Sentences with phrase «number of artists using»

I can imagine a fair number of artists using this as an all in one Adobe Photoshop and In - Design device to create some great content.

Kate MacGarry loves a bit of an art / craft crossover: a number of her artists use ceramics and textiles as part of their vocabulary (witness the tapestries of Goshka Macuga, Renee So's wonderful knitted works and Tiago Carneiro Da Cunha's ceramics), and Francis Upritchard's latest show reinforces the profile of one of London's most distinctive and best loved contemporary galleries.

Not exact matches

Over time, the Los Alamos system will learn the common patterns of fraud — for example, if a scam artist were using other people's credit card numbers to buy expensive electronics by telephone.

The lead make - up artist for the upcoming movie â $ œBattle in Seattle, â $ starring Charlize Theron and Woody Harrelson, used a number of natural skincare products from the Alchemistâ $ ™ s Apprentice, an online apothecary selling 100 % synthetic and chemical - free personal care items.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

The powerpoint has examples of drawings of a number of artists like, Paul Seurat, Patrick Heron, Frank Auerbach, Rembrandt, Van Gogh and Picasso and gives a number of opportunities to learn from these artists and gives different methods to use to strengthen one's drawing skills.

But there are a number of different artists to use to inspire students to develop their own technique.

There are also a number of different artists like David Bomberg, Joan Miro, Stuart Davis, Escher, Lisa Milroy and Henri Matisse - artists who use a simplified shape in their work and students can interpret there own ideas from these artists.

Finishes by looking at back to back stem and leaf diagrams using data of number of weeks of Top 40 singles from Ed Sheeran and One Direction (taken from the official chart on 29/12/14)- I recommend finding the most up to date data for this, or more up to date artists, to ensure maximum pupil engagement:) Step - by - step, fun and real life lesson for stem and leaf diagrams for KS3 and KS4

I have a fair number of volumes on art and photography, and when the point to discussion of an artist is their * use * of color, illustrative work rendered in monochrome just doesn't cut it.

This helps prevent scam artists from using your social security number to open credit cards or secure other lines of credit, protecting you from identity theft and ensuring that your private information remains yours, rather than being used by someone else.

, PLUS an EXCLUSIVE Artist Proof Individually Numbered Hi - Res print out on High Quality Thick Presentation Paper of the Video Games Live Tron Light Cycle blueprint used to make the life - sized Tron Light Cycle that appears in the show SIGNED by Tron creator and executive producer Steven Lisberger and Tron Visual Effects Supervisor Richard Taylor!

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

- during multiplayer battles, when two players cooperate to take down a single opponent, an «assist mark» is displayed - battle results screen now displays the number of times you used your special - you will also see the number of players you splatted or assisted in splatting - see the number of times you got splatted - new stage called the Inkblot Art Academy where many Inkling artists graduated from - many sculptures can be found in there, and climbing up on them can actually give you the advantage in battle

A growing number of «data artists» are creating conceptual work using information collected by personal data trackers, mobile apps, scientific experiments and even hand written notes.

Before moving to New Orleans in August 2010, he put these many skills to use working for a number of years staging home interiors for property sales and as a landscape artist with a realty company.

Drawing on people close to her, including a number of other artists as well as family members, Opie has posed her figures against a black drop cloth, using highly theatrical lighting, color, and scale.

Beginning in summer 2017 and continuing through spring 2018, the Delaplaine will use the artist and her artwork as inspiration for a number of educational programs and activities.

With the rise of anti-art movements such as Fluxus in the 1960s, a number of notable artists made drawings using the ballpoint including Cy Twombly and Alighiero Boetti.

With the rise of anti-art movements such as Fluxus in the 1960s, a number of notable artists made drawings using the ballpoint pen.

The exhibition focuses upon the extensive use of reproducible media which has been observed over the last ten years and proposes that the precursor of this phenomenon was the art of the late sixties and seventies, a period in which moving pictures formed the conceptual basis for the work of a number of artists.

Also, a number of artists belonging to this movement were using automatic drawing as a method, including Pierre Gauvreau.

Presently, a number of contemporary artists use the watercolor techniques to help form some of the best examples of contemporary drawings and paintings.

Putting together the two major elements of the artist's practice: portraiture and the process of «remixing», the number of images are repeated and reinterpreted over time using different techniques and mediums.

Younger artists who have grown up with the technological age should be documenting every piece of artwork with a number, a digital photo (low and high resolution) and should be using a computer program that allows them to catalog their work.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of my Facebook friends» comments for «Should we trust anyone under 30?

The exhibition, which opens June 3 and runs until July 9, «is comprised of twenty - two artist who use a number of disparate materials, processes and techniques to create work that evokes organic forms and phenomena.»

Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Martists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie MArtists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.

The Number Shop - Studios and Gallery is an independent artist - run project in the centre of Edinburgh, which provides affordable studio spaces for 10 practitioners as well as a flexible use exhibition space.

