THE FOLLOWING ITEMS WILL NOT BE ACCEPTED at the facility or through the mail Personal checks,
nude personal photographs, musical greeting cards, oversized greeting cards, plastic - type cards, telephone
calling cards, personal identification cards, sonograms (plastic x-ray type), Polaroid's (whole or altered), more than ten (10) photo - graphs, medicine, personal hygiene items such as deodorant, hair products, combs, brushes, toothpaste, tooth - brush, shampoo, soap, washcloths, towels, cosmetics, metal or wooden crosses, chains, neck - laces, medallions, rings, watches, brace - lets, stamps, writing paper, envelopes, pens, pencils, crayons,
colored pencils, pantyhose, metal objects, plastic objects, glue substances, decals, stickers, artwork: beaded, painted, glued, stringed, etc., belts, food items, candy, cologne or perfume, cassette tapes, electrical items such as radios, tape players, televisions, lottery tickets, hair, tobacco products.
Looking at these triptychs, one might have thought for a moment of Aleksandr Rodchenko's iconoclastic Pure Red
Color, Pure Yellow Color, Pure Blue Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced n
Color, Pure Yellow
Color, Pure Blue Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced n
Color, Pure Blue
Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced n
Color of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary
colors, what the artist
called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The
color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced n
color of each is derived from the digital averaging of the hues in one of Renoir's many zaftig yet jaundiced
nudes.