Sentences with phrase «nude females in»

Recent paintings follow a group of white nude females in exotic landscapes, where they commingle with wild animals — riding alligators, hunting rabbits, draping snakes and octopi over their shoulders.

Walter is represented by the nude females in this series, and the mythical minotaur is used as a proxy for Picasso himself.

I hate to bring up the male gaze but isn't everyone tired of the creepy voyeurism involved with observing the nude female in art?

In another odalisque, Petunia Pig is repurposed as a pugnacious putti confronting a Gaugin - like nude female in «Portrait of the Artist as a Young Pig.»

Not exact matches

The report finds that alleged assaults spiked across all four military branches — with the highest increase in the Marine Corps, which remains embroiled in a scandal in which nude photographs of female Marines were posted online without their knowledge.

Give me a church for women where there are nude pictures of men and the female Pastor says «Damn it» and the visitors are still in their benches, not praying for her but for themselves.

In the old days in China carvings of the nude female figure were used for diagnosiIn the old days in China carvings of the nude female figure were used for diagnosiin China carvings of the nude female figure were used for diagnosis.

McLaughlin's final months in the Assembly were dogged by the revelation that he had used abusive language against a female aide, and he was sanctioned by the chamber's ethics committee — after election day — for allegedly asking another lawmaker's aide for nude photos.

After McLaughlin was elected, it became public that Assembly Speaker Carl Heastie sanctioned the now former assemblyman for his actions related to a June 2016 incident in which a female Assembly aide accused him of asking her to provide nude photos.

The Ethics Committee also finds that Assembly Member McLaughlin did, in fact, violate the Policy by making offensive comments to a female Assembly employee by asking her for nude photos.»

Female 7 - week old nude - beige - xid mice (NCI) were injected with MCF7 / HER2 cells (5 × 106) in the right mammary fat pad.

Female - age 47, Male - 49 Happily married for 27 years, enjoys bar - b - ques, hunting, fishing, camping, laying in the sun (nude).

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(Louise Fletcher won the Best Actress Oscar ® for that role in One Flew Over the Cuckoo's Nest) There are both male and female nude scenes, but nothing you haven't seen before.

Whenever he's bored with that, he resorts to graphic bursts of violence (an early instance of which, I must admit, is a bit of a showstopper); and when all else fails, he throws in another shot of the young female ghost who just happens to haunt house while completely nude.

Not too long after that, a fully nude female form appears onscreen, but not in the way one would expect.

Often and traditionally portrayed as nudes, the female body in photographs stands in stark contrast to the portrayal of men — often the ones taking the portraits — famous male photographers such a Weston, Steiglitz, Man Ray, etc, who commonly employed «the male gaze» approach.

The customisation is quite limited in the looks department, but has the odd ability to have your character nude, or partially nude, allowing you to adjust the female's breasts and male anatomy size.

Since the late 1960s, Hammer has been investigating how one can represent lesbian sexuality and the female body, most famously in films like Dyketactics, whose opening sequence documents a group of nude women in the countryside.

An amusing example of this taboo on confronting a dressed lady with a naked man is embodied in a group portrait of the members of the Royal Academy in London in 1772, represented by Zoffany as gathered in the life room before two nude male models: all the distinguished members are present with but one noteworthy exception — the single female member, the renowned Angelica Kauffmann, who, for propriety's sake, is merely present in effigy, in the form of a portrait hanging on the wall.

Nochlin had the grace not to comment on H. W. Janson's History of Art, the all - male standard art history textbook of the time, or on the odd fact that while male art students traditionally drew from nude models, the model for female students in Thomas Eakins's life - drawing classes was a cow.

A brief survey of representations of life - drawing sessions reveals: an all male clientele drawing from the female nude in Rembrandt's studio; men working from male nudes in 18th - century representations of academic instruction in The Hague and Vienna; men working from the seated male nude in Bailly's charming painting of the interior of Houdon's studio at the beginning of the 19th century; Mathieu Cochereau's scrupulously veristic Interior of David's Studio, exhibited in the Salon of 1814, reveals a group of young men diligently drawing or painting from a male nude model, whose discarded shoes may be seen before the models» stand.

A brief survey of representations of like - drawing sessions reveals an all male clientele drawing from the female nude in Rembrandt's studio; men working from male nudes in 18th - century representations of academic instruction in The Hague and Vienna; men working from the seated male nude in Boily's charming painting of the interior of Houdon's studio at the beginning of the 19th century; Mathieu Cochereau's scrupulously veristic Interior of David's Studio, exhibited in the Salon of 1814, reveals a group of young men diligently drawing or painting from a male nude model, whose discarded shoes may be seen before the models» stand.

It's been half a century since Carolee Schneemann began the series of daring, erotic, transgressive works that played off her own image as a beauty, the role of the female nude in art history, and the scrappy objects her friends and colleagues were making to push at the boundaries of art and life.

Only at the very end of the 19th century, in the relatively liberated and open atmosphere of Repin's studio and circle in Russia, do we find representations of women art students working uninhibitedly from the nude — the female model, to be sure — in the company of men.

