Sentences with phrase «number of exhibitions focusing»

Drawing on her experience in organising a vast number of exhibitions focusing on the artist, Chiba will also discuss the significance of Takamatsu's work and the undeniable influence he has had upon the art world in Japan and worldwide.

A number of exhibitions focus on artists who are relatively young and unknown.

Not exact matches

The museum mainly focuses on contemporary art from the 1940s to today, with a permanent collection on the ground floor and a number of temporary exhibitions on the upper floors.

Comparing with the business exhibition E3 in America, the biggest gaming convention in Europe Gamescom focuses on gaming experience on players providing numbers of demo games.

The gallery hosts a number of temporary displays throughout the year within eight spaces, ranging in focus from temporary monographic exhibitions to public and private collections and archive displays.

The exhibition Hier, Oggi is structured as a retrospective — deliberately incomplete and fragmentary — where the artist has selected a number of works from different periods of career, focusing on the period that goes from 1983 to today.

The exhibition focuses upon the extensive use of reproducible media which has been observed over the last ten years and proposes that the precursor of this phenomenon was the art of the late sixties and seventies, a period in which moving pictures formed the conceptual basis for the work of a number of artists.

He received an MFA from University of Washington, Seattle, WA and has since been the focus of a number of solo exhibitions in New York, Los Angeles and Chicago.

To speak more about the selection process for this show, it is also interesting to note that as we narrowed our focus there were a number of directions this exhibition could have taken and while it became clear that we could have, for instance, created an entire exhibition strictly of triangular shapes in corners (with pieces by Benglis, Morris, Smithson, and Turrell, for example), we chose to mount an exhibition where each work engages the corner in its own unique and distinctive way.

Since its establishment in August 2010, Backwoods Gallery has produced a number of internationally acclaimed exhibitions with a focus on urban contemporary art, street art and illustration.

By opening with a display cabinet containing a number of summary sketches from an album Twombly created in 1951, this focus on working practice is emphasized curatorially; a major component of the exhibition's strength is the insight it offers into Twombly's artistic process.

The exhibition focuses on a number of American painters who, disillusioned with the rapid modernization of U.S. cities and towns, established art communities in six small, pre-industrial societies in the Netherlands between 1880 and the beginning of World War I.

Although a number of recent exhibitions have focused on the relationship between art and text, I felt there was more to say on the subject.

Clark will focus on a number of exhibitions and projects he has organized over the past 12 years with a particular emphasis on the role and responsibility of the institutional curator / director, the relative virtues of context, opportunism and demand, and the need for a different kind of speed.

Rather than focusing on individual works of a larger number of artists, the exhibition includes 18 artists who, each in his or her own way, is central to the collection.

In an email to the publication, he said: «I decided to withdraw from FRONT to focus on my other projects, such as the Second Honolulu Biennial in 2019, my role as chief curator at MOCA Detroit, my work for the Kadist Art Foundation in San Francisco, and a number of other exhibitions taking place over the next years.

Whiting has had a number of awe - inspiring solo exhibitions with Plus Gallery since the early start of his career back in 2004, and has gone on to become one of the more significant, focused and successful artists functioning both in the public and collector realms of contemporary art.

She initiated a number of conferences on art in public space, as well as art and education and launched numerous series of lectures and events in order to accompany and support the thematic focus of her exhibitions.

About the Exhibition The exhibition initially focuses on paintings from the early 1950s, the artist's first mature period, when she announced the quasi-landscape motif that she would later develop in a number of dExhibition The exhibition initially focuses on paintings from the early 1950s, the artist's first mature period, when she announced the quasi-landscape motif that she would later develop in a number of dexhibition initially focuses on paintings from the early 1950s, the artist's first mature period, when she announced the quasi-landscape motif that she would later develop in a number of directions.

Perhaps, as a growing number of museums focus their acquisitions and exhibition programming on contemporary art, the competing issues of curators seeking to examine the work of living artists from an historical vantage point and the career and market concerns of those very artists will result in other stand - offs.

This fresh exhibition combines non-Haitian works from the Rodman Collection with loans from private collections and other sources, extending the traditional of focus to include art from various geographies including Jamaica, Africa, Cuba, and a number of works by self - taught artists from Southern U.S.

The focus was a number of new video works, created by Donnelly for the exhibition.

Griffa's discourse, which has become increasingly dynamic in more recent years through color variation and the illustration of characters, symbols, and numbers representative of the Golden Ratio, (also the focus of a solo exhibition to be on view this February at Fondation Vincent van Gogh Arles, curated by Bice Curiger), originated from a simple mark; the unadorned line that reaches horizontally from left to right.

Featuring a number of artists including Andrea Crespo, Tarik Hayward, Rodrigo Hernández, Jan Kiefer and Megan Rooney the exhibition focusses on artists growing up with the internet and its affects, adverse or otherwise, on our so - called «natural instincts».

Each of the commissioned works in this exhibition focuses on a number of approaches to painting, drawing, collaging and printing.

He had a number of solo exhibitions, mainly focusing on landscapes and town scenes, at the Waddington Gallery, Gilbert Parr Gallery and at the Marjore Parr Gallery.

It also highlights the great use of space in this exhibition; housed in the old Duke of York barracks the gallery has a number of vast rooms and the abundance of space available is perfectly exploited and handled to the benefit of the installations in a way that isn't as easily achieved in exhibitions focused on wall hangings.

The focus part of the fair features a huge number of exhibitions, talks, performances, outdoor installations and other various projects, with our recommendations including Arcadia Missa showing Hannah Black, 47 Canal with a group show of drawings and small - scale sculptures, VI, VII with Than Hussein Clark, Carlos / Ishikawa showing Lloyd Corporation, Emalin featuring Russian artist Evgeny Antufiev's first project in the UK, Kraupa - Tuskany Ziedler showing Anna Uddenberg, Proyectos Ultravioleta showing video and photography by Regina José Galindo and Union Pacific presents a collaborative sculptural installation by Ben Burgis and Ksenia Pedan.

Focused on fine art which finds its background, heritage and influences deeply rooted in urban subcultures like street art, avantgarde fashion, design, music, architecture and graffiti, Circleculture gallery has developed a large number of innovative exhibition concepts in cooperation with international curators.

A major new exhibition at the Reina Sofia in Madrid, «Pity and Terror: Picasso's Path to Guernica,» which runs through the summer, focuses on the artistic period around Picasso's most famous anti-war painting, Guernica, and includes a number of rare loans from the Museum of Modern Art in New York, Fondation Beyeler in Basel, Centre Georges Pompidou in Paris, and many private collections.

Many of the works — a mixture of all techniques — which feature in this exhibition focus on the numbers and letters that have appeared recurrently in his work during more than half a century.

The central focus of the exhibition is his Cellule (1992) series, Numbers 1 — 6, all in one room in full - scale.

The exhibition will focus on a number of Ai Weiwei's monumental installations and his political work.

Unlike the other new galleries, which are massive exposition engines designed by committees, this is a focused exhibition with a limited number of important and beautifully displayed objects with just the right amount of clear explanatory text.

Focusing predominantly on his most prolific decade, the 1940s, the exhibition presents more than 40 images including rare work as well as a number of prints that solidified his extraordinary legacy.

The exhibition shows mainly sculpture, focusing on abstract pieces, with the emphasis on a number of rather less well - known works from the Moderna Museet collection.

Prior to this he worked in a number of arts organisations focusing on exhibition and artwork production and holds a degree in Art History and Visual Studies from Manchester University.

States Di Donna: «The art of René Magritte is the focus of a number of major museum exhibitions in Europe this autumn, including Tate Liverpool, The Albertina in Vienna and Foundation Beyeler in Switzerland, showing that his powerful art continues to enchant and mesmerize.

The exhibition at the Hamburger Kunsthalle focuses on the latter part of the artist's career, a highly productive period in which she created a substantial number of sculptures and drawings.

Charles E. Burchfield has been the focus of a number of museum exhibitions over the years, including an exhibition of early watercolors at the Museum of Modern Art in 1930, and retrospectives during his lifetime at the then - named Albright Art Gallery in Buffalo in 1944 (that was circulated by the American Federation of Arts in 1945), the Whitney Museum of Art in 1956 (that went on national tour to 6 venues through 1957), and the University of Arizona Art Gallery, Tucson in 1965.

This selection help us to understand his progressive concept of «sculpture as form, sculpture as structure, sculpture as place» and, in addition the exhibition focuses on the key role of language in Andre's artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp's readymades.

The exhibition focuses on a number of iconic works made in the early 1970s in Los Angeles and Amsterdam, where both Bas Jan Ader and Ger van Elk were working at the time, and aims to show how they influenced each other and furthered each other's practices going forward.

The exhibition will focus on a number of new works that will be supplemented by complementary existing works that span over 20 years of Weir's creative output.