Sentences with phrase «nude image on»

We found at least 2 fake profiles on WellHello.com one is from an escort site and the other profile images are actually from an amateur porn site (caution nude images on that page).

Common sense should prevail and you would need to ask yourself why would an attractive looking girl post nude images on Snapchat and then watermark those nude image with a random dating site?

Not exact matches

Gardener then started a petition on Sunday that states: «It is illegal in the UK for nude images of under 18's to be created, sent and shared.

Same thing about nude images — all bad, or is value dependent on the type of image?

SEE MORE: (Images) Nude pics of WWE stars Seth Rollins and Zahra Schreiber appear on social media, revenge possible motive.

The incident with the nude photos occurred in 2014 when a friend posted the images of Litton and his former girlfriend on social media.

A lot of the time though the police will move you on so if you are taking artistic nude landscape images you had better be ready to be (a) extremely polite and (b) state your...

I was surprised when I first went to apply this polish as I had assumed from the image on the bottle that it would be a nude shade laced with glitters however it is a clear based polish and still very beautiful.

In addition to this, at the top of every email that is received on POF, recipients have the option to report «Click to Flag if Message Has Nude Images.»

Many of the female profiles on this site uses photos of amateur porn stars and have images on other sites where they are nude etc..

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But now some of the director's sexually charged images of women, including blindfolded girls, an abstract nude and Kate Moss descending a staircase in suspenders, are going on show in «Best of British», at London's Little Black Gallery, alongside pictures by Terence Donovan, Terry O'Neill, Patrick Lichfield and Bob Carlos Clarke.

(In Danish, English and Korean with subtitles) The Way Back (PG - 13 for violence, a nude image, depictions of physical hardships, and brief profanity) Fact - based bio-pic, based on Slavomir Rawicz's memoir chronicling his undertaking a grueling 4,500 mile trek from Siberia to India following an escape with a half - dozen fellow prisoners from a Russian gulag in the Forties.

If your existing blog doesn't have any sexually explicit or graphic nude images or video on it, you won't notice any changes.

And while Paul's arresting, artful images offer a fascinating glimpse of the couple's life in France between 1948 and 1954, it's the photos of Julia that are strikingly intimate: Julia kneeling near her cat in the couple's apartment; her nude silhouette in front of a sunlit window in Florence; Julia talking on the phone, with only her long, outstretched legs visible, but her warm, hearty laugh so easy to imagine.

Also, if you look to the far right on the image below, you'll see «Sandy Beach,» a famous nude beach of Cape Town.

Using International Klein Blue paint, Wagenknecht had Roombas trace her nude body on canvases, creating images of the female form that recall Klein's «nude paintbrush» works.

Then came a series of hybrid dishes developed by Raúl Cárdenas Osuna in collaboration with Chef Diego Becerra and MoMA's Lynn Bound, each served on limited - edition placemats reproducing images selected by Xaviera Simmons from the museum's library and archives (one was Yayoi Kusama's 1969 unannounced nude performance in the sculpture garden).

As the title suggests, images on view include nudes from his many series exploring voyeurism and innocence; animals; and the countless cigars he has smoked in his studio.

Ten years after the landmark exhibition The Air Is on Fire, which revealed David Lynch's pictorial and image works, the Fondation Cartier pour l'Art Contemporain in Paris is publishing an exceptional book, gathering more than one hundred photographs in black and white and in color, of nudes.

The 82 - year - old painter, who has lived most of his life in northern France near the Belgian border, has pursued his distinctive if somewhat conservative painting style for at least three decades, working for months and sometimes years on canvases whose paint surfaces are so obsessively thick that their images — mostly nudes, heads and still lifes — are virtually obliterated.

But whereas the work of those artists achieves a meaningful dissonance through a sundry aggregation of disjunctive motifs, Picabia's layered images serve to reinforce one another within each painting, coalescing in their signification into a unified expression or theme: in one case it is the seductive menace of his Portrait of Kiki (ca. 1938 - 40), a demimonde figure painted in lurid yellows and greens with a spider form imposed over her face; in another it is the cheesy eroticism of Reve (ca. 1935), an image of a sleeping woman about to be kissed imposed over a nude standing (like Botticelli's Venus, but with arms upraised) on the surface of the waves.

In the early 1950s, when Rauschenberg was living with artist Susan Weil in a one - room apartment on West 95th Street in Manhattan, they produced a series of cyanotypes — images produced without a camera, by shining an ultraviolet light on an object or nude model resting on blueprint paper, exposing the paper where the light isn't blocked and creating a negative shadow of the object or model's outline, similar to the way an X-ray is done.

TOP IMAGE: At Ryan Lee Gallery, EMMA AMOS, «Seated Figure and Nude,» 1966 (oil on canvas).

