Sentences with phrase «number inscribed»

It really is just a matter of having the ID number inscribed wherever you see fit.

Artist: Antoine Poncet, Swiss (1928 --RRB- Medium: Polished Bronze Sculpture, Signature and number inscribed with foundry stamp Edition: 6/6 Size: 7.5 x 3 x 3 in.

At Rome's Colosseum, each spectator held a tessera, a ticket corresponding to a number inscribed on one of the building's 80 arcades.

The numbers inscribed in the clay — which calculate the total distance traveled by the planet — matched those on the perplexing geometric tablets.

Consisting of four columns and 15 rows of numbers inscribed in cuneiform, the famous P322 tablet was discovered in the early 1900s in what is now southern Iraq by archaeologist, antiquities dealer, and diplomat Edgar Banks, the inspiration for the fictional character Indiana Jones.

In the Quogue Gallery show, for example, there are a number of words and numbers inscribed in the complex textures of the paint, from the Biblical «33» to the word «wu» itself and allusions to Jacob's Ladder and bird imagery related to the story of Noah.

If a thief were to remove the VIN plate from your vehicle, most people still have their numbers inscribed directly onto their glass windows.

Not exact matches

Entries on the digital record include dozens of attributes for each diamond, including the color, carat, and certificate number, which can be inscribed by laser on the crown or girdle of the stone.

I believe because the evidence is continuing to back the Bible and as I said earlier the number of ancient copies of the Bible is inscribe, way over a hundred, and they all match, although there are sometimes variations, they agree with one another.

Number 7 of 10 laws inscribed on the Georgia Guide Stone (American - Stonehenge) states: «Avoid petty laws and useless officials.»

Microstamping refers to the process of inscribing a gun's make and model numbers on its firing pin, so the number is imprinted on the shell casing when the weapon is fired.

Out of the number, five officers had their names engraved on the wall of honour, while four names were inscribed in the roll of honour.

So researchers often place a small metal band inscribed with an identifying number around each bird's flipper.

Each ring was inscribed with a unique number and instructions to correspond with Mortensen if one of his birds was found.

The BMW i8 Roadster First Edition models get an exclusive interior plaque on the driver's side of the center console is inscribed with the words «First Edition» and the limited edition numbering «1 of 200».

Diamonds may be laser - inscribed with a traceable identification number.

A true Royal Asscher will have a laser - inscribed logo and ID number.

Many are by renowned African American artists such as Jacob Lawrence and Romare Bearden; a number are by Angelou's close friends, including John Biggers and Elizabeth Catlett, and even include personal messages inscribed on them.

Inscribed in pencil on the reverse «Kachina Kiva, Utah 1982» l.c., «Linda S. Connor» l.r., and with an inventory number «1990-05/22 / LC3 / 0810» l.l. No other condition issues to report.

Signed, dated, inscribed with edition number 31/40.

Inscribed, in graphite, upper center: Top; inscribed, in graphite, lower left: 77 [inventory number, Robert Elkon Gallery]; signed and dated, in pen and ink, on frame backing: a. martInscribed, in graphite, upper center: Top; inscribed, in graphite, lower left: 77 [inventory number, Robert Elkon Gallery]; signed and dated, in pen and ink, on frame backing: a. martinscribed, in graphite, lower left: 77 [inventory number, Robert Elkon Gallery]; signed and dated, in pen and ink, on frame backing: a. martin / 1967

At the time I was dissatisfied with the picture (Picture with a Circle, 1911) and therefore did not number it, did not inscribe it or the back, as I otherwise always used to do and did not even note it in my handlist.

Signed, titled, dated, inscribed, and numbered «John Coplans... 1984 / SP2848 / 5 / 6 EDITION» in pencil on the mount verso More...

Rauschenberg's studio assistant Bradley Jeffries inscribed the title, date, and print number on the back of this photograph after it was printed in the 1980s.

The donated collection numbers around 350 items and includes numerous signed and inscribed first editions of Joyce's publications plus important manuscripts and correspondence, photographs, publisher's promotional material, translations and more, according to the museum.

Canon signed and numbered «HAROLD EDGERTON / 86.0068» on verso; Dive signed, numbered, and inscribed «HAROLD EDGERTON / 88.0319 5402.

Numbered and inscribed, probably in the artist's hand, at upper left, in brown ink, 21; at upper right, Guilliellemus Cossiers.

Conrad Marca - Relli (1913 - 2000) Waiting (L -10-81-82), 1981 - 82 Mixed media collage on canvas, 46 1/2 x 41 1/2 inches Signed lower right: «MARCA - RELLI» Signed, numbered, inscribed and titled verso: «MARCA - RELLI / L -10-81-82 / 3» 10 1/2» X 3» 5 1/2» / «WAITING»»

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

HELEN FRANKENTHALER (b. 1928) Lot's Wife (Harrison 32) lithograph in colors, 1971, on three sheets of Japan, signed and dated in pencil, numbered 14/17 (there were also 4 artist's proofs), inscribed «Triptych», with the ULAE blindstamps, with full margins, scattered foxing and a few minor creases, otherwise apparently in good condition, not examined out of the frame, framed overall S. 134 x 35 in.