The Clark is making good use of its new Tadao Ando - designed gallery to celebrate some of those artists, with an exhibition of abstract modernist paintings by the likes of Jackson Pollock (whose Number 1, 1950 (Lavender Mist) is a highlight), Mark Rothko and Helen Frankenthaler.

Leo Villareal traces the development of the artist's work over the past decade, from his earliest experiments using a limited number of strobe lights activated by the artist's custom software programming, to his most recent works that feature thousands of tiny pinpoint LEDs firing in hypnotic patterns.

Installation view with work by MINUS SPACE artist Manfred Mohr at left January 17 — April 6, 2008 Examining the intersection of digital technology and the graphic arts, Imaging by Numbers surveys the use of computers in printmaking and drawing through approximately 60 works created by nearly 40 North American and European artists from the 1950s to the present.

Lyrical abstraction, a term connected to a number of abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along with others painting all - over compositions (with no singular focal point) that exhibited a nearly patterned organization with vibrational movement.

We asked: «Please send us proposals for shows regardless of practical limitations — submissions may include any number of artists alive or dead (or none at all), use any locations on this planet (or off), and assume a budget that is limitless.»

Chetwynd's new Canterbury Tales collages — which number almost 200 — again embrace the participatory spirit of her practice at large, making use of photographs sent to the artist by friends and acquaintances alongside a plethora of found imagery.

A number of cast bronze sculptures that appropriate objects from outside of the Western canon will also be on view, including Gamelan Figures, Naga Effigy, and Little Dancer (all from 2017); as well as Monochromes after Van Gogh Sunflowers: 1 - 12 (2015) in which the artist makes use of pixelation to produce a series of monochromatic panels where the individual colors are derived from Van Gogh's iconic paintings.

In the monumentally scaled triptych Lolita's House, Plaster Pink (2018), the artist uses a number of visual devices to draw the viewer's eye across the canvas while also mimicking the way in which memory evolves over time.

Illustrated with works by the contributing artists, this publication covers every facet of sculpture today: the processes used to create it, its various means of figuration and the growing number of exhibition venues now devoted to the medium.

Michel's style exists in the same space as a number of high - profile African - American artists — writer Paul Beatty, artist Kara Walker, even rapper Kendrick Lamar — who use racial assumptions and issues of identity in open - ended, ambiguous, and non-preachy ways.

Her Instagram followers, numbering more than 2 million, are well used to seeing pictures of her posing in front of works by major contemporary artists.

Even more interesting is the large number of young artists included in «Re-Op» who continue to comprehend and push the boundaries of visual perception with their use of new materials, processes, and supports.

Seeming like a new form of Realist painting, the cold impersonality of Johns» numbers, the self - evident logic of their systematic progression and the negation of any color through the artist's use of gray all appeared to deny the presence of the individual and seemed to present a new and wholly objective view of reality.

Titled «Nasty Women,» in reference to a phrase Trump once used to label Hillary Clinton, the show will feature a large sign bearing the exhibition's title, with submissions from a number of female artists hung on it.

Speaking of the collection, he said: «I expand my use of coiled construction, which allows me to work in a number of roles simultaneously (designer, artist, craftsman, etc.) with minimal concern for the distinctions or boundaries imposed on the work once it leaves the studio, often resulting in work that is hybrid or plural in nature.

Jonathan Ferrara Gallery on tony Julia Street, home to Emeril's and a row of kitschy galleries, had organized a group show where the gallery had acquired guns from the NOPD — this took two years of bureaucratic navigation, Ferrara told me — and commissioned pieces using the weapons by a number of artists.

Last year I spent an inordinate amount of time thinking about a work by US artist Tom Friedman, which consists of a ring of plastic drinking cups, using the smallest number of cups possible to close the ring to form a perfect circle.

Previous exhibitions include One is the loneliest number (2011), featuring artist duos based in Philadelphia and elsewhere; Summer Studio with Anthony Campuzano (2010), a month - long free art school and working artist's studio in the ICA galleries; Touch Sensitive: Anthony Campuzano (2009), the first museum show of an artist whose work is largely text - based; and Asking Not Telling (2009), a video show presenting works that use the tropes of documentary filmmaking to capture, record, (re) record, and represent cultural memory.

Opening: Lionel Maunz, «Deluge,» at Bureau Brooklyn - based artist Lionel Maunz is using Paolo Uccello's violent vision of the flood (pictured here) as a point of departure for his third solo show at the gallery, which reportedly includes a number of mutilated horse sculptures.

Using hard - edged geometric forms and shaped canvases, DeLap was concerned with act of perception — key to the light and space movement — and was close friends with a number those artists, especially Craig Kauffman.

This multiplicity of narrative is reflected in the use of a number of mediums, as well as in the inclusion of ephemera and historical documents belonging to the artist.