Estimated by outside experts at several million dollars, the promised gift doubles the Met's current holdings of 145 images, which focused on nude studies and platinum prints of laborers from his «Small Trades» series.

Ray K. Metzker Nude, 1966 - 1974 Unique composite of 7 gelatin silver prints 22 x 10 inch image, framed to 39 x 26 inches Signed and dated «c. 1974» on mount verso

When fellow students who had been on courses at Newcastle — where Tom Hudson, Harry Thubron, Victor Pasmore and Richard Hamilton were among their mentors — began to explain the evolution of Mondrian's work to me, the metamorphosis of his drawings of trees, for instance, towards making an autonomous painting, or Matisse working directly from the nude model but ending with an independent image — then it seemed an exciting possibility, to make a painting that was independent of local colour or illustrative form.

Photographs range broadly from the classic (Berenice Abbott, Ansel Adams, Ruth Bernhard, Imogen Cunningham, Alfred Stieglitz, Robert Mapplethorpe, Edward Weston) to the pioneering (an oddly humorous series of female nudes in motion by Eadweard Muybridge) to the buoyantly inventive (Dieter Appelt's image of a man breathing on a mirror) and the downright comically weird (Joel Sternfeld's 1982 «Exhausted Renegade Elephant, Woodland, Washington»).

Along with his watercolours, Roberts showed works on canvas, particularly self - portraits and images of his first wife Marian, who would be the subject of numerous nude and clothed figure paintings.

The work might have been based on images from actual archaeological excavations, but its decorously bathing nudes speak more to 19th - century preoccupations with hygiene — Roger Fry compared his work to «highly scented soap» — and the marble architecture is as much grand London bank as Roman frigidarium.

Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921 painting Le Grand Déjeuner.

Intended by the artist as both a «playful piece» as well as a serious comment on male patriarchy, within this beautifully constructed kaleidoscope Shonibare has subverted the familiar image of Botticelli's THE BIRTH OF VENUS by replacing the female nude with a photograph of a well - endowed naked male.

Juxtaposing nudes and seascapes with architectural interiors, The Hollywood Suites, his enigmatic series of images made between 1974 and 1978, is currently on view at Howard Greenberg Gallery in New York.

It is a colorful image printed in six sections, showing eight nude, seminude and fully dressed figures whose enjoyment of the sunny day, described with painterly bravado, has been dampened by the discovery of a dog on the shoreline.

Nude on Couch, from Nudes series Color iris print on rag paper 29 1/2 x 23 1/2 inches 10 1/4 x 13 inches (image size) Edition of 50 Hand signed and numbered in pencil by Thomas Ruff verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, D.A.P., New York, 2003, p. 239 Catalogue Reference tos03, larger version reproduced in color.

Chuck Close Photographs, on view from March 20 through October 2, 2016 features 86 images from 1964 to the present and illustrates the full range of the artist's exploration of photography — from early black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes and recent Polaroid nudes.

Sourced from a viral photo of a yoga teacher, the work typifies how Fernández abstracts his figures from internet images, advertising, posters found on the street, or his own photographs — and uses the eroticism and ideality of his nudes to add a layer of the sublime to the visual feed of our lives.

Her oil - on - canvas Through the Half Drowned Stars recalls (in reverse image) François Boucher's 1742 painting Diana After the Bath; in both paintings, a seated nude with one leg crossed assumes a motif whose pedigree runs back through Raphael to Michelangelo's torqued male ignudi on the Sistine Ceiling, and to its source in Greek sculpture.

The tipping on its side of the crouching nude in Michele Bubacco's oil - and - collage Addiction recalls Sigmar Polke's inverted or upside - down images.

This slim, beautifully produced, bright yellow linen - bound exhibition catalogue with tipped - on cover image features some of the most strangely arresting male nudes on canvas today.

Focusing from the beginning on the nude and on portraiture, Barton also painted numerous still - life images and later essayed straightforward cityscapes and surrealist fantasies.

Only in her mid-twenties when she authored these artworks, Guy's lushly tinted images of herself photographing her nude reflection take on new layers of meaning in today's «Post-Internet» age.

Feingold's subjects are mostly women as she seeks to capture the natural beauty of the female form, with a focus on bold feminine nudes referencing images from the French erotica era of the early 20th century, American vintage magazines from the 1970s and 1980s, and today's Internet imagery.

In Olympia's Boyz (2001), a 14 - ft - wide Cibachrome print mounted on aluminum, Cox restages Manet's iconic painting Olympia (1863), replacing the image's central figures — a white prostitute and a black maid — with herself, an empowered black matriarch in the nude, and her biracial sons.

On view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlineOn view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlineon mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlines.

Using images cut from mass - circulation magazines, the collage depicted a nude bodybuilder and a nude woman, posing alluringly on a sofa with a lampshade on her head, in a living room stocked with the goods and emblems of the postwar good life, American - style.