Sentences with phrase «nul a»

Community Service Director - Coordinate community service activities that support the NUL agenda

Nul: No; no one (Latin).

Nul points.

This landscape change definitely must be taken into account when doing this type of research, otherwise it is nul reaserch.

This also is enough to falsify the Trenberth nul that there is climate change and it is caused by humans.

Trenberth does not understand that a nul must have the word NOT in it, amazingly that is what «nul» means.

Its regression results for 3 strategic locations (Barrow in the Arctic, Mauna Loa near the Equator, and NYC / JFK) can interpreted both as confirming the normal nul that there is no anthropogenic role in climate change for non-condensing greenhouse gases, and falsifying the Trenberth nul that there is.

Greg Jackson: The correct NUL hypothesis is that rising atmospheric CO2 does NOT cause significant global temperature increase.

As an example, RC could set up a generic / dev / nul thread where posts not deemed to have any utility could be dumped for public perusal.

Furthering this theme of performance is the inclusion of Günther Uecker's seminal sculpture New York Dancer from 1965, featured in the landmark exhibition Nul at the Stedelijk Museum, Amsterdam that same year.

Three years later, Gutai was exhibiting at the Stedelijk Museum in Amsterdam along with the NUL and Zero movements, and it was then that they truly burst onto the scene.

In the 1960s, Schoonhoven co-founded the avant - garde Nul - groep (Nul Group), a Dutch branch of the international ZERO movement that sought to reduce art to the zero degree by simplifying compositions and using everyday materials.

Exhibiting alongside European artists including Lucio Fontana, Pol Bury, Otto Piene, and Gunther Uecker, in 1962 she was the only female artist to take part in the widely acclaimed Nul (Zero) international group exhibition at the Stedelijk Museum in Amsterdam.

Nul = 0 accompanies the Stedelijk Museum's 2011 survey of the movement, offering extensive historical analysis through interviews, essays, archival photographs and an illustrated chronology.

Kusama exhibited widely in Italy, Germany and the Netherlands in the mid -»60s, participating in exhibitions with artists associated with Nul, Zero and the New Tendency in Europe, where she began developing her interest in the optics and interactive elements of mirrors, electric lights, sound and kinetics.

The legendary art collective Nul was founded in Amsterdam in 1961.

Alongside these groups, Nul set the tone for the climate of the European avant - garde in the 1960s.

A cofounder in 1960 of Nul — the Dutch complement to the German Zero Group — Schoonhoven (1914 - 1994) played an important role in the reductionist, materially conscious, and conceptually motivated European art scene of the»60s and»70s.

Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the Nul - groep (Nul Group)-- which were affiliated with the European Informel movement and the Zero Group, respectively — and was included in numerous important and related group exhibitions including Zero - O - Nul at the Gemeentemuseum Den Haag, The Hague, in 1964, and Amsterdam, Paris, Düsseldorf at the Solomon R. Guggenheim Museum, New York, in 1972.

Cárdenas's sculptures are recognizable within the context of concurrent post-war movements such as Nouveau Réalisme in France, Pop Art in the United States, and the Nul Group in the Netherlands, while also drawing from his Latin American heritage.

Yayoi Kusama has developed a practice which, though it shares affiliations with Surrealism, Minimalism, Pop art, the Zero and Nul movements, Eccentric Abstraction and Feminist art, resists any singular classification.

He has remained true to the fundamental concept of the nul movement right up to the present day.

His publications include monographs on the Dutch Nul artists Jan Henderikse (with Renate Wiehager; 2010) and Armando (2015) as well as catalogue texts on the international ZERO movement for the Stedelijk Museum, Amsterdam; Martin - Gropius - Bau, Berlin; and the Peggy Guggenheim Collection, Venice, among others.

This constellation is given form by Heinz Mack's 1971 diagram which connects Zero with the Milanese Azimut and Gruppo MID, the Parisian Nouveau Réalisme, the Frankreich - based Group de Research d'Art Visuel, the Dutch Nul group, as well as other major and minor contemporaries.

For almost seventy years Yayoi Kusama has developed a practice, which, though it shares affiliations with Surrealism, Minimalism, Pop art, Eccentric Abstraction, the Zero and Nul movements, resists any singular classification.

In Europe, early Infinity Nets were shown alongside, and discussed in relation to, work by artists in the Zero and Nul movements.

It was in the landmark «tentoonstellung nul» show in the Stedelijk Museum and was very much ahead of its time.

