In addition to
a number of exhibition catalogues, Galerie Lelong has published two volumes of writing by Antoni Tàpies, La réalité comme art and L'art et ses lieux.
Her work has been published in journals including Grey Room, C Magazine, Image and Narrative, Fuse, and The Journal of Critical Studies in Business and Society, and
a number of exhibition catalogues.
In addition to this, the museum regularly publishes provenance information about works of art in its collection in
a number of its exhibition catalogues.
Not exact matches
Additional Activities Guests will enjoy two orchid gardens (one on the Colonial side and a different one at the Hotel Kantenah); a
number of enticing spaces where you can find tropical plants, trees and exotic
catalogued flowers; two flamingo ponds; a crocodile habitat (with regularly scheduled feeding
exhibitions); and ecological walks through the expansive grounds among palm groves, jungle areas, swamps and spectacular gardens.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School
of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (
catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy
of Arts & Letters «46th Annual Academy Purchase
Exhibition» New York, N.Y. Baxter Gallery
of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation
of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «
Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (
catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks
of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum
of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (
catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.
Select members also receive a limited
number of complimentary
exhibition catalogue vouchers or drink vouchers redeemable at CAMH
exhibition openings.
Dr. Rand has written a
number of articles on Gorky that have been published in a wide variety
of scholarly publications and
exhibition catalogues.
(The two sculptures now known as «First Ladder» and «Last Ladder» were originally entitled «Ladder No. 1» and «Ladder No. 2» respectively; they were incorrectly
numbered in the
catalogue of the
exhibition at The Hague the other way round).
The CPPC has generated a
number of publications about Latin American art, including
exhibition catalogues and a series
of bilingual, sustained dialogues between contemporary artists and critics and art historians, called Conversaciones / Conversations.
As
of November 2017, this website now contains reference images and information on all 584
numbered works published in Francis Bacon:
Catalogue Raisonné, 2016, including the
exhibition history
of each painting.
There, you can view and purchase
catalogues from a
number of previous Norton
exhibitions, including those featuring popular RAW (Recognition
of Art by Women) artists Njideka Akunyili Crosby, Klara Kristalova, Jenny Saville, and Sylvia Plimack Mangold.
This
exhibition catalogue created with the artist encompasses a great
number of works about entertwined themes - colour, transparency, light, transluscency, projection - from the 1970s to our day.
She personally curated a
number of groundbreaking
exhibitions and wrote
catalogue essays for world - renowned artists such as Betye Saar, Sam Gilliam, and Melvin Edwards.»
He has curated a
number of exhibitions and authored the accompanying
catalogues.
Formerly Director
of the Graduate Program at the center for Curatorial Studies at Bard College and Associate Director
of the Whitney Independent Study Program, Burton has curated a
number of exhibitions as well as contributing
catalogue essays for artists such as Cindy Sherman, Marilyn Minter and Anish Kapoor.
As Stuart Weitzman himself expresses in the
exhibition catalogue, shoes «tell an almost infinite
number of stories.
Tillmans's own image rarely appears here (while the gallery permits photography, the
exhibition leaflet specifies «no selfie - sticks»), but the gregariousness
of the curating — which features a rare videowork, a live programme, ephemera from the artist's Berlin - based project space, juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising
number of dimensions; he even codesigned the
catalogue.
Since publishing War Cut in 2004, Gerhard Richter has made an increasing
number of artist's books, produced autonomously from his ostensibly more conventional
exhibition catalogues.
The
exhibition's scholarly intent and scope will be further reinforced by the
exhibition catalogue as well as by a
number of educational activities such as lectures and other events related to the topic.
In addition to curating numerous
exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a
number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the
exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art
of Friendship: Xul Solar and Jorge Luis Borges, among many others.
Designed as a turn - around book with two front covers, one for each
of the venues
of this two - part
exhibition, this
catalogue includes a
number of contributions by Rauch's long - time colleagues, including fellow artists Michaël Borremans, Hartwig Ebersbach, Jonathan Meese, and Luc Tuymans; art critics and historians, such as Rudij Bergmann and Werner Hofmann; and museum directors, such as Markus Brüderlin, Robert Fleck, and Klaus Werner.
She has curated a
number of exhibitions, and independent research based projects, coordinated a series
of exhibitions and symposiums for museums, and has contributed with texts to various art
catalogues.
The
exhibition catalogue includes a dossier
of relevant documentary material that evidences the different voices engaged in theoretical debate on the production from this period, as well as an important
number of reproductions
of works on exhibit.
Not only will International Pop remain a scholarly reference for future
exhibitions and research, but the range
of page colors and textures, to the variety
of layouts and organizational methods used throughout the
catalogue, succeed in capturing the feel
of Pop in every spread, succinctly bringing together a large
number of artists, artworks, and several countries to tell a multi-faceted and open - ended narrative
of Pop Art across the world.
The new website now contains images and information on all 584
numbered works published in the «Francis Bacon:
Catalogue Raisonné», 2016, including
exhibition history and a bibliography
of each painting.
The Library's resources include more than 18,500 books and
exhibition catalogues, periodicals, multi-media resources and artists» books, along with the Archives on Women Artists and a
number of special collections, including artists» papers.
As Holte notes in the
exhibition catalogue, Made in L.A. 2014 strives to «describe the larger atmospheric condition
of the Los Angeles art world by spotlighting a diverse
number of idiosyncratic microclimates that define it.»
He has published a
number of texts, including a series
of publications with Devonian Press, which he co-founded with the artist Jean - Pascal Flavien in 2005, as well as an essay for the
catalogue Toba Khedoori, published on the occasion
of her solo
exhibition at David Zwirner in 2012.
Her
exhibitions and their accompanying
catalogues are populated by a
number of Dumas» essays, poems, and passages about her work.
Published for an
exhibition at the White Cube gallery in London, this
catalogue is published in a
numbered edition
of 500 copies.
Alongside an increasing
number of exhibitions, this publication helps to remedy that oversight, providing a
catalogue raisonné
of Taylor's graphic works, thereby retrieving a previously little - known aspect
of his oeuvre.
DavÄ ± d Elliott is a curator and writer working on a
number of travelling
exhibitions of contemporary art and contributing to many art magazines, books and
catalogues.
In an article for the
exhibition catalogue, Greenberg discussed a
number of differing styles and tendencies in contemporary American art.
There is among them a higher - than - average
number of impressive gallery affiliations, museum shows,
exhibition catalogues and monographs.
Take, for example, his last
exhibition, for which he created a
catalogue featuring a seemingly infinite
number of grids.
Reference New American Paintings, Juried
Exhibition - in - Print,
Number 23, The Fourth Open Studios Midwestern Competition / a
catalogue of the winners «work, The Open Studios Press, Wellseley, MA, 1999