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A
number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by
writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions
of time, perception and the history
of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning
essay film - maker Grant Gee presents his study
of the late German
writer W.G. Sebald which is a multi-layered exploration
of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).
The opening
of the catalogue
essay on Hamilton's Turner prize work talks about Italian film director and
writer Pier Paolo Pasolini's «untimely death» in 1975, and a
number of letters he published in the months before he was brutally murdered.
He is active as a
writer and has contributed interviews and
essays to a
number of periodicals including IMA (Japan), Aperture, Foam, Mousse, and Objectiv.
In addition to his challenging and avant - garde art, he was also a prolific
writer on the theory
of abstract art, publishing a
number of essays as well as two volumes
of Complete Writings, in 1976 and 1986.
The publication features a
number of commissioned
essays by leading international
writers, as well as information on the participating artists and exhibition venues.
The Jacaranda magazine features in its new
number an
essay by the critical and teacher Paulo Sergio Duarte about the work
of the artist Antonio Dias originally published in 1994, unpublished
essay by the curator and teacher Agnaldo Farias about the work
of the artist Mauro Restiffe, unpublished testimony by the artist Vik Muniz to the curator Luisa Duarte, and
essay by the architect Marta Bogéa about the work
of the artist Carmela Gross originally published in the book «Um corpo de ideias» in 2010, profile
of the artist Barrão by the curator and teacher Felipe Scovino originally published in 2015 in the book Art Bra, text unheard by the Portuguese
writer Walter Hugo Mãe specially for the magazine and invited by the artist Eduardo Berliner who also collaborated with unpublished drawings, the diary that the artist Cadu produced during his residency project in the Chilean desert and the
essays about the works
of Geraldo de Barros by the curator Paulo Herkenhoff originally published in 1989.