«In The Raw: The Female Gaze on the Nude» aims to explore a perspective less chartered, that of a woman's eye on another, be it beautiful or shocking, gross or glorious.

The play of shadow and light across the contours of Lyon's body accentuates the musculature of her legs and arms and demonstrates Mapplethorpe's understanding of the cultural context of androgyny in the classical female nude.

He has used three principal models throughout his career: his wife Julia, who first posed for him in 1959; Juliet Yardley Mills («J.Y.M.»), a professional model whom he met in 1957; and his close friend Estella (Stella) West («E.O.W.»), the model for most of his nudes and female heads prior to 1973.

And so she chose to verse herself in her own sensual intuition, materializing the female nude in actual space.

The past several decades have ushered in a new era of powerful female visual storytellers, who focus on their own personal experiences as women, and embrace a vision of the nude that is brave and honest.

Furthermore, she often tackled subjects that were perceived as «risky» during her lifetime: Neel is known for painting gay people long before homosexuality was legalised, transvestites, members of the poor, immigrant communities in Spanish Harlem (where she lived), candid portraits of nursing and pregnant women as well as unflinching male and female nudes.

«In The Raw: The Female Gaze on the Nude» creates a cultural discourse of women on women, a female intervention, so to speak, on patriarchal cuFemale Gaze on the Nude» creates a cultural discourse of women on women, a female intervention, so to speak, on patriarchal cufemale intervention, so to speak, on patriarchal culture.

The Untitled Space is pleased to present «In The Raw: The Female Gaze on the Nude», an exhibit of 20 female artists and their intimate vision on the femaleFemale Gaze on the Nude», an exhibit of 20 female artists and their intimate vision on the female nNude», an exhibit of 20 female artists and their intimate vision on the femalefemale artists and their intimate vision on the femalefemale nudenude.

In lush evocations of the female form, such as Nude — Elbow on Knee (above), painted in 1961, he continued many of the pictorial innovations of his previous series, but set them within an intimate portrayal of the human figurIn lush evocations of the female form, such as Nude — Elbow on Knee (above), painted in 1961, he continued many of the pictorial innovations of his previous series, but set them within an intimate portrayal of the human figurin 1961, he continued many of the pictorial innovations of his previous series, but set them within an intimate portrayal of the human figure.

First held at the Galerie Internationale d'Art Contemporain in Paris in 1960, Klein's performances (now considered by many to be outrageously sexist) featured nude female models — who the artist referred to as «human paintbrushes» — rolling themselves in his patented International Klein Blue paint.

A quote from the Guerrilla Girl's poster immediately comes to mind: «Less than 5 % of the artists in the Modern Art Sections of the Met Museum are women, but 85 % of the nudes are female.»

White Cube, Bermondsey The body screams in Emin's latest show, which moves from crumbling, fleshy paint to tortured bronzes, and shakes the tradition of the female nude to the core.

Two of the most striking; paintings on display in London now are by women firmly seizing the traditional male territory of the female nude.

It assembled stills from a performance where Davis drew her body over projections of female nude drawings by Modigliani, as a recording of how a present body interacts with female representations in art history.

Transition from Cool to Warm takes its title from Kiefer's book Erotik im Fernen Osten oder: Transition from Cool to Warm (1976), in which atmospheric renderings of an arctic seascape lead to the emergence of a female figure and then to a series of loose, abstracted, and exquisitely stained nudes.

The Guerrilla Girls» famous poster protesting that while only 5 % of the artists in the modern section of New York's Metropolitan Museum are women, 85 % of its nudes are female is definitive in that way (the figure was still at 4 % and 76 % when they updated the work in 2011).

Her collaged photographs of female nudes and flowers were digitally printed onto dresses that in turn hid the wearer's nude body.

In the Raw: The Female Gaze on the Nude was co-curated by feminist artists Coco Dolle and Indira Cesarine.

Artist Aneta Bartos Featured in «In The Raw: The Female Gaze on The Nude» Exhibit, Untitled Space Gallery, New Yoin «In The Raw: The Female Gaze on The Nude» Exhibit, Untitled Space Gallery, New YoIn The Raw: The Female Gaze on The Nude» Exhibit, Untitled Space Gallery, New York

Data gathered from the Met's public collections in 1989 showed that women artists had produced less than 5 % of the works in the Modern Art Department, while 85 % of the nudes were female.

Untitled (Love Bather)(1917) places the bather on a rock in the ocean; Untitled (Night Allegory)(1915) sets two female nudes who have seemingly unreadable poses on a beach.

A key aspect, though, is the number of artists exhibited; In the Raw shows that «the female nude» means different things to different artists.

I'd like to think that people were there for the actual art exhibition, which was billed as an all - female, all - nude art show where 20 women artists, aged 21 to 60 - something, from Russia, Chile, and beyond, «explore a perspective less chartered, that of a woman's eye on another,» and in the process «challenge the status quo with a liberating and authentic beauty.»