Sentences with phrase «number of images produced»

Although, the algorithm isn't 100 percent immaculate, since a large number of images produced reveal a touch of ghosting, where one can see a hint of reflection.

Not exact matches

This year's presidential election will go down in the books for many things, but perhaps one of the less appreciated reasons — thanks to millions of smartphone - wielding, social - networking Americans — is the number of images it has produced

The instrument produces a large number of two - dimensional electron beam images, which a computer then reconstructs into three - dimensional structure.

Manipulating the image to remove the background produced a high correlation between the number of people and the number of pixels left in the image.

A «job» in this context is a request to process a certain amount of data — turning the information produced by the detector in a given time period into the images, say, or scanning over some large number of these images for analysis.

The ligand shell has a low symmetry and produces a large number of signals in conventional proton - NMR measurement (see image, left).

«To begin, my focus was less about having a certain number of posts and more about producing beautiful images of stylish activewear.

A shallow depth of field (smaller f - stop number) will only focus on the objects in the foreground and leave the background blurry and a wider depth of field (larger f - stop number) will produce an image with more of the background in focus.

Stålenhag's artbook was produced with the help of a Kickstarter campaign, where you can see a pitch video for the project and number of images that reveal the world - building and visual scope of Stålenhag's vision for apocalyptic America.

I attribute that to an increased number of commercially - produced books which include images.

It's all too common for a book to go into production only to get held up because the graphics were produced by someone who didn't know the requirements of print production, or they were output at a resolution too low for printing; or the files are too small to create images the size that you want in the book, or for any number of other problems that can cause your project to come to a grinding halt.

As a general rule, you should avoid using Microsoft PowerPoint software to produce downloadable content, as its structure, large number of images and text boxes are problematic for screen readers.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Since the early 1960s he has explored a number of related themes and ideas, producing paintings and photographs that question the nature of the images that can be produced by both mediums.

The photographic silkscreen printing process created a precise and defined image and allowed Warhol and his assistants to mass - produce a large number of prints with relative ease.

This method creates a precise and defined image and allows the artist to mass - produce a large number of prints with relative ease.

«Best known for his images of amorous aristocrats and melancholy actors, Jean - Antoine Watteau (1684 - 1721) ventured into military subjects early in his short career, producing about a dozen paintings and a number of drawings between about 1709 and 1715.

Max Ernst another German Dada and Surrealist artist also produced a number of collaged images, and incorporated frottage (rubbed patterns) in his fantasy art.

For COSMIC RAY, Conner combined images he shot of streaming street - lights and a strip - tease dance with found elements, such as countdown numbers, flash - frames, and head - and - tail indicators, to produce a rhythmic and energetic film.

Later on, in the 1960s, she would produce a significant number of marble carvings - Image II (Tate Gallery T00958), for instance - but in between those two moments there are only a handful.

Commencing with the belief that rendering an image upon canvas limits the experience of the viewer, Erisalu has produced a series of paintings utilizing language, words, numbers and letters, which identify the subject rather than drawing or painting it.

Through software such as Paintshop Pro, Compupict, Photoshop and Corel, Learn has mixed weaved and produced image / text interface to create a number of web /» book» projects.

He then overlaid each of the resulting boards with a variety of complex silkscreened surfaces, producing a range of distortions and re-interpretations of the original image, including a number of «misprints,» many of which were developed into unique works, either as composites or as overpainted prints.

If both our full frame Pringles tube and crop sensor Pringles tube have the same number of megapixels, even though the hole in the crop tube is smaller, the image it produces is the exact same resolution as the one produced by the full frame tube.

Too much time and money has been spent by ORE on positive image campaigns, and not enough of same on producing high numbers of in - the - field professionals who reflect the image.