Sentences with phrase «number of new exhibits»

Since gaining worldwide attention from April The Giraffe's live - streamed pregnancy in 2017, the park has been able to grow its staff and add a number of new exhibits, including the critically endangered Bongo antelopes, toucans, the Discovery Station, and an African lion exhibit.

Not exact matches

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

Although relatively new to having a B&M gallery, I have exhibited and sold art for a number of years and buyers definitely know the difference between original art and prints.

Chicago's Museum of Science and Industry is unveiling a new permanent exhibit, Numbers in Nature.

Numbers in Nature, a new permanent exhibit, immerses visitors in the splendors of spirals and fabulousness of fractals.

Yet the new species also exhibits a number of characteristics seen only in Homo, including its flatter face, robust pelvis and long, striding legs.

Committed to ensuring exhibitor success at the 2009 event, organizers launched an unprecedented number of new programs and promotions, such as moving the exhibit contract deadline back one month.

Audi is exhibiting its broad model range and a number of attractive new products at the Essen Motor Show from 25 November to 4 December.

«Among the numerous new products exhibited at the 2015 SEMA Show, these 10 were those that, in my opinion, have a number of characteristics and purposes that would be of great benefit for users in Venezuela, given the conditions and vehicles on our roads.»

While employing the basic tried - and - true independent McPherson strut architecture, the new GTI handling is enhanced by a number of revisions that include a new strut - type axle that helps create a more direct steering ratio; higher transversal axle rigidity and a lowered tendency to exhibit body roll on tight turns.

As the number of automotive parts manufacturers seeking to exhibit at the SEMA Show increases, organizers have implemented measures to ensure that new companies continue to have access to the marketplace.

The exhibits, author signings and seminars began Wednesday afternoon, and again, record numbers of new authors were gathering at the UPubU stage to catch twenty minute talks on everything from self - publishing to distribution to promotion.

The number of qualifying constituents (see Exhibit 2) has increased dramatically since August 2014, with 89 new issuers entering the index just this month.

A number of new acquisitions are included in the exhibition, while other artefacts have never before been exhibited in the Anne Frank House.

And judging by the number of exhibitors and new exhibitors already confirmed to exhibit within the World region on the exhibition floor the mission is fulfilled for the third year running.

World Travel Market TOT Sales Manager Jo Marshall said: «The interest in exhibiting at WTM's TOT section is phenomenal; I'm delighted with the new exhibitors we have on board so far, as well as the number of exhibitors which are expanding their stand space following a successful WTM 2010.

From a rerelease of a TrickStyle, a Dreamcast era racer, to the return of Halo Wars - a franchise that went on an eight - year hiatus, this week's list of new releases exhibits a number of familiar...

From a rerelease of a TrickStyle, a Dreamcast era racer, to the return of Halo Wars - a franchise that went on an eight - year hiatus, this week's list of new releases exhibits a number of familiar properties.

Molding width: 4-7/8» Painting bequest of Adelaide Moise; Colby Museum accession number: 1986.021 CURRENTLY ON VIEW at The Met Breuer, New York City, in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next Summer into Autumn at Colby College Museum of Art, July 8 — November 1)

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Colen has exhibited at a number of institutions including Royal Academy, London, MoMA PS 1, New York, National Museum of Art, Architecture, and Design, Oslo, New Museum, New York, FLAG Art Foundation, New York, and Brant Foundation Art Study Center, Greenwich, Connecticut, among others.

Fischer has exhibited at a number of institutions including The Modern Institute, Glasgow, The Museum of Contemporary Art, Los Angeles, Kunsthalle Wien, Vienna, The Brant Foundation Art Study Center, Greenwich, Connecticut, New Museum, New York, Museum Boijmans Van Beuningen, Rotterdam, Camden Arts Centre, London, Centre Pompidou, Paris, Santa Monica Museum of Art, California, Stedelijk Museum, Amsterdam, and Institute of Contemporary Arts, London, among many others.

Saville is represented by seventeen paintings and a number of drawings that span her career thus far, including several monumental paintings, such as Fulcrum and Ruben's Flap (1999), first exhibited in her landmark 1999 solo exhibition at Gagosian's former Wooster Street gallery in New York.

Bartlett exhibited them in New York in 1981, where they received praise from a number of critics, including New York Times writer Grace Glueck, who placed the work in the tradition of «obsessional stuff that lets us see deep into the makings of art.»

With an emphasis on new and recent works, including some exhibited for the first time, the exhibition «Sean Scully: Standing on the Edge of the World» features a number of pieces from the past thirty years, selected and arranged by curator Alfredo Cramerotti.

Champion's work has been exhibited at a number of recognised international spaces including Modern Art Oxford (UK), Zabludowicz Collection, London (UK), Socrates Sculpture Park, New York (US), Bold Tendencies Sculpture Project, London (UK), Enclave Projects, London (UK), and Horatio Junior, London (UK).

Sussman, curator / Sondra Gilman Curator of Photography at the Whitney, and Sanders, a freelance curator, writer and dealer for New York's Greene Naftali gallery, not only pared down the number of exhibited artists, but also incited a dialogue that is both timely and urgent.

A significant number of artists in Asia took to such practices with gusto through the late 1980s and»90s, which may well have had less to do with rejecting a modernist paradigm (as it had been with the neo-avant-garde) and more to do with a proliferation of exhibiting conditions that favoured new media — that is, the space of the biennial.

