Sentences with phrase «number of exhibitions for»

Furthermore Caroline has organised a number of exhibitions for the Arts Council across the UK including that of Roger Hiorns Seizure at Yorkshire Sculpture Park 2011 - 13.

Douglas also organised a number of exhibitions for the Arts Council across the UK including that of Roger Hiorns Seizure at Yorkshire Sculpture Park 2011 - 13.

Every Revolution Is a Roll of the Dice is organized by Bob Nickas, a New York - based critic and freelance curator who has realized an extraordinary number of exhibitions for galleries and museums in the United States and Europe since the mid 1980s.

Not exact matches

«As one of the world's most successful trade fair organizers responsible for more than 20 of the world's number one trade exhibitions and conferences, we are excited to partner with Singapore Exhibition Services to bring ProWine ASIA to Southeast Asia for the very first time.

There I spent a number of years working in Exhibit Design developing interactive educational activities for permanent and traveling exhibitions before I moved on to Imagine Childhood.

Our first blog post touches briefly on events from a very productive last week, when we met with the Minister of State for Business and Energy at our exhibition at BIS, held our AGM and annual lunch, commented on Q1 GDP numbers, and arranged interviews on the BBC and Channel 4 with our Economics Director and Chairman, respectively.

George, who is responsible for external relations at CCHQ, arranged for a number of think tanks and campaigners to be able to promote their work from within the heart of the exhibition area.

A number of items were loaned to the exhibition as well as photographs for the publication.

After a number of bit, character and supporting portrayals that have certainly given him a stage for talent exhibition, this could be his moment... and so far, precious few are looking his way.

The trail - blazing exhibition has unleashed the energy of the global meetings industry with new ideas, new vision and a passion for business amongst record numbers of exhibitors.

Not only is it an exhibition but also a process, one of active participation among a large number of players around the theme of Feeding the Planet, Energy for Life.

And judging by the number of exhibitors and new exhibitors already confirmed to exhibit within the World region on the exhibition floor the mission is fulfilled for the third year running.

Reed Travel Exhibitions Director World Travel Market Simon Press said: «The number of new exhibitors at this year's event shows the importance of WTM for generating business for exhibitors.

World Travel Market is for the first time reaching out to the global online travel community with the launch of a new travel blog, a number of social media webinars and an extensive social media programme taking place during the exhibition.

Reed Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «In the year that more than one billion global trips take place for the first time a number of countries are growing their tourism potential.

Leading with a topical mid-market theme, the initial results for the 23rd travel and tourism industry showcase, released by organiser Reed Travel Exhibitions, also recorded a 9 % increase in the number of Buyers» Club members, with a similar percentage hike in the number of other quality visitors such as VIPs, sponsors and speakers, compared to 2015.

Games Week conferences happen in a number of central locations across Melbourne including the Melbourne Convention and Exhibition Centre and the Australian Centre for the Moving Image.

MIGS will rally a great number of key gaming industry players portraying over 60 conference sessions, exhibition floor, career fair, contests and activities for an expected audience of 2,000.

The indie arcade already has a number of awesome partners lined up for organizing exhibitions and events: Play Power, the Experimental Gameplay Project, Gaijin Games (Bit.Trip series), Pixeljam (Cream Wolf, Dino Run), Attract Mode, and the NYU Game Center.

He has now completed a large number of paintings for the exhibition.

The exhibition is unusual in the breathe and number of sketches gathered and presented for the solo show, according to gallery director Dakota Sica.

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition.For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition.for what I found in this exhibition....

In the 300 + gallery exhibitions that we previewed for this post, we discovered a number of New American Paintings» alumni on view in December.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

In 1998, a number of critics responded to Humphrey's exhibition at Danese, which was curated by his longtime champion and friend, Klaus Kertess, by emphasizing the need for a retrospective, but to no avail.

The exhibition features a number of Scott's early figure works, many of which have not been displayed in public for over thirty years.

While the initial decade in Chelsea included a number of important firsts for the gallery — including acclaimed solo exhibitions by Francis Alÿs, Michaël Borremans, Isa Genzken, Alice Neel, Chris Ofili, Al Taylor, and Lisa Yuskavage — David Zwirner continued to gain momentum in its next decade.

Prior to this position, Gule was Curator of Contemporary Collections at the Johannesburg Art Gallery, where he organized a number of significant exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.

We framed a number of pastel works on paper for this exhibition which hang alongside large - scale works on canvas.

Since then, the gallery has continued to forge an academically rigorous, ambitious program of historic exhibitions, providing a natural home for a number of major 20th - century European and American artist estates, and encouraging a continued and engaging discourse around their oeuvres.

Trevor Paglen's edition for the Whitechapel Gallery accompanies his work in the 2016 exhibition Electronic Superhighway 2016 - 1966, and depicts a «numbers station» in Germany - a type of shortwave radio station characterised by unusual broadcasts.

In his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collection.

The partnership continues the specialities of both businesses, the partners having collaborated on a number of important exhibitions for many years before the merger.

With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection for exhibitions and programming, yet also displays a significant number of borrowed shows and works by emerging artists.

As well as having been included in a number of museum group exhibitions in the past few years, he has also recently had a one - person exhibition at the Stedelijk Van Abbemuseum in Eindhoven and was one of four nominees for the 2000 Turner Prize.

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptual work.

[40] In 2012, for the exhibition Game Plan, a significant number of works have been lent to the MoMA by Tornabuoni art Gallery.

Following the exhibition, the 21C Museum purchased a large number of his pieces for the museum's permanent collection.

Widely known for his iconic images of flags, targets, numbers, maps and light bulbs, Jasper Johns has occupied a central position in American art since his first solo exhibition in New York in 1958.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

Bray's curatorial leadership at Dulwich has coincided with a dramatic increase in visitor numbers and a string of highly regarded temporary exhibitions — not least the acclaimed Ravilious retrospective last summer, part of the museum's ongoing «Modern British» series that has given Tate Britain a run for its money.

From that point on, the Brazilian forces were fully engaged in the war and interestingly so, an exact number of 70 artists decided to run the first Brazilian group exhibition in London in order to raise funds for the British troops.

Artistic Director, Mami Kataoka, is in discussion with a number of artists and anticipates the exhibition will include around 70 artists in total, each presenting ambitious new commissions or recent work for the 45th anniversary of the Biennale.

In the past decade, she has worked at Art in General, Americas Society and CCS Bard; curated exhibitions for Kadist Art Foundation in Paris, the Museum of Latin American Art of Buenos Aires (MALBA), and the Center for Contemporary Art in Vilnius, Lithuania; and worked closely on projects with a number of artists, including Allora & Calzadilla, Alejandro Cesarco, Mario García Torres, Andrea Geyer, Sharon Hayes, and Judi Werthein.

Presented by the Whitney Museum of American Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this month.

A number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).

Founded in 2005, the gallery has been a launchpad for a number of prominent contemporary artists, including Cyprien Gaillard, Marie Lund, and Sol Calero, all of whom staged their first solo gallery exhibitions there.

OVER THE PAST YEAR, a number of black artists and curators have made news on a regular basis, whether for groundbreaking projects and exhibitions, or for earning a significant honor or appointment.

A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Janexhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and JanExhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.

The exhibition focuses upon the extensive use of reproducible media which has been observed over the last ten years and proposes that the precursor of this phenomenon was the art of the late sixties and seventies, a period in which moving pictures formed the conceptual basis for the work of a number of artists.