It is about the objects that have played a part in social change, and continue to do so — from a Suffragette teacup to the masked Trini dolls made by the Zapatista movement in Chiapas, Mexico, to anti-apartheid badges to the gorilla masks worn by the art - activist group Guerrilla Girls as part of their protests against the shockingly low
number of female artists represented in major galleries in the US.
Since then
a number of female artists were active in raising gender - related issues, without necessarily being «feminists».
That these sinister depictions of family space arise in exhibitions featuring a large
number of female artists is by no means coincidental, but the experiences they draw on are as varied as the works themselves.
Polling participating galleries,
the number of female artists presented in 2015 stands out — they make up a majority of this list.
Questionnaires sent to nearly 400 art galleries and museums across Europe, from the cosmopolitans of Paris and London, to the less visited areas of Sibiu and Otterlo, asked for an assessment of
the number of female artists within their collections and exhibition programs, to which answers varied but sided with homogeneity.
Prominent shows, such as the 2016 Abstract Expressionist exhibition at the Royal Academy of Arts, which included Lee Krasner, Joan Mitchell and Helen Frankenthaler, created «the opportunity to sell
a number of female artists privately,» she says.
Muscular, curated by John McAllister, has a refreshing
number of female artists on show, including Gina Beavers, Nicole Cherubini, Josephine Halvorson and Nora Riggs among others.
With a strong surrealist strain, and including a welcome
number of female artists, highlights from the 48th edition of the photography festival
The last few years have seen solo exhibitions by a strong
number of female artists, a great many queer artists and people of color, reaching a high note with last year's very gay, very feminist, ultimately historicizing exhibition This Will Have Been.
The last few years have seen solo exhibitions by a strong
number of female artists, a great many queer artists and people of color,...
One of the biggest stories in the art world in the past two or three years has been the rapidly growing
number of female artists who are getting solo shows, career surveys and retrospectives at well - known museums.
This invariably tells the markets which gender they should pay more attention to, and is reflected in
the number of female artists represented by gallery exhibits and museum collections.
Since the two were appointed last August, much has been made of the fact that they are the first women to have done the job and they have chosen a record
number of female artists — more than a third of the 92 names whose work is appearing in their respective exhibitions.
Titled «Nasty Women,» in reference to a phrase Trump once used to label Hillary Clinton, the show will feature a large sign bearing the exhibition's title, with submissions from
a number of female artists hung on it.
The second edition of the art fair has its own restaurant scene, an inflatable dog that mocks Jeff Koons and a gratifying
number of female artists
Regardless,
a number of female artists and Zelda fans have been celebrating Linkle's inclusion as a playable character in Hyrule Warriors Legends with enthusiastic joy.
Due to Japan's widespread obsession with manga and
the number of female artists, there have been many adaptations of women's visions, particularly of romance stories.
Not exact matches
They include an alternate opening
of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more
of and on Dani and Moe's rocky marriage, a scene featuring an accomplished
female voiceover
artist (played by Melissa Disney), and a
number of additional clips from the convincing fake reality dating TV show woven throughout the film,
«There were a fair
number of female attendees and sellers, but it seemed that the majority
of the
female comic
artists were drawing queer - gender - fluid or just gay guy stuff.
Curated by Agustín Arteaga, the DMA's new Eugene McDermott Director, and the result
of a combined cultural endeavor between Mexico and France, this major traveling exhibition showcases the work
of titans
of Mexican Modernism alongside that
of lesser - known pioneers, including a
number of rarely seen works by
female artists, to reveal the history and development
of modern Mexico and its cultural identity.
México 1900 — 1950 showcases the work
of titans
of Mexican Modernism alongside that
of lesser - known pioneers, including a
number of rarely seen works by
female artists.
A considerable
number of works on display are by
female artists, and the curator
of the show, Mona Khosheghbal, is also a woman.
A key aspect, though, is the
number of artists exhibited; In the Raw shows that «the
female nude» means different things to different
artists.
«This is the third time in a
number of years that I picked up a camera to take a portrait,» says Lorna Simpson, the award - winning photographer and multimedia
artist who captured a series
of portraits
of her
female contemporaries for Vogue.
On the Whitney's
artist roster, the inclusion
of «Woolford» brings the
number of African American participants in the Biennial to 9 out
of 103 (8 %), and the
number of female participants to 38 (37 %)(statistics reported by Jillian Steinhauer at Hyperallergic).
That is a frightful
number, but the art world is taking numerous initiatives to highlight the work
of female artists.
Frequently regarded as Asia's leading
female artist, Lee talks to Time Out ahead
of the inaugural exhibition
of Lehmann Maupin's Hong Kong gallery, which showcases a selection
of pieces she's made over the past few years, including several sculptural works, a
number of drawings and two new «painted sculptures».
Lubaina Himid played an active role in the Black Arts Movement in the 1980s and 1990s and curated a
number of significant exhibitions
of black
female artists.
The only
female artist associated with the Italian arte povera group, Marisa Merz remains an important reference point in modern art — she won a Golden Lion at the Venice Biennale for lifetime achievement in 2013 and has been the subject
of a
number of solo shows.
Publish equal
numbers of feature articles and reviews for
female artists as for male
artists.»
Yet even if their
numbers remain small, more and more
female artists are taking on the subject
of the male body.
Visual
artist Kameelah Janan Rasheed has been featured in
number of solo exhibitions, including the first all -
female collaborative gallery in the nation, A.I.R., as well as MoCADA, VOLTA, and 21ST Projects: Critical Practices, Inc..
Apart from the continual development and expansion
of the collection in the areas
of contemporary as well as historical photography, she has realized a large
number of solo exhibitions on such
artists as Karl Blossfeldt, Moi Ver, Bernhard Wicki, William Eggleston Wolfgang Tillmans, Fiona Tan, Eva Leitolf, Zoe Leonard, David Claerbout and Pippilotti Rist, as well as comprehensive surveys
of German and American photography and thematic shows such as «
Female Trouble» (2008).
Though the rubric for selection was not entirely clear to me — a large
number of the
artists are what might be called Black British, but not exclusively — it was good to see the stakes
of representation so explicitly foregrounded (the main exhibition this year contained work by one single
female artist of colour; the UK has been represented in the Giardini by three non-white
artists since 1948, by my count).
The gallery has recently signed two new
female artists with the aim
of representing an equal
number of female and male
artists.
Further to this, only 5 per cent
of the galleries represented an equal
number of male and
female artists, with 78 per cent
of the programmes representing more men than women.
It started with an assignment for my students in which I asked them to tally the
number of single - page ads in Artforum for solo exhibitions for male
artists vs.
female artists.
Then I began to tally the
numbers of male and
female artists represented in LA galleries.
And, besides touting emerging and established
female artists, it also manages to include a healthy
number of women in its retrospectives: Eight
of the 23
artists (35 %) in a current exhibition about the 1970s and»80s Bowery scene are
female.
At the same time, a
number of female art critics helped the movement to address wider issues, such as the misleading stereotype
of the «male
artist», and the apparent failure
of women to create an equal share
of top quality art.
She didn't set out to represent an anomalous
number of women, but «I do think the best art has struggle in it, and it's always more
of a struggle to be a
female artist.»
There are a
number of works by significant
female artists in the Leeds collection including Lubaina Himid, Susan Hiller and Barbara Hepworth.
, a «mere five
artists are black», and
of that
number, Senga Nengudi, an American, was the only black,
female artist.
Broadly speaking,
female artists deliberately avoided traditional male - dominated types
of art, like painting and sculpture, although a
number of them (Nancy Spero, Miriam Schapiro, and later Kiki Smith and Jenny Saville) achieved outstanding results in these areas.
Invited to design a billboard for the Public Art Fund, which supports public art projects in New York City, the Guerrilla Girls chose to draw a comparison between the
number of female nudes in the collection
of the Metropolitan Museum
of Art and the
number of works by
female modern
artists held by the same institution.
To create the poster, the
artists tallied the
number of female and male representations in the Metropolitan Museum's Modern Art collection and combined the results with an appropriated image
of Jean - Auguste - Dominique Ingre's La Grande Odalisque (1814).
Despite its catchy title and
number of strong works, the exhibition fails to justify its claim that these feminist
artists push their mediums and identities as
female makers in a way that is distinct from their predecessors, in part because these nebulous predecessors go unnamed.
The awards resonate with currents that run through this year's Frieze New York, including an enhanced present
of historical work, an emphasis on
female and feminist
artists, and a
number of activist positions.
Simmons was one
of the small
number of primarily
female artists who thoroughly transformed contemporary art in the late»70s and»80s.
Auction records were also set for a
number of other
artists, including Joseph Cornell ($ 4.8 million), Hans Hofmann ($ 4.8 million), Piero Manzoni ($ 14.1 million), Philip Guston ($ 25.8 million), Richard Serra ($ 4.2 million), Luc Tuymans ($ 2.7 million) and Julie Mehretu, whose $ 4.6 million sale
of Retopistics indicates her entry into the small circle high - selling
female artists, and bodes well for her current shows at both White Cube in London and Marian Goodman in New York.