Schoonhoven played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the Nul - groep (Nul Group), the Dutch equivalent of ZERO.

Group shows include Brooklyn Museum, 1955, 58, De Cordova Museum, Boston, 1960, 65, Riverside Museum, New York City, 1960, Städtisches Museum, Schloss Morsbroish, Leverkusen, Germany, 1960, 61, Whitney Museum American Art, New York City, 1961, 62, Pittsburgh Museum, 1961, City Museum, Städtisches Museum, Trier, Germany, 1961, Nul Stedelijk Museum, Amsterdam, 1962, Institute Contemporary Art, 1964, 65, Modern Art Gallery, Washington, 1965, Chrysler Museum, Provincetown, Massachusetts, 1965, Museum Modern Art, Stockholm, Sweden, 1966, Metropolitan Museum, Tokyo, 1965, Museum Modern Art, New York City, 1966, Woman's Work - American Art, Philadelphia, 1974, Improbable Furniture, University Pennsylvania, 1977, Neich und Plastisch - Soft Art, Zurich, 1979, National Museum Art, Osaka, 1980, National Museum Modern Art, Tokyo, 1981, Yokohama City Gallery, 1982, Landmark Tower, Yokohama, 1993, Guggenheim Museum, 1994, Scream Against the Sky, San Francisco Museum Modern Art, 1995, Otis Gallery, Los Angeles, 1995, Ars 95, Helsinki, 1995, Louisiana Museum, Denmark, 1995, Los Angeles County Museum Art, Museum Modern Art, New York, Walker Art Center, 1998, Taipei Biennale, Taipei Art Fair, 1998, Serpentine Gallery, 2000, Le consortium, Maison de culture Japan, Paris, Le Abattoirs, 2001, KUNSTHALLE, Wien, 2002, The Whitney Biennial, 2004, Kunstverein Braunschweig, Zacheta National Gallery of Art, 2004, National Museum Modern Art, Tokyo, 2004, 05, Mori Art Museum, 2004, National Museum Modern Art, Kyoto, 2005, many others.

These included the Holland's Nul (Armando, Jan Henderikse, Jan Schoonhoven, herman de vries), France's Nouveaux Réalistes (Arman, Yves Klein, Daniel Spoerri), Italy's Azimuth (Piero Manzoni and Enrico Castellani), and Japan's Gutai group (Jirô Yoshihara, Shozo, Shimamoto, Kazuo, Shiraga, Atsuko Tanaka, among others); the Japanese artist Yayoi Kusama and America's George Rickey also formed individual nodes in the orbit of Zero's influence.

Schoonhoven's work was included in various important group exhibitions including Zero - O - Nul at the Gemeentemuseum Den Haag, The Hague, in 1964, and Amsterdam, Paris, Düsseldorf at the Solomon R. Guggenheim Museum, New York, in 1972.

The Nul - group, the Dutch equivalent of ZERO, was established not long after by Armando, Jan Hendrikse, Henk Peeters, Jan Schoonhoven and herman de vries.

Part of the international art scene in the early «60s, she exhibited in New York with Andy Warhol, Donald Judd, Claes Oldenburg, and other Pop and Minimalist artist and in Europe with the Dutch Nul and the German Zero artist groups.

Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the Nul - groep (Nul Group)-- which were affiliated with the European Informel movement and the ZERO Group respectively.

From around 1960 alone, there were Arte Povera and Marisa Merz in Italy, Gutai in Japan, Nul in the Netherlands, Nouveau Réalisme in France, G58 and COBRA in Belgium, political art like Aktual and OHO further east, and Fluxus everywhere.

In Bionicle Heroes, players are thrust into the island of Voya Nul where a battle for control is currently underway.

Within days of Hurricane Wilma in 2005 a team from Belgium - based Jan De Nul Group arrived to survey the damage.

Finally got a hold of them, but they would not pay the shipping either way and because I was in Canada, the warranty was nul and void.

C'est nul.

My older primary students were ready to move beyond j' aime / je n'aime pas so we created a lesson that let them use opinon words to say:: c'est nul / chouette etc..

One such color - change chemical often used in receipt paper is called bisphenol A (Bis - FEE - nul A).

Apart from reducing cost of operations, the project, which is being executed by a Belgian contractor, Jan De Nul (JDN), will also improve the revenue generation capacity of the GPHA and create employment in the Sekondi - Takoradi Metropolis.