Sentences with phrase «number of exhibition spaces»

She has organized a number of exhibition spaces since 1994 featuring the work of other artists, most recently in Vienna.

We have a limited number of exhibition spaces available.

Not exact matches

After registering a growth in exhibition space and a two - digit increase in the number of exhibitors (+13 percent) in the run - up to the event, Anuga FoodTec 2018 was also able to achieve a significant rise in the number of visitors.

An internationally known medieval art scholar, Dr. Vikan has curated a number of the most significant exhibitions in the museum's history, including Silver Treasure from Early Byzantium; Holy Image, Holy Space: Frescoes and Icons from Greece; Gates of Mystery: The Art of Holy Russia; and African Zion: The Sacred Art of Ethiopia.

The company will make a limited number of the sets available to con - goers at specific times at both its panels and at its exhibition space in Artist Alley #M3 - M4.

Of late, these include Cirque du Soleil founder Guy Laliberté's Lune Rouge in Ibiza Town and serial gallerist, Lio Malca's La Nave art exhibition space near Santa Gertrudis, while a number of restaurants on the island also show the works of local artists in one - off exhibitionOf late, these include Cirque du Soleil founder Guy Laliberté's Lune Rouge in Ibiza Town and serial gallerist, Lio Malca's La Nave art exhibition space near Santa Gertrudis, while a number of restaurants on the island also show the works of local artists in one - off exhibitionof restaurants on the island also show the works of local artists in one - off exhibitionof local artists in one - off exhibitions.

Additional Activities Guests will enjoy two orchid gardens (one on the Colonial side and a different one at the Hotel Kantenah); a number of enticing spaces where you can find tropical plants, trees and exotic catalogued flowers; two flamingo ponds; a crocodile habitat (with regularly scheduled feeding exhibitions); and ecological walks through the expansive grounds among palm groves, jungle areas, swamps and spectacular gardens.

Possibility to organise meetings with visitors through the MatchMaking programme 2012: facts and figures Exhibition space: 4,800 sqm Countries and regions: 50 Number of visitors: 13,824 Business program: over 70 events / 200 hours

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

From the highest number of visitors to our online space to the 12,500 people visiting our public exhibitions, from the volume of bidders in the sales themselves to the significant number of new artist records set, we are seeing unprecedented momentum in the market as the desire to connect with great art continues to grow.»

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Flavin would continue to explore themes of seriality in a number of key works, including his «barriers,» which literally extend the notion of potentially endless repeatability into the exhibition space.

The gallery hosts a number of temporary displays throughout the year within eight spaces, ranging in focus from temporary monographic exhibitions to public and private collections and archive displays.

There were just five George McNeil paintings in Perlow's tiny space this winter, but even this small number made me wishfor a full - on museum exhibition of this underknown artist.

However, very little of the exhibition could actually be seen due to the large number of visitors, who had already gathered in front of the exhibition space an hour before the opening.

Recent exhibitions include UNTITLED: Art on the Conditions of Our Time, New Art Exchange, Nottingham, UK (2017); In This Soup We Swim, Kingsgate Project Space, London, UK (2016); Changing City: Shifting Places, CCA Lagos, Lagos, Nigeria (2016); Arena, Center of Contemporary Art, Torun, Poland (2014) and a number of screenings including at Akademie der Künst, Cologne, Germany (2016); Mount Florida Studios, Glasgow, UK (2016); Kunstmuseum Bonn, Bonn, Germany (2015); Atomic Pictures, Paris, France (2015).

Placed exactly at the centre of Mathaf's exhibition space, this installation lies at the heart of a linear but non-chronological presentation of works whereby a number of unexpected juxtapositions echo the complexity through which the artist has managed to challenge, and at times disturb, our experience of the ordinary.

In addition to the main art fair taking place on Randall's Island over the weekend a number of participating galleries in and around Manhattan's Chelsea neighborhood are taking part in an event geared to attract private clients and potential new buyers to their principal exhibition spaces.

His work has been included in many group exhibitions, including Obscurum per Obscurius, Tallinna Kunstihoone, Tallinn, Estonia (2008); A Number of Worlds Resembling Our Own, SMART Project Space, Amsterdam, The Netherlands (2007); Happy Believers, Werkleitz Biennale, Halle, Germany (2006); and Art Unlimited, Art Basel, Basel, Switzerland (2005).

In June 1961, she prepared a number of new works on the occasion of her solo exhibition Feu à volonté (Fire at Will) at the Galerie J in Paris — the first Tirs séance inside the space of a gallery.

Currently, Tawney is featured in a number of notable museum exhibitions including Between Land and Sea: Artists of the Coenties Slip at the Menil Collection in Houston, TX; Beyond Craft at the Tate Modern in London, England; Making Space: Women Artists and Postwar Abstraction at The Museum of Modern Art in New York, NY; and Thread Lines at the Kentucky Museum of Art and Craft in Louisville, KY..

His work was also shown in a number of group exhibitions including: the 14th Lyon Biennial; the 13th Sharjah Biennial; dOCUMENTA (13), Kassel; 8th Berlin Biennale; 7th Liverpool Biennial; Centre Pompidou, Paris; Museion, Bolzano; Migros Museum, Zürich; CCA Wattis Institute for Contemporary Arts, San Francisco; Joan Miro Foundation, Barcelona; Witte de With, Rotterdam; Bonniers Konsthall, Stockholm; Philadelphia Museum of Art; Ashkal Alwan Center for Contemporary Arts, Beirut; Artist Space, New York; MoCA Miami.

is an exhibition that creates critical spaces for viewers to consider and engage with a number of environmental concerns such as sustainability, water remediation, drought, etc..

Baselitz's first solo exhibition at White Cube Bermondsey will span the entire gallery space, and will include the large - scale paintings, but also a bronze sculpture and a wide number of works on paper.

The Paris show is larger than the two preceding, in terms of both exhibition space and number of works exhibited.

Alongside approximately 50 recent paintings, the exhibition titled Damien Hirst at Houghton Hall: Colour Space Paintings and Outdoor Sculptures will also include a number of the artist's most celebrated sculptures which will be installed throughout the house and gardens.

The experimental performances, which began in Provincetown and unfolded in New York City in a number of alternative exhibition spaces and galleries, forever changed the definition of art and the possibilities for what it could be.

Art of the South - sponsored annually by art journal Number Magazine - is an event that supports Southern artists by showcasing their work in a juried exhibition hosted in a rotating roster of prominent commercial and academic gallery spaces.

The twenty year old artist - run space is organizing a number of special exhibitions this year to celebrate its birthday, and after the Richard Long exhibition, it keeps work on the line of conceptualism, hosting the site - specific project by Roman Ondák.

The exhibition features a new series of works titled Side Effects — a number of custom - made glass vases displayed throughout the main gallery space.

The diverse and dynamic San Francisco Bay Area is home to an extraordinary number of alternative, municipal, and artist - run exhibition spaces as well as distinguished regional and national museums.

Number 16 also takes a look at the London Art Scene, where a lot of local galleries showed their program at London Art Fair, and Hauser & Wirth opened new spaces with a Martin Creed solo exhibition that featured a dangerously revolving neon sculpture.

In the last two decades, work by Graves has been featured in a number of solo and group exhibitions, most notably Klange des Inneren Auges: John Cage, Mark Tobey, Morris Graves (Sounds of the Inner Eye: John Cage, Mark Tobey, Morris Graves) at the Kunsthalle Bremen, Germany and the Museum of Glass: International Center for Contemporary Art, Tacoma, WA (2002); Immeasurable Spaces, Incalculable Energies: Tobey, Graves, Callahan, Anderson at the Tacoma Art Museum, Tacoma, WA (2003); The Third Mind: American Artists Contemplate Asia, 1860 - 1989 at the Solomon R. Guggenheim Museum, New York, NY (2009); John Cage with Morris Graves and Mark Tobey at The Phillips Collection, Washington, DC (2012); and Modernism in the Pacific Northwest: The Mythic and the Mystical at the Seattle Art Museum (2014).

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

The two artists have invited a number of guests to submit images for postcards that will be sold at $ 2 each to support Cleopatra's exhibition space.

- Solo exhibition for the artist of year - the winner (individual artist or 1 team) will be eligible for travel and accommodation - production (printing, framing or related presentation material)- exhibition exposure at the Festival's main exhibition space / outdoor - inclusion in art magazine and any related press - long term festival representation and promotion on official website - publications / catalog - being seen by a substantial number of visual arts professionals and the media - having their work viewed by an international panel of influential experts in the field of photography

The Number Shop - Studios and Gallery is an independent artist - run project in the centre of Edinburgh, which provides affordable studio spaces for 10 practitioners as well as a flexible use exhibition space.

Primetime, for example, is an event space run by a collective of 11 artists, including Michel Auder and a number of recent Yale MFA graduates; Know More Games hosts exhibitions by emerging talent, mainly local, such as Win McCarthy and Daphne Fitzpatrick.

She has curated a number of exhibitions and experimental design projects across Europe, and was the co-founder and director of The Gopher Hole, an exhibition and project space in London.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

Starting with Tatiana Trouve's use of materials and space for her exhibition at the South London Gallery, the art assassins experimented with a number of ways to play with, challenge and destroy materials.

On exhibition are a number of monochromatic paintings commissioned especially for the vast gallery spaces, including one work over 5m in length, reminiscent of the very first white net paintings Kusama exhibited at Brata Gallery, New York in 1959.

Tillmans's own image rarely appears here (while the gallery permits photography, the exhibition leaflet specifies «no selfie - sticks»), but the gregariousness of the curating — which features a rare videowork, a live programme, ephemera from the artist's Berlin - based project space, juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising number of dimensions; he even codesigned the catalogue.

In addition to artworks which literally claim the entire space of the room, the exhibition features a number of pieces that function as prisms or mirrors to activate their surrounding space.

DRAF continually receives significant numbers of requests for collection loans and partnerships: in 2017 alone, works have been loaned to exhibitions at Serpentine Galleries, London; BALTIC, Gateshead; Langen Foundation, Neuss; Bloomberg SPACE, London; Canada House, London; Hayward Gallery touring, UK - wide; FRAC Champagne - Ardenne; Ditchling Museum of Art + Craft, Sussex; Touchstones Rochadale, Yorkshire; Goldsmiths Edinburgh; The Hepworth Wakefield, Yorkshire; IMMA, Dublin; and PAC, Milan.

Art of the South — sponsored annually by Number Magazine — is an event that supports Southern artists by showcasing their work in a juried exhibition hosted in a rotating roster of prominent commercial and academic gallery spaces.

She has had a number of solo exhibitions at venues including the Los Angeles Photography Center, CA; LACE, Los Angeles, CA; Highways Performance Space, Santa Monica, CA; Zone Gallery, Newcastle upon Tyne, England; and the Fundacio la Caixa, Barcelona, Spain.

After the scale of some of the other work in Feral 4 Ryan's work was small, limited to a number of small boxes containing a number of found objects, collections of words, black ink and the bits and pieces of an exhibition space, masking tape threads etc..

The gallery has also presented a number of expansive exhibitions over its spaces on the ground and first floor levels, including work by JR and the retrospective of the Massive Attack visual history by band member and respected artist, 3D.

There was life — and art — outside the main exhibition hall, namely the highest number of installations (88) in the fair's Unlimited sector, devoted to large - scale works for sale and located in a hangar - like space near the main fair.