HELEN FRANKENTHALER What Red Lines Can Do, New York, Multiples, Inc., 1970 (H. 22 - 6) the complete set of five signed, dated, numbered and inscribed screenprints in colors, title / justification, on Arches handmade coldpress, copy 7 of 24 (the edition was 75), the full sheets, loose (as issued), (H. 22) with foxing, (H. 24 - 5) with minor foxing, (H. 26) with soiling on the reverse, the title / justification with a 2 - in.

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 1930

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

T02235 TURNING FORM 1959 Inscribed on base of bronze in punched letters and numbers «D.A.M. / 59/2» and in pencil on underside of wooden base «Turning Form / Size 56» 1959 / Denis Mitchell / No 2/3» Bronze, 56 × 7 × 11 9/16 (142.2 × 17.8 × 29.3) on wooden base 8 1/4 (21) high Bequeathed by Miss E. M. Hodgkins 1977 Prov: Bought by Miss Hodgkins from the Penwith Gallery, 1959 Exh: Summer Exhibition, Penwith Gallery, St Ives, 1959 (75) «Turning Form» was sand cast in solid bronze by Holman's Foundry, St Just, in an edition of three plus one for the artist.

inscribed with the signature Alberto Giacometti, numbered 6/6 and with the foundry mark Susse Fondeur Paris

Theodoros Stamos (1922 - 1997) Untitled (For Billy), 1969 Watercolor and graphite on paper, 22 1/2 x 21 inches Titled, signed, and dated lower left: «For Billy, Stamos 1969» Inscribed and numbered verso: «Robert Kulicke, framer / 0471»

Theodoros Stamos (1922 - 1997) Hovering Yellow Sun - Box, 1967 Acrylic on canvas, 56 x 52 inches Titled, dated, signed, and numbered on canvas overlap verso:» «HOVERING YELLOW SUN BOX» 1967 / STAMOS / 3» Inscribed on stretcher verso: «Top / 52 / X / 56»

Adolph Gottlieb (1903 - 1974) Festival, 1945 Oil on canvas, 27 13/16 x 35 13/16 inches Titled, dated, numbered, and inscribed verso: «FESTIVAL / 1945 # 4517 / 28 X 36»

Theodoros Stamos (1922 - 1997) Infinity Field, Lefkada Series, 1976 Acrylic and oil on canvas, 59 3/4 x 49 7/8 inches Titled, and inscribed on canvas overlap verso:» «INFINITY FIELD LEFKADA SERIES» / 60X50» Numbered and dated on stretcher verso: «16 / 1976»

In fine condition; hand signed, inscribed, numbered and dated on the backside.

Signed «NICHOLAS NIXON» in pencil on the reverse, inscribed, dated, and numbered «Cambridge 1987 8/50» in pencil More...

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 26) screenprint in colors, 1970, on Arches handmade coldpress, signed and dated in pencil, numbered 38/75 and inscribed «ss» (for original silkscreen), (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheet, hinged at the corners and at the center of the sheet edge, in very good condition, framed S. 38 1/2 x 26 in.

HELEN FRANKENTHALER Savage Breeze (W.C. 51; S. 29) woodcut in colors, 1974, on beige Nepalese handmade, signed and dated in pencil, inscribed «H / C» and numbered 4/4 (the edition was 31 plus 4 artist's proofs), published by ULAE, with full margins, in excellent condition S. 32 x 27 1/2 in.

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 24) screenprint in colors, 1970, on Arches handmade coldpress, signed and dated in pencil, inscribed «ss» (for original silkscreen), numbered 69/75 (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheet, scattered foxing, deckled edge at lower sheet edge somewhat removed, otherwise in good condition, framed S. 38 1/2 x 26 1/8 in.

Helen Frankenthaler (1928 - 2011) Midnight etching, aquatint and drypoint in colours 1987 Fabriano Rosaspina paper signed and dated»87 in pencil, inscribed Bon à tirer edition size: 71 numbered impressions and eight artist's proofs published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps Image: 495 x 400 mm., Sheet: 811 x 632 mm.

Numbered, inscribed, and indistinctly initialed «11/100, I...»

HELEN FRANKENTHALER East and Beyond (W.C. 44; S. 25) woodcut in colors, 1973, on beige Nepalese handmade, signed and dated in pencil, inscribed «Artists proof» and numbered 6/6 (the edition was 18), with the ULAE blindstamp, with full marginsin excellent condition, framed S. 32 x 22in.

The reverse left corner has been inscribed BN97 - 2181 5/25, indicating that this work is number five of an edition of twenty - five.

HELEN FRANKENTHALER Walking Rain lithograph, aquatint, etching and engraving in colors, 1987, on T.H. Saunders, signed and dated in pencil, inscribed «AP» and numbered 12/14 (the edition was 54), with the Tyler Graphics blindstamp, the full sheet, in excellent condition, framed S. 29 1/2 x 22 1/2 in.

Lynda Benglis (b. 1941) Gold Lustre inscribed with the artist's signature and numbered «Lynda Benglis 11/12» (on the reverse) gilt and painted ceramic 18 x 25 3/8 in.