19 Chicago galleries participated, the highest number yet, and EXPO continued to draw galleries from around the world, including repeat exhibitors like New York's CRG Gallery who has been on board all three years, and Diana Lowenstein Gallery of Miami, who has been exhibiting at Chicago fairs every year since the 90s.

In addition, a number of major new acquisitions will be exhibited at the Whitney for the first time, including Barkley L. Hendricks's full - length 1976 portrait, Steve; Urs Fischer's 2015 towering candle sculpture of Julian Schnabel (making its debut); Joan Semmel's painting of two nude lovers, Touch (1977); Henry Taylor's depiction of Black Panther leader Huey Newton (2007); Deana Lawson's striking color photograph The Garden (2015); and Rosalyn Drexler's Pop masterwork Marilyn Pursued by Death (1963).

He has exhibited throughout the Pacific Northwest and in New York, Houston, and Miami in a number of solo and group exhibitions including a forthcoming solo exhibition at the Morris Graves Museum of Art.

In addition, he has exhibited in a number of group exhibitions, including A Strange New World, Tijuana and the Santa Monica Museum of Art (2007); Art on Paper, Weatherspoon Art Museum, Greensboro, NC (2002); and The Whitney Biennial at the Whitney Museum of American Art, New York (2000).

Following a number of shows in recent years, Khan is now «in the studio playing with a lot of different aspects of the work»: his first white on white paintings, which will be exhibited at Sean Kelly Gallery, New York, in late 2015, and calligraphic black paintings inspired by his longstanding admiration of Cy Twombly.

A number of the seven new «Natural History» works exhibited were realisations of drawings made by Hirst in the early 90s.

The piece is one of a number of sketches Flavin created outlining his concept for a fluorescent light structure that was to have been exhibited in a group show at New York's Leo Castelli Gallery.

Friday has exhibited in a number of venues, including Exit Art, New York, NY; the University of Buffalo Art Department Gallery; the Cambridge Art Association, Cambridge, MA; 1708 Gallery, Richmond, VA; the University of Rochester Art Gallery; the Pittsburgh Center for the Arts; the Center for Contemporary Arts in St. Louis; and Spaces, Cleveland, OH.

On exhibition are a number of monochromatic paintings commissioned especially for the vast gallery spaces, including one work over 5m in length, reminiscent of the very first white net paintings Kusama exhibited at Brata Gallery, New York in 1959.

A number of the exhibited works place themselves in the gaps that are created when social models fade into history before new ideas and visions have materialized.

Ness has had works exhibited at a number of public and private institutions, including the Museum of Contemporary Art in San Diego, the Tel Aviv Museum of Art, and the Jewish Museum in New York.

Last spring, the Museum of Modern Art in New York, with a Pollock collection unrivaled by any other museum worldwide, presented an exhibit of highlights from that collection, representing all the stages of his career, including the massive One: Number 31, 1950 (at top of page), widely considered his masterpiece.

Showcased September 16 - 18, 2013 in booth D1 at the Haliç Congress Center in Istanbul, the gallery will be exhibiting a number of new pieces by international contemporary artists Shiva Ahmadi, Ana Laura Aláez, Ayad Alkadhi, Reza Aramesh, Kezban Arca Batibeki, Richard Hudson, Leila Pazooki and Hadieh Shafie.

Although Morandi rarely traveled outside of Italy and never beyond Europe, his work was exhibited internationally and was included in a number of landmark presentations in the United States beginning in the late 1940s, such as Twentieth - Century Italian Art, organized by Alfred H. Barr, Jr. and James Thrall Soby at The Museum of Modern Art, New York, in 1949; the important exhibition Painting in Post-War Italy, 1945 - 1957, at the Casa Italiana at Columbia University, New York; and The New Renaissance in Italy at the Pasadena Art Museum, California — both in 1958, which captivated an American audience.

They have found themselves confronted with a problem beyond their solution, as we predicted last week, and the number of involved, tedious and lengthy essays on the new art movement in Europe, as evidenced by the exhibits of the «Cubists,» «Futurists» and all the other «Ists» at the Armory published of late in the dailies, is appalling.

Her work has been exhibited widely - in New York, Berlin, Jakarta, and Tel Aviv, amongst others - including in a number of public institutions such as the Kunstmuseum Solothurn, Stadtgalerie Mannheim, and Kunstverein Ludwigshafen.

That said, a number of postmodernist galleries - including the Tate Modern, the Pompidou Centre, the Guggenheim New York and MoMA - also own substantial collections of late - 20th century art and still manage to host outstanding temporary exhibits.

His work has been exhibited at the Anita Shapolsky Gallery in New York City, and his son Andrew who handles Ilya's estate has visited the gallery's Art Foundation in Jim Thorpe, Pennsylvania, with groups a number of times.

Team will be exhibiting new work, across a variety of media, by a number of gallery artists including Cory Arcangel, Gardar Eide Einarsson, Massimo Grimaldi, Jakob Kolding, Ryan McGinley, David Ratcliff and Stanley Whitney.

Joffe's towering paintings, mostly portraits of women or children, have been exhibited in London, New York, Bologna and Venice, and a number are held by the Saatchi Gallery.

The Crisis Commission has brought together a number of celebrated British artists exhibiting major new works in a spectacular exhibition opening 14 March to 22 April 2012 at Somerset House in London.

The Crisis Commission has brought together a number of celebrated British artists exhibiting major new works in a spectacular exhibition opening 14 March to -LSB-...]