Sentences with phrase «number of exhibitions based»

In cooperation with international curators, the gallery has developed a large number of exhibitions based on sub-cultural and urban movements such as street art.

Not exact matches

Because the show was culled from a number of private collections, considering this exhibition a comprehensive survey of Minimalism would be off - base.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

THIS YEAR»S MOST POPULAR POSTS, based on number of views, tended to be exhibition roundups and Culture Talk conversations with art world figures.

All of this and nothing is the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles - based artists, both established and emerging, alongside a number of international artists.

OVER THE PAST YEAR, a number of black artists and curators have made news on a regular basis, whether for groundbreaking projects and exhibitions, or for earning a significant honor or appointment.

The exhibition focuses upon the extensive use of reproducible media which has been observed over the last ten years and proposes that the precursor of this phenomenon was the art of the late sixties and seventies, a period in which moving pictures formed the conceptual basis for the work of a number of artists.

«Each time, I felt I could have won it, based on the remit of the prize - the number of exhibitions I'd had in the preceding year, etc - but I also knew all the normal shenanigans went on behind the scenes.»

Eagle - eyed visitors to «Hot Cottons,» Magali Reus's first solo presentation in Scandinavia — and the London - based Dutch artist's largest exhibition to date — will have noticed a short column of numbers, ascending in regular intervals, discreetly incised into the plastered walls at the gallery's threshold.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Every Revolution Is a Roll of the Dice is organized by Bob Nickas, a New York - based critic and freelance curator who has realized an extraordinary number of exhibitions for galleries and museums in the United States and Europe since the mid 1980s.

80 x 89 inches January 30 — April 24, 2011 All of this and nothing is the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles - based artists, both established and emerging, alongside a number of international artists.

Tillmans's own image rarely appears here (while the gallery permits photography, the exhibition leaflet specifies «no selfie - sticks»), but the gregariousness of the curating — which features a rare videowork, a live programme, ephemera from the artist's Berlin - based project space, juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising number of dimensions; he even codesigned the catalogue.

Based on a True Story illuminates this ethos through a number of key encounters: between art and art history, curator and exhibition, collector and artist, teachers and students, lovers and friends.

Based on 80 paintings, produced in the five colors and four sizes, on exhibition for a total of 44 days, the number of possible combinations is 152,587,890,625.

Following the Lure of the Scent The Lure, Dubai / Toronto based artist Janet Bellotto's exhibition at the De Luca Fine Arts Gallery, intellectually engaging in the infinite number of ideas that it conjures up, is at its very root, sensuous, seductive, and romantic, albeit in a self - contained and carefully orchestrated manner — meaning that despite the traditional feminine aesthetic inherent in the work — read flowers and perfumed fragrances — there is not one ounce of sentimental gush or sappiness.

Presenting a number of editions in an exhibition architecture that echoes franz West's iconic «Parkett Bookcase» in tandem with visual quotations from Taslima Ahmed and Manuel Gnam's new Berlin - based journal Art Against Art

I regularly exhibited in Jamaica during the 1980s and held a number of important group and solo exhibitions each based on a single theme that related to my life.

She has curated a number of exhibitions, and independent research based projects, coordinated a series of exhibitions and symposiums for museums, and has contributed with texts to various art catalogues.

Previous exhibitions include One is the loneliest number (2011), featuring artist duos based in Philadelphia and elsewhere; Summer Studio with Anthony Campuzano (2010), a month - long free art school and working artist's studio in the ICA galleries; Touch Sensitive: Anthony Campuzano (2009), the first museum show of an artist whose work is largely text - based; and Asking Not Telling (2009), a video show presenting works that use the tropes of documentary filmmaking to capture, record, (re) record, and represent cultural memory.

In 1972 Swiss curator and art historian Harald Szeeman selected a number of photorealists for the Documenta 5, a German - based international art exhibition held every five years.

A number of the artists have been asked to produce new works especially created for this exhibition and reflecting on the future: is it possible to envisage a future based on principles of humanity and equality, rather than on exclusion and division?

She's been a member of the Santa Fe - based emerging artists group since 2015, when she was living in Santa Fe, and has exhibited in a number of their group exhibitions.

The exhibition features a number of film - based works by artists such as Willie Doherty who explores the complexities of place, identity and memory and John Gerrard who creates hyper - real studies of environments with unnerving banality.

Bringing together a number of acclaimed artists from the MENA region such as Manal al - Dowayan and Adel Abidin, whose works are housed in Sharjah - based Barjeel Foundation, the exhibition concerns itself with the impacts of geopolitical struggles on individual situations and artistic practices.

Featuring two important sound pieces, previously unseen video documentation of seminal performances and a number of newly discovered photographs, all dating from 1971 - 1975, the exhibition reveals the artist's first forays into a performance - based practice dealing with time and the immaterial, themes which have again become central to her current work.

A number of the artists in the exhibition were born in the final decades of the nineteenth century, while the youngest, Beirut - based Dala Nasser, was born in 1990.

T02235 TURNING FORM 1959 Inscribed on base of bronze in punched letters and numbers «D.A.M. / 59/2» and in pencil on underside of wooden base «Turning Form / Size 56» 1959 / Denis Mitchell / No 2/3» Bronze, 56 × 7 × 11 9/16 (142.2 × 17.8 × 29.3) on wooden base 8 1/4 (21) high Bequeathed by Miss E. M. Hodgkins 1977 Prov: Bought by Miss Hodgkins from the Penwith Gallery, 1959 Exh: Summer Exhibition, Penwith Gallery, St Ives, 1959 (75) «Turning Form» was sand cast in solid bronze by Holman's Foundry, St Just, in an edition of three plus one for the artist.

Over the last two decades Gasworks has worked with over 250 artists from 70 countries around the world.The archive and networks of the international artist residency programme at Gasworks will form the basis of a fieldwork study, from which a curatorial research project will be established and result in a number of public interactions and engagements, through panel discussions, events, exhibitions, publications and online forums.

Central to Richard Slee's exhibition at Studio Voltaire are a number of works based on vernacular objects such as wood saws, hammers, pick axes and camping equipment.

The Hammer Museum presents All of this and nothing the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles - based artists, both established and emerging, alongside a number of international artists.

Center support has made possible a number of significant exhibitions and projects at the museum, including retrospectives on the work of Barnett Newman and Arshile Gorky; a mid-career survey of Philadelphia - based artist and Pew Fellow Zoe Strauss; a commissioned composition by saxophonist / composer Wayne Shorter for the museum's well - known Art After 5 series; an exhibition examining the influence of Duchamp on John Cage, Merce Cunningham, Jasper Johns, and Robert Rauschenberg; a reinstallation of the museum's South Asian Galleries; and an interactive performance and installation project with Dutch artist Jeanne van Heeswijk.

It offers a calm vista over the waters of the Venetian Lagoon in Northern Italy, dappled by bronzed clouds.One of a small number of limited edition prints available in the exhibition, oil - based ink has been used here to re-create the rich and dramatic palette which characterises Cuming's paintings.

After a number of successful, theme based workshops held in relation to the 4th — 9th editions of the Berlin Biennale for Contemporary Art, this iteration, as proposed by the workshop directors, will be centred on the biennial exhibition itself and encourage a dynamic exchange with the Berlin Biennale staff, curators, contributors and participants.

Rotterdam - based Atelier Van Lieshout is creating a thematic exhibition in the space consisting of a large number of sculptures.

The title forms the basis for a number of works in the exhibition, Tyfus» first solo show in Brazil: a publication (Ultra Eczema 203), sculptures, oil paintings and a specially - recorded soundtrack, all of which play out scenarios originating from the aforementioned dialogue.

10 Apr 2003 Multimedia Maps at the Irish Museum of Modern Art An exhibition based on the results of a number of artists residencies in schools, both north and south of the border, opens to the public on Thursday 17 April at the Irish Museum of Modern Art. 25 Mar 2003 Recent Acquisitions at the Irish Museum of Modern Art An exhibition of recent acquisitions to the Irish Museum of Modern Art's Collection has lately opened to the public at IMMA.

The exhibition includes the first - showing since their acquisition of a number of recent works by Irish artists, including The sky looks down on almost as many things as the ceiling, (2013) a wall based sculpture by Aleana Egan and commissioned works by Ronan McCrea and Alan Phelan.

The exhibition presents the forty drawings, the resulting book of prints based on them, and a number of related works, all promised gifts of the artist to the Morgan.