Sentences with phrase «nude body of the artist»

Not exact matches

But NYU professor and performance artist Karen Finley, who famously pissed off Jesse Helms by smearing chocolate on her nude body, is sure to effectively blow everyone away at tonight's sixth annual meeting of the Cultural Studies Association at NYU.

At the trendy Club Gouge, where Warshawski is keeping an eye on Petra, a young cousin who caused trouble in the previous book, performance artist Karen Buckley (aka the Body Artist) invites members of the audience to step on stage to paint her nudeartist Karen Buckley (aka the Body Artist) invites members of the audience to step on stage to paint her nude bBody Artist) invites members of the audience to step on stage to paint her nudeArtist) invites members of the audience to step on stage to paint her nude bodybody.

This show features large - scale paintings from the artist's Wrestlers series, which demonstrate Dunham's continued exploration of and fascination with interpretations of the nude body with particular attention to the male form.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

PALM SPRINGS, CA — Artist Kevin Berlin is known for appearing at art fairs and at his exhibitions with swarms of orbiting models, for dramatic displays of bravery while taming tigers (mostly the kind with body paint), and for lounging nude with attitude.

The duplication and repetition of the female nude and the reclaiming of the depicted body — as can be seen in the artist's self - portraits — deconstruct the dominant rules of authorship: Axell switches sides and trades her role as muse for that of producer.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Celebrity.

The post-internet-heavy exhibition featured Huxtable's own self - portraits (featuring the artist in head - to - toe body paint and set against surrealist Teletubby landscapes in shades of pastel) and Frank Benson's 3D - printed sculptural rendering of her nude body, cast in a futuristic, metallic sheen.

Milo Moiré (born 1983)[1] is a Swiss conceptual artist and model known for her nude performances and the use of her body in her art.

Carroll Dunham's exhibition features large - scale paintings from the artist's Wrestlers series, demonstrating her continued exploration of interpretations of the nude body with particular attention to the male form.

(nude) a comparison of the body of the artist in video from the 1970s and 1990s, Trans Hudson Gallery, Jersey City, NJ, and travel to: Catherine Clark Gallery, San Francisco, CA

Nude collages by influential British artist John Stezaker are to go on display at the Contemporary Art Society's space at 59 Central Street from September, along with a number of other works responding to flesh and the body.

Often nude apart from variety of props covering her body, the artist is frequently postioned in empty or sparsely furnished environments, characterised by rough surfaces, cracked mirrors and old, worn out furniture.

Known for her explicit male nudes that quote and subvert the art historical tradition of male gaze onto female body, in her portraits feature artists, musicians and writers of both genders, dressed and naked, representing a pantheon of significant cultural figures.

Titled after a photographic essay published by Irving Penn in 1960, in which he celebrates what André Gide called the «horror of the approximate» that characterises French charm, the exhibition focuses on three different bodies of work: Nudes, Small Trades and artist portraits.

When her other work is edited out, what's left are films of the artist's prone nude body on the ground, or motionless in a river, or its outline bursting into flames; in one video, Mendieta digs a body - shaped hole, pours vivid red paint over a rock where the heart should be and then lays atop it.

A departure from the flashy red lips and shockingly tan bodies that have become the trademark of American Pop artist Tom Wesselmann, Monica Sitting Up Against a Wall reimagines a time - honored artistic tradition — the drawing of the female nude.

Chetrit's four half - nudes are an objectification and aestheticization of the artist's own body, ostensibly revealing much more of herself than what she has taken from her subjects on the street.

While she exhibits the nude bodies of women in seductive poses and compositions, the artist incorporates a level of psychological complexity to her characters through assertive gazes and confident postures.

Most commonly seen in «performances» by artists like Marina Abramovic, or in contemporary body painting, as exemplified by Joanne Gair's illusionist nude painting of Demi Moore (Vanity Fair August 1992).

The traditionally fraught relationship between male artist and female model is evoked by video documentation of Yves Klein's mise en scène, Anthropométrie de l'époque bleue (Anthropometry of the Blue Period, 1960), which shows the artist directing female extras to execute imprints of their nude bodies.

Temptation of «One Dark Body» is a work that demanded bravery from artist and subjects alike; Wilson had never photographed male nudes and his subjects had never been photographed naked.

In stark contrast to his kinetic stage persona, Pop methodically posed nude on a different kind of stage, whilst the participating artists — representing New York's diverse community and ranging from 19 to 70 years of age — depicted his body in the wide - ranging styles expected from a mix of students, practicing artists and retirees.

The most recognizable of the paintings depict the nude human form, an ongoing motif in the artist's greater body of work.

Known as a figurative artist, Life Magazine described him as «the dean of U.S. nude painters,» yet he was an exceptional landscape painter and also produced an exceptional body of still life compositions.

The artist coats her body, nude or clothed, with oil and presses herself against paper on the floor of her studio.

At a Brooklyn exhibition last year, a sculpture by artist Kara Walker depicting an African American «mammy» as a Egyptian sphinx led to graphic selfies of visitors seemingly touching various nude body parts.

Featuring paintings, bronze sculptures, neon, embroidery and works on paper, «Stone Love,» which takes its title from David Bowie's love song Soul Love, explores the artist's intimate side via expressive depictions of female nudes modeled after both her own body and historical photographs.

On the occasion of her concurring performance - led exhibition at Zabludowicz Collection, London, and a profile that appears in the current issue of Kaleidoscope, New York - based American artist Donna Huanca will discuss her concern with the nude female body.

Taken from the «Famous Nudes» series done by artist Karine Percheron - Daniels, the painting was created by superimposing Obama's face onto the body of the Black enslaved woman shown in the 1800 «Portrait d'une négresse» by French artist Marie - Guillemine Benoist.