Sentences with phrase «nude men depict»
Paintings of nude men depict genitalia.
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Ana Mendieta's «Untitled (Glass on Body Imprints)» from 1972 turns on its head the art tradition of men creating female nudes, and lets Mendieta depict herself, distorting her form with a pane of glass.
Displayed at different gallery branches, Man Fung Yi's brass replicas of personal garments and William Tsang's rather straightforward installation, in which anonymous photographers in a mixed - media relief are spying on a nude woman, depicted in charcoal on paper on an opposite wall, contemplate voyeurism and the boundary between self and other.
Pink Forest captures three young men, walking nude into a magical realm; Painted Ladies portrays a hedonistic group of imaginatively masked women; and Uck depicts a collapsed sign atop a pile of hay that Ms. Johnson has trippily transformed with glitter.
In the painting, two nude men stand next to one another against a green - and - blue background as each holds an unfolded centerfold that depicts two women baring it all in a Playboy or Penthouse - type magazine.
Manet's 1863 Déjeuner sur l'herbe, depicting two fashionably dressed young men picnicking with a nude woman, translates Titian's Pastoral Concert (ca. 1510), in the Louvre, into a distinctly modern idiom.
On view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlines.
They depict sensual nude figures — a man and woman in Desire and just a man in Jealousy.
The exhibition is particularly strong in portraits of mature men, many connected to horse racing; in little - known, small - scale works; in a painting and nearly identical etching of the same person, and in that triumph of Freud's art — nudes depicting «the body in the round».
Canadian collector Robert Rennie, who has a private museum in Vancouver, inquired about a work on paper by Kerry James Marshall depicting a nude black man in an odalisque pose.