Map Galaxy Map now has PUG - Z present Galaxy Map options hidden under sliding menu SPOOOOOKY PUG - Z Added new Quest Types Increased Light Source radius Classic Space Achievements added Monsters Achievements added Changed Up / Down to be consistent on all tools for Controllers Waypoint Markers updated Chests no longer appear underground New Landscape Tool shapes added Camera Car added Fixed multiple Online Multiplayer disconnection issues XBO — Fixed Memory leaks during long play sessions that lead to crashes PS4 — Fixed Memory Leak that leads to seemingly random crashes.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Now all justice services in the area are contained under one roof, which features a secure interview room in cells, videoconferencing services, a room for vulnerable witnesses, a suite of secure rooms for legal counsel, and surveillance cameras and equipment with continuous views of inside and outside the courthouse.

On the back, the camera lens is now slightly larger, and there's an «s» under the word iPhone so you don't mix it up with the 6 Plus.

We've already talked about its 6 - inch 1280 x 720 pixel OLED screen, but under the hood it packs a punch with 2 GB of RAM, a 13 - megapixel camera, and a 2.26 GHz quad - core Snapdragon 800 processor, which is the best gig in town right now.

The sensor's now where it should be, right under the camera in the middle, where your finger naturally falls when holding it.

Now the fingerprint sensor is right under the single or dual camera, right where your finger naturally rests when holding the phone.

With its iPhone X debut and the introduction of Face ID, Apple has now tilted interest in the mobile industry away from under - display fingerprint recognition, and instead towards camera - based 3D sensing technologies as the ideal user authentication solution.

Subscriptions increase to $ 14.99 / month for 2 - 3 cameras, and an additional $ 4.99 / month for each added device.Many Canary customers have emailed and Tweeted us over the past few days pointing out the changes, and now Canary has provided a statement to The Verge regarding its motivations.The Canary Flex and Canary cameras Under the terms of the new «Free Service,» Canary users can no longer use Night Mode if they aren't paying, meaning they can't set their camera to record clips when motion is detected in the nighttime

Xiaomi tried «cantilever piezoelectric ceramic acoustic technology» to address the earpiece speaker, Samsung finally relented and moved its trademark fingerprint scanner to the back of the phone, and we've now seen a pop - up selfie camera in a bezel-less concept from Vivo that has the added benefit of an under - glass fingerprint sensor.

It's great that the wide - angle lens in the G6's dual - lens shooter now features 13 - megapixels, just like the G6's regular camera, but I'm disappointed by how slowly both lenses focused, especially under low - light conditions.

On the back, the camera lens is now slightly larger, and there's an «s» under the word «iPhone» so you don't mix it up with the 6.

Anyone who has been keeping tabs on the next iteration of the Mate series probably know by now that there are a ton of rumors and whatnot circulating online already, including how it'll don a pair of rear - facing cameras and what hardware components it'll have under the hood.

The Essential Phone has been trailing under its punching weight in retail price, but the 360 Camera attachment has been sticking around high... until now.

Meanwhile, under Gestures, users can now set the double - tap action to either Zoom or Switch Camera, which compliments how on the Pixel and Pixel 2 users can double twist to change from the rear and front - facing cCamera, which compliments how on the Pixel and Pixel 2 users can double twist to change from the rear and front - facing cameracamera.

You have your now widely accepted «wraparound» screen design, aka borderless look, with OLED technology, several «under - glass» key components, like the earpiece, FaceTime camera and Touch ID fingerprint sensor, plus «some form» of facial and gesture recognition, as well as wireless charging.

The Galaxy J7 is a handset that feels like one of the toughest handsets priced under Rs 20K, now I won't really categorize it as an affordable mid-range handset, but a quite costly handset that is out of balance in terms of the specifications it offers for the price, such as camera package, display resolution and chipset performance.

The camera grabs and shows off more detail now, but it still under - performs in anything other than broad daylight.

The Honor 9 Lite undoubtedly is one of the most popular phones under the 15K price bracket right now, thanks to the four camera setup.

A leaked schematic from yesterday may have also revealed that the S9 might still have a fingerprint scanner on the back, but it's now located under the camera.

On the back, the fingerprint scanner is located under the glass «window» at the top of the phone, according to Android Police, most probably because the window itself appears to be a lot smaller than on the current Pixel XL model, and the rear camera is now considerably bigger that that of previous Google Pixel